Matris Domini Monastery

The Museo Matris Domini is housed in the oldest section of the Dominican convent of the same name, situated in the city centre of Bergamo, Italy. It is administered by the nuns of the foundation. The museum preserves a series of 13th and 14th Century frescoes which were uncovered in a 1973 restoration of what was thought to have been the old refectory and a small church within the monastery. The reappearance of these paintings was highly significant as they are amongst the earliest surviving examples of wall painting in the province of Bergamo and indeed in Lombardy as a whole. Outstanding for their pictorial and emotion qualities are fragments from what must have been a depiction of the Last Judgment: the Just, the Blessed, two Angels with trumpets (which are of particular beauty), Saint Peter Enthroned, and Hell, all attributed to the Master of the Tree of Life. There is another series of frescoes of great emotive and narrative quality, representing Jesus among the Doctors, the Baptism, the Virgin and Child Enthroned, Saint Catherine of Alexandria upon the Wheel, Saint Martin and the Pauper, Jesus entering Jerusalem, and the Miracle of the reanimation of Napoleone Orsini by Saint Dominic, showing the young man falling from his horse. These works, together with the Visitation, have been attributed to the so-called First Master of Abbey of Chiaravalle, an anonymous artist active in Lombardy circa 1320-30, and known only through these works, as well as frescoes in San Marco, Milan and in the eponymous Abbey of Chiaravalle. The Visitation is a particularly striking image because of its freshness and for the expressiveness of the faces of the Virgin and Saint Elizabeth, painted by the Master with great intelligence and sensitivity. A 16th-century fresco depicting Saint Dominic (the patron of the monastery) with other saints is also featured in the museum.

The Funicular Railway Upper City - Lower City (Italian: Funicolare Città Alta), is a funicular railway line in the city of Bergamo, Italy. It connects the historic core of Città Alta (the suspended fortified city of Bergamo built up on a hill) with the Città Bassa, the financial lower city. Built in 1887, it is one of the two funicular lines serving the city of Bergamo; the other being the Bergamo - San Vigilio funicular.

Sant'Andrea is a Neoclassic church in Bergamo, rebuilt by Ferdinando Crivelli in 1837. On the main altar, is Enthroned Madonna with child and Saints Eusebius, Andrew, Domno, and Domneone, painted in 1536-7 by Il Moretto and a Nativity by Giovanni Paolo Cavagna. Other paintings here are by Palma il Giovane, Enea Salmeggia, Giovanni Giacomo Barbelli, Padovanino, a ‘’Deposition’’ by Andrea Previtali, and others.

The Palazzo Moroni is a palace located on Via Porta #12 in the historic center of the upper town of Bergamo, Italy. The palace is a civic art museum, as well as used for cultural functions. The building, noted for its Baroque interior decorations, is presently managed by the Fondazione di Palazzo Moroni in conjunction with the city after a donation by Count Antonio Moroni. The exterior is plain and faces a narrow steep street. Construction of the palace was commissioned by Francesco Moroni. The Moroni family had bought a homes at this site in the second half of the 16th century. After his marriage to Lucrezia Roncalli in 1631, he began construction of the Palace on the ground of Porta Penta. Construction went on until 1666. In 1649 Francesco contracted Giovanni Giacomo Barbelli to fresco the rooms of the interiors. Over the next century, further decorations were added including ceilings depicting The Age of Gold, The Fall of the Giants, and Hercules on a Chariot. The main ball room depicts stories from Torquato Tasso’s Gerusalemme Liberata. The entrance stairway was frescoed by Paolo Vincenzo Bonomini. Among the works displayed in the palace are works by Giovanni Battista Moroni, Bernardino Luini, Giovanni Giacomo Barbelli, Giuseppe Roncelli, and Cesare Tallone. The interior opens up to an inner garden with terraces.

Bergamo (Italian: [ˈbɛrɡamo] ; Bergamasque: Bèrghem [ˈbɛrɡɛm] ) is a city in the alpine Lombardy region of northern Italy, approximately 40 km (25 mi) northeast of Milan, and about 30 km (19 mi) from Switzerland, the alpine lakes Como and Iseo and 70 km (43 mi) from Garda and Maggiore. The Bergamo Alps (Alpi Orobie) begin immediately north of the city. With a population of around 120,000, Bergamo is the fourth-largest city in Lombardy. Bergamo is the seat of the Province of Bergamo, which counts over 1,103,000 residents (2020). The metropolitan area of Bergamo extends beyond the administrative city limits, spanning over a densely urbanized area with slightly less than 500,000 inhabitants. The Bergamo metropolitan area is itself part of the broader Milan metropolitan area, home to over 8 million people.The city of Bergamo is composed of an old walled core, known as Città Alta ("Upper Town"), nestled within a system of hills, and the modern expansion in the plains below. The upper town is encircled by massive Venetian defensive systems that are a UNESCO World Heritage Site since 9 July 2017.Bergamo is well connected to several cities in Italy, thanks to the motorway A4 stretching on the axis between Milan, Verona, and Venice. The city is served by Il Caravaggio International Airport, the third-busiest airport in Italy with 12.3 million passengers in 2017. Bergamo is the second most visited city in Lombardy after Milan.

