Roman Catholic Archdiocese of Genoa

Genoa Cathedral or Metropolitan Cathedral of Saint Lawrence (Italian: Duomo di Genova, Cattedrale di San Lorenzo) is a Roman Catholic cathedral in the Italian city of Genoa. It is dedicated to Saint Lawrence (San Lorenzo), and is the seat of the Archbishop of Genoa. The cathedral was consecrated by Pope Gelasius II in 1118 and was built between the twelfth century and the fourteenth century as fundamentally a medieval building, with some later additions. Secondary naves and side covers are of Romanesque style and the main facade is Gothic from the early thirteenth century, while capitals and columns with interior corridors date from the early fourteenth century. The bell tower and dome were built in the sixteenth century.

The church of the Santissimo Nome di Maria e degli Angeli Custodi, commonly known as the Church of the Scuole Pie, is a church in central Genoa, located a few metres away from the Cathedral of Genoa. The church was built on property belonging to the community of Piarist or Scolopi fathers (members of the Order of Poor Clerics Regular of the Mother of God of the Pious Schools, who had come to the city to establish a school from the town of Savona in the 16th century. Church construction began in 1712, and was completed by around 1770. Among the artists completing frescoes in the interior were Giuseppe Galeotti and Andrea Leoncini. Galeotti painted the Saints Jerome, Ambrogio, Gregory, and Augustine in the Pilasters. Leoncini frescoed Giuseppe Calasanzio (the founder of the order of the scolopi). Francesco Maria Schiaffino designed nine relief sculptures present in the church, and died (1765) before they were all completed by his studio. The three representing the Nativity, Mary at the Temple, and Young Jesus among the Scholars, while the Marriage of Mary, the Annunciation, the Visitation of Anne, the Assumption of the Virgin, the Descent of the Holy Spirit, and Flight to Egypt were by pupils, including this last once completed by a young Nicolò Traverso). The statue of Mary at the main altar was completed by Tommaso Orsolino, while a painting of the Guardian Angel was completed by Giovanni Paolo Oderico.

The Palazzo Vincenzo Imperiale is a building located in Campetto at number 8a, in the area of the Soziglia Market in the historical centre of Genoa. The building was included in the list of palaces included in the Rolli di Genova, UNESCO World Heritage List sites. Designed and decorated in the second half of the 16th century by Giovan Battista Castello, it constitutes one of the major Mannerist creations in Liguria.

San Matteo is a Roman Catholic church in Genoa, in the region of Liguria, Italy.

San Donato is a church in Genoa, Northern Italy. The interior contains a Madonna by the 14th-century painter Nicolò da Voltri; a St Joseph It dates from the 12th century and is in Romanesque style. It became a parish under archbishop Siro il Porcello, and was consecrated on May 1, 1189. After the bombardment of 1684 it was restored several times, being again consecrated on December 4, 1892. Other restorations in 1946-1951 have kept its Romanesque appearance. , by Domenico Piola; and a marble relief of the Baptism of Christ, started by Ignazio Peschiera and completed by his pupil Carlo Rubatto. There is also a triptych (1515) by Joos van Cleve representing The Adoration of the Magi; the person who commissioned the work Stefano Raggi with Guardian Saint ; and a Mary Magdalen. This is topped by a Crucifixion scene with Mary and St John the Evangelist.

