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Van Wyck Homestead Museum

American Revolution on the National Register of Historic PlacesAmerican Revolutionary War museums in New York (state)American Revolutionary War sitesArchaeological sites on the National Register of Historic Places in New York (state)Fishkill, New York
Historic house museums in New York (state)Houses completed in 1777Houses in Dutchess County, New YorkHouses on the National Register of Historic Places in New York (state)Museums in Dutchess County, New YorkNational Register of Historic Places in Dutchess County, New YorkU.S. Route 9Van Wyck family
Vanwyckhomesteadfishkill2006
Vanwyckhomesteadfishkill2006

The Van Wyck Homestead Museum or Van Wyck-Wharton House (pronounced Van Wike) is an early 18th-century Dutch colonial house in the Town of Fishkill, New York, United States of America. It served as a headquarters to a major military supply depot during the American Revolutionary War and has been listed on the National Register of Historic Places since April 13, 1972; the adjoining Fishkill Supply Depot Site has been listed on the NRHP since January 21, 1974. It is located on US 9 just south of Interstate 84. Excavations during the construction of a nearby gas station and the Dutchess Mall in the early 1970s unearthed many artifacts at the site, particularly materiel.

Excerpt from the Wikipedia article Van Wyck Homestead Museum (License: CC BY-SA 3.0, Authors, Images).

Van Wyck Homestead Museum
US 9,

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N 41.522777777778 ° E -73.888888888889 °
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Van Wyck Homestead Museum

US 9 504
12524
New York, United States
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American Geophysical Union v. Texaco, Inc.
American Geophysical Union v. Texaco, Inc.

American Geophysical Union v. Texaco, Inc., 60 F.3d 913, was a 1995 U.S. copyright case holding that a private, for-profit corporate library could not rely on fair use in systematically making copies of articles in academic journals for its employees. A divided panel of the U.S. Court of Appeals for the Second Circuit affirmed a ruling by Judge Pierre Leval of the U.S. District Court for the Southern District of New York in favor of the academic publishers who had filed the lawsuit. The case was the first heard by the Second Circuit to seriously consider the question of transformative use, a concept Leval had introduced, in evaluating a fair use claim.In the wake of an earlier case that had held similar archival photocopying of academic articles by a government agency's internal library to be fair use due to the public purpose of the agency, Congress had urged the academic publishing industry to develop ways to adequately license such photocopying, a common practice, by private, for-profit libraries. One such system was in place during the 1980s, but Texaco declined to use it, citing its cumbersome bureaucratic requirements and its belief that the practice was fair use, leading several academic publishers, including the American Geophysical Union (AGU), to sue for copyright infringement. At trial Leval found that Texaco's fair use defense failed on three of the four factors used to determine fair use. The copies were used for the same informational purpose as the original articles, and Leval did not find that the ability they gave the scientists to bring them into the lab or home was sufficiently transformative. The articles were copied in their entirety and adversely affected commercial opportunities for the publishers in the form of the lost revenue they otherwise would have made from licensing the photocopying and/or the sale of additional subscriptions to their journals. Only on the second factor, the purpose of the work, did Leval hold for Texaco, since both the originals and the copies were used commercially. Two years later, the Second Circuit took into account the Supreme Court's Campbell v. Acuff-Rose Music, Inc. decision in the interim, which had recognized transformative use when it held parody to be protected under fair use. Judge Jon O. Newman's majority opinion, amended twice over the year following, criticized Leval for having emphasized Texaco's commercial purpose, and held that the second-factor test, the purpose of the work, favored neither side, but otherwise affirmed his holding. Judge Dennis Jacobs dissented, arguing that the use of the photocopied articles was indeed transformative since ultimately they could lead to new research and new ideas, as well as attacking as "circular" the majority's lost revenue finding when the entire purpose of the case was to determine whether the use that gave rise to those revenues was fair, themes echoed in criticisms by academic commentators. After further appeals were denied, Texaco settled the case.

Valhalla Highlands Historic District

Valhalla Highlands Historic District, also known as Lake Valhalla, is a national historic district located near Cold Spring in Putnam County, New York. The district encompasses 57 contributing buildings, 11 contributing sites, 10 contributing structures, 7 contributing objects and a 900-acre forest in an early second home community established by primarily German/Austrians and Norwegians from New York City. It developed between the early-1930s and mid-1940s, and includes lodges that are typically one or two stories high and have fieldstone foundations. They are characterized by structural stone walls and full log construction and frame dwellings clad with half-log wood siding and fieldstone veneer, chimneys and terraces. The district also includes a boat lodge with a ping-pong room and terrace, a swimming dock, a boat dock, a tea pavilion, a recreation pavilion, a lookout pavilion, shuffleboard courts, a tennis court, a playing field, a picnic area, rustic improvements throughout the forest and the remnants of a hunting cabin.The on-site National Register plaque states: "Valhalla Highlands was initiated in the early 1930s as a stylistically cohesive summer community with individual lodges, shared amenities, including Lake Valhalla, community buildings and a 1,100 acre forest with trails and rustic facilities and Valkyrie, the home of Ludwig Novoting, the creator of Valhalla Highlands. All the lodges were placed on a planned layout with a carefully organized system of boulder-lined unpaved roads, vistas and landscape features. No two lodges were the same and the community was harmoniously placed within its magnificent natural setting. The District was an early occurrence of seasonal retreats for New Yorkers in the rural areas of the Hudson Valley during the early twentieth century. The lodges, roads, common facilities and landscaping were a rustic interpretation of the Storybook Style popular in America between World War I and World War II. With whimsy and creative playfulness, the Valhalla Highlands interpretation was picturesque and nostalgic. These qualities were evident in the buttressed field stone and half-log walls, swooping multi-color asphalt shingle roofs with peaks, asymmetrical roof pitches, prominent field stone chimneys, cantilevered entry canopies, free-standing peeled log arches at the entrances, window awnings, half-log flower boxes, small-paned steel and wood windows, field stone paths and steps, boulder borders, rock gardens with elf figurines and knotty pine interiors. The ensemble blurred the line of fantasy and true reality with an inherent sense of humor. The playful, fairy-tale aesthetic of Valhalla Highlands matched the community’s theme of a Nordic paradise. Eighty years later, on November 12, 2014, when the United States Department of the Interior listed the Valhalla Highlands Historic District on the National Register of Historic Places, the district was essentially unchanged from its time of origin." It was listed on the National Register of Historic Places in 2014.