Santa Maria Maggiore, Bergamo

The Cappella Colleoni (Italian: "Colleoni Chapel") is a chapel and mausoleum attached to the Basilica of St. Mary Major in the northern Italian city of Bergamo. Dedicated to the saints Bartholomew, Mark and John the Baptist, it was built between 1472 and 1476 as the personal shrine for the condottiere Bartolomeo Colleoni, a member of one of the city's most notable families, and his beloved daughter Medea. The site chosen was that of the church's sacristy, which was demolished by Colleoni's soldiers. Whether or not the demolition was authorized by church administrators remains the subject of scholarly debate among Italian historians. The design was entrusted to Giovanni Antonio Amadeo, whose plan respected the style of the church, as can be seen from the octagonal tambour of the dome and in the lantern cusp, as well as in the use of polychrome marbles.

The Tempietto di Santa Croce is a small octagonal Romanesque chapel found in the upper city of Bergamo, near the Santa Maria Maggiore. The original building was constructed in the first half of the 11th century, though first documentation of the structure dates to 1133. Other Romanesque structures in the province include the Rotonda di San Tomè, the Basilica di Santa Giulia, and the Priorato di Sant'Egidio.

Bergamo Cathedral (Italian: Duomo di Bergamo, Cattedrale di Sant'Alessandro) is a Roman Catholic cathedral in Bergamo, Italy, dedicated to Saint Alexander of Bergamo, patron saint of the city. It is the seat of the Bishop of Bergamo.

Venetian Works of Defence between the 16th and 17th centuries: Stato da Terra – Western Stato da Mar is a UNESCO World Heritage Site comprising six bastion forts built by the Republic of Venice on its mainland domains (Stato da Terra) and its Domains of the Sea (Stato da Màr). With the increase in firearm warfare in the early modern period of gunpowder when the cannon came to dominate the battlefield, came significant shifts in military strategy and fort design. One of these changes was the development of the bastion fort, or alla moderna fortifications, with a polygon-shaped fortress with bulwarks at the corners. These designs originated from the Republic of Venice, but would soon spread throughout Europe and remain the standard for defence until the 19th century. In 2017, six of these fortifications in Italy, Croatia, and Montenegro were inscribed on the UNESCO World Heritage list. These six sites provide quintessential examples of this fort design, demonstrate the influence of Renaissance-era Venice, and pay testimony to a major advancement in the history of warfare.

The University of Bergamo (Italian: Università degli Studi di Bergamo; acronym: UniBG) is an Italian public university located in Bergamo, Italy. It was founded on 11 December 1968 and is organized in seven departments, three campuses and forty-one degree courses.

The Donizetti Museum (Museo Donizettiano) is a cultural site in Bergamo, in Lombardy, Italy. It is dedicated to the composer Gaetano Donizetti (1797–1848), who was born in the city.

The Funicular Railway Upper City - Lower City (Italian: Funicolare Città Alta), is a funicular railway line in the city of Bergamo, Italy. It connects the historic core of Città Alta (the suspended fortified city of Bergamo built up on a hill) with the Città Bassa, the financial lower city. Built in 1887, it is one of the two funicular lines serving the city of Bergamo; the other being the Bergamo - San Vigilio funicular.

Civic Museum of Natural Science Enrico Caffi (Italian: Museo di Scienze Naturali Enrico Caffi) is a natural history museum in Bergamo, Italy. The museum has more than 55,000 artifacts, fossils, animal and plant specimens. The museum is founded in 1918 and, after multiple moves, is currently located at Piazza Cittadella. The museum also hosts a library and provides education activities for schools in the region.

The Visconti Citadel of Bergamo is a mediaeval fortification in Bergamo, Lombardy, northern Italy. It was built in the 14th century by the Visconti of Milan and later expanded by the Colleoni of Bergamo. It lies in the western sector of the Città Alta (Upper Town).

The Palazzo Moroni is a palace located on Via Porta #