The province of Bergamo (Italian: provincia di Bergamo; Lombard: proìnsa de Bèrghem) is a province in the Lombardy region of Italy. Its capital is the city of Bergamo. The province has a population of 1,103,768 (2023), an area of 2,754.91 square kilometers (1,063.68 sq mi), and contains 242 comuni (SG: comune).

Santi Bartolomeo e Stefano is a Baroque-style, Roman Catholic church located at number 1 Largo Belotti in Bergamo in the Lombardy region of Italy. The church is associated with a Dominican convent and stands about a block away from the Teatro Donizetti.

San Benedetto is a Renaissance-style, Roman Catholic church located in Via Sant'Alessandro #51 in Bergamo, region of Lombardy, Italy. The church was designed in 1500s by Pietro Isabello. The church was refurbished in 1756 - 1757. It acquired at this time a silver altarpiece for the main altar; this was melted down by the Napoleonic authorities during the Cisalpine Republic. The two main altarpieces depicting the Assumption of the Virgin by Giovanni Battista Moroni and San Stefano by Calisto Piazza were transferred to the Pinacoteca Brera in Milan. The monks still remained in the monastery, restoring the convent to life in 1827. In 1841 a new marble altar was completed by Giacomo Bianconi. The walls still retain the Renaissance-style frescoes. Further reconstructions occurred in the 20th and 21st centuries. The adjacent cloistered convent of the Benedictines, still active, has been recently restored.

The Monumento al Partigiano or Monument to the Partisan is a bronze monument places in Piazza Matteoti corner with Viale Papa Giovanni XXIII in the lower town of Bergamo, region of Lombardy, Italy. The monument by Giacomo Manzu commemorates the deaths of partisans killed by fascist forces during the World War II. The monument is in the same park, in a spot just northeast of the monument of Vittorio Emanuele II, and across the viale from the Teatro Donizetti.

The Monument to the Brothers Calvi is a monument located in Piazza Matteoti in front of Palazzo Frizzoni (now the city hall) in the lower town of Bergamo, in the region of Lombardy, Italy. It commemorates the four brothers who served as Alpini or mountain infantry, who died during or shortly after the First World War. In the decades after the war, the brothers were revered for their exemplary martyrdom for the Italian nation.

The Teatro Donizetti is an opera house in Bergamo, Italy. Built in the 1780s using a design by architect Giovanni Francesco Lucchini, the theatre was originally referred to as either the Teatro Nuovo or Teatro di Fiera. The first opera to be mounted at the theatre, Giuseppe Sarti's Medonte, re di Epiro, was in 1784 while the opera house was still under construction. The official opening of the house, under the name the Teatro Riccardi, did not occur until 24 August 1791 with a production of Pietro Metastasio's Didone abbandonata set to music by multiple composers, including Ferdinando Bertoni, Giacomo Rampini, Johann Gottlieb Naumann, Giuseppe Gazzaniga, and Giovanni Paisiello. In 1797 the original theatre was destroyed by a fire, possibly by arson. Lucchini was contracted again to design a new structure to replace the old one and the new house opened on 30 June 1800. The structure uses a horseshoe shape with three tiers of boxes and two galleries. In 1897 the name of the theatre was changed to the Teatro Gaetano Donizetti (now shortened to Teatro Donizetti) on the occasion of the centenary of the composer's birth. Donizetti was born in Bergamo's Borgo Canale quarter and his first opera, Il Pigmalione (composed 1816), was given its world premiere at the theatre on 13 October 1960. Adjacent to the theater is a park with the Monument to Donizetti.

The Monument to Donizetti is located in a public garden in Piazza Cavour, adjacent to the Teatro Donizetti in Bergamo. It commemorates the opera composer Gaetano Donizetti, a native of Bergamo. It was inaugurated in 1897 to mark the centenary of the composer's birth. The monument was designed by Francesco Jerace as a result of a competition. The statuary group is atop a plain plinth engraved only with the composers name. The monument is surrounded by a Basin. Atop, Donizetti sits, realistically depicted, and bound to present world, in the corner of a curved bench. A short distance away stands the lyrical muse, Melpomene, strumming her lyre. The artist, with eyes closed, listens to his inspiration. The statue mixes both realism and the allegory to classical mythology; also expressing the sense that the artists communicates with a superior realm. Donizetti's funereal monument in Bergamo, erected in 1856, also features a mournful lyrical muse.