Palazzo Moroni

Sant'Andrea is a Neoclassic church in Bergamo, rebuilt by Ferdinando Crivelli in 1837. On the main altar, is Enthroned Madonna with child and Saints Eusebius, Andrew, Domno, and Domneone, painted in 1536-7 by Il Moretto and a Nativity by Giovanni Paolo Cavagna. Other paintings here are by Palma il Giovane, Enea Salmeggia, Giovanni Giacomo Barbelli, Padovanino, a ‘’Deposition’’ by Andrea Previtali, and others.

San Michele al Pozzo Bianco is a church in the upper town of Bergamo, on a small piazza of the same name, near Porta Sant'Agostino, on Via Porta Dipinta. The church is now in a corner next to the frescoed house of the vicar, entered by a large rounded arch. The vicar's house has an external fresco attributed to Giacomo Scanardi.

The Funicular Railway Upper City - Lower City (Italian: Funicolare Città Alta), is a funicular railway line in the city of Bergamo, Italy. It connects the historic core of Città Alta (the suspended fortified city of Bergamo built up on a hill) with the Città Bassa, the financial lower city. Built in 1887, it is one of the two funicular lines serving the city of Bergamo; the other being the Bergamo - San Vigilio funicular.

The Matris Domini Monastery is an enclosed female monastery which hosts the museum of the same name, situated in the lower part of the Italian city of Bergamo. It houses a museum containing several medieval frescoes with religious themes.

The Museo Matris Domini is housed in the oldest section of the Dominican convent of the same name, situated in the city centre of Bergamo, Italy. It is administered by the nuns of the foundation. The museum preserves a series of 13th and 14th Century frescoes which were uncovered in a 1973 restoration of what was thought to have been the old refectory and a small church within the monastery. The reappearance of these paintings was highly significant as they are amongst the earliest surviving examples of wall painting in the province of Bergamo and indeed in Lombardy as a whole. Outstanding for their pictorial and emotion qualities are fragments from what must have been a depiction of the Last Judgment: the Just, the Blessed, two Angels with trumpets (which are of particular beauty), Saint Peter Enthroned, and Hell, all attributed to the Master of the Tree of Life. There is another series of frescoes of great emotive and narrative quality, representing Jesus among the Doctors, the Baptism, the Virgin and Child Enthroned, Saint Catherine of Alexandria upon the Wheel, Saint Martin and the Pauper, Jesus entering Jerusalem, and the Miracle of the reanimation of Napoleone Orsini by Saint Dominic, showing the young man falling from his horse. These works, together with the Visitation, have been attributed to the so-called First Master of Abbey of Chiaravalle, an anonymous artist active in Lombardy circa 1320-30, and known only through these works, as well as frescoes in San Marco, Milan and in the eponymous Abbey of Chiaravalle. The Visitation is a particularly striking image because of its freshness and for the expressiveness of the faces of the Virgin and Saint Elizabeth, painted by the Master with great intelligence and sensitivity. A 16th-century fresco depicting Saint Dominic (the patron of the monastery) with other saints is also featured in the museum.

Venetian Works of Defence between the 16th and 17th centuries: Stato da Terra – Western Stato da Mar is a UNESCO World Heritage Site comprising six bastion forts built by the Republic of Venice on its mainland domains (Stato da Terra) and its Domains of the Sea (Stato da Màr). With the increase in firearm warfare in the early modern period of gunpowder when the cannon came to dominate the battlefield, came significant shifts in military strategy and fort design. One of these changes was the development of the bastion fort, or alla moderna fortifications, with a polygon-shaped fortress with bulwarks at the corners. These designs originated from the Republic of Venice, but would soon spread throughout Europe and remain the standard for defence until the 19th century. In 2017, six of these fortifications in Italy, Croatia, and Montenegro were inscribed on the UNESCO World Heritage list. These six sites provide quintessential examples of this fort design, demonstrate the influence of Renaissance-era Venice, and pay testimony to a major advancement in the history of warfare.

Bergamo Cathedral (Italian: Duomo di Bergamo, Cattedrale di Sant'Alessandro) is a Roman Catholic cathedral in Bergamo, Italy, dedicated to Saint Alexander of Bergamo, patron saint of the city. It is the seat of the Bishop of Bergamo.

Sant'Alessandro della Croce is a Baroque style, Roman Catholic church located on Via Pignolo in Bergamo, region of Lombardy, Italy.

The Cappella Colleoni (Italian: "Colleoni Chapel") is a chapel and mausoleum attached to the Basilica of St. Mary Major in the northern Italian city of Bergamo. Dedicated to the saints Bartholomew, Mark and John the Baptist, it was built between 1472 and 1476 as the personal shrine for the condottiere Bartolomeo Colleoni, a member of one of the city's most notable families, and his beloved daughter Medea. The site chosen was that of the church's sacristy, which was demolished by Colleoni's soldiers. Whether or not the demolition was authorized by church administrators remains the subject of scholarly debate among Italian historians. The design was entrusted to Giovanni Antonio Amadeo, whose plan respected the style of the church, as can be seen from the octagonal tambour of the dome and in the lantern cusp, as well as in the use of polychrome marbles.

The Basilica of Santa Maria Maggiore is a major church in the upper town of Bergamo, Northern Italy.

The Tempietto di Santa Croce is a small octagonal Romanesque chapel found in the upper city of Bergamo, near the Santa Maria Maggiore. The original building was constructed in the first half of the 11th century, though first documentation of the structure dates to 1133. Other Romanesque structures in the province include the Rotonda di San Tomè, the Basilica di Santa Giulia, and the Priorato di Sant'Egidio.

The Museo Adriano Bernareggi, also called the Museo Diocesano Bernareggi is an gallery of sacred art and objects housed in a former aristocratic palace, the Palazzo Bassi-Rathgeb, located on Via Pignolo #76 in Bergamo, Italy. The museum is presently managed by the Fondazione Adriano Bernareggi in conjunction with the Università degli Studi di Bergamo, and displays eclectic works of art from the 15th-century to present, often paired, and derived mainly from the Bernareggi family, as well as the Diocese of Bergamo.