The Republic of Genoa was a medieval and early modern maritime republic from the 11th century to 1797 in Liguria on the northwestern Italian coast. During the Late Middle Ages, it was a major commercial power in both the Mediterranean Sea and the Black Sea. Between the 16th and 17th centuries it was one of the major financial centers in Europe. Throughout its history, the Genoese Republic established numerous colonies throughout the Mediterranean and the Black Sea, including Corsica from 1347 to 1768, Monaco, Southern Crimea from 1266 to 1475 and the islands of Lesbos and Chios from the 14th century to 1462 and 1566 respectively. With the arrival of the early modern period, the Republic had lost many of its colonies, and had to shift its interests and focus on banking. This decision would prove successful for Genoa, which remained as one of the hubs of capitalism, with highly developed banks and trading companies. Genoa was known as "la Superba" ("the Superb one"), "la Dominante" ("The Dominant one"), "la Dominante dei mari" ("the Dominant of the Seas"), and "la Repubblica dei magnifici" ("the Republic of the Magnificents"). From the 11th century to 1528 it was officially known as the "Compagna Communis Ianuensis" and from 1580 as the "Serenìscima Repùbrica de Zêna" (Most Serene Republic of Genoa). From 1339 until the state's extinction in 1797 the ruler of the republic was the Doge, originally elected for life, after 1528 was elected for terms of two years. However, in actuality, the Republic was an oligarchy ruled by a small group of merchant families, from whom the doges were selected. The Genoese navy played a fundamental role in the wealth and power of the Republic over the centuries and its importance was recognized throughout Europe. To this day, its legacy, as a key factor in the triumph of the Genoese Republic, is still recognized and its coat of arms is depicted in the flag of the Italian Navy. In 1284, Genoa fought victoriously against the Republic of Pisa in the battle of Meloria for the dominance over the Tyrrhenian Sea, and it was an eternal rival of Venice for dominance in the Mediterranean Sea. The republic began when Genoa became a self-governing commune in the 11th century and ended when it was conquered by the French First Republic under Napoleon and replaced with the Ligurian Republic. The Ligurian Republic was annexed by the First French Empire in 1805; its restoration was briefly proclaimed in 1814 following the defeat of Napoleon, but it was ultimately annexed by the Kingdom of Sardinia in 1815.

The Doge's Palace (Italian: Palazzo Ducale) is a historical building in Genoa, northern Italy. Once the home of the Doges of Genoa, it is now a museum and a centre for cultural events and arts exhibitions. It is situated in the heart of the city, with two different entrances and façades, the main one on Piazza Giacomo Matteotti, and the second one on Piazza De Ferrari.

Santa Maria delle Vigne is a Roman Catholic basilica church in Genoa, Italy. It was built in the 10th century. The main altar was completed in 1730 by Giacomo Antonio Ponsonelli. The church is also the final resting place of the leading early Italian composer Alessandro Stradella, who was murdered in 1682.

The Palazzo Stefano De Mari is a building located in Via San Luca at no. 5 in the Mercato di Banchi area in the historic centre of Genoa, included on 13 July 2006 in the list of the 42 palaces inscribed in the Rolli di Genova that became World Heritage by UNESCO on that date.

San Torpete is a church in central Genoa, northern Italy, dedicated to Saint Torpes. It was founded in the 11th century by local merchants. It was rebuilt in 1730 under designs conceived by Giovanni Antonio Ricca. The interior ceiling is decorated with paintings and stucco by Giovanni Bernardo Carlone depicting scenes of the Life of San Torpete. An altarpiece of Madonna with St Thomas Becket of Canterbury, St Lucia and John the Baptist is attributed to the studio of Luca Cambiaso or Andrea Semini. The small statue of the Virgin of Providence at the main altar was completed by Giovanni Battista Drago. The altar of San Filippo Neri has a painting depicting The Saint in ecstasy attributed to the studio of Giovanni Battista Paggi.

Basilica of Our Lady of the Assumption (Italian: Basilica di Nostra Signora Assunta is a Roman Catholic church in the town of Genoa, in the Province of Genoa and the region of Liguria, Italy. This church was constructed during 1610–1624. The Baroque-style facade was added in 1932, design of the architect Piero de Barbieri; the sculptor Luigi Venzano contributed the facade statues of St. John the Baptist and St. Joseph, while the central relief depicts the Madonna. The interior was decorated across the centuries and includes works by Giulio Benso, Domenico Piola, Nicolò Barabino, and Gian Stefano Rossi. It should not be confused with the distinct Santa Maria Assunta also called Santa Maria di Carignano.

The palazzo Gio Battista Grimaldi is a building located in vico San Luca at no. 4 in the historical centre of Genoa, included on 13 July 2006 in the list of the 42 palaces inscribed in the Rolli di Genova that became World Heritage by UNESCO on that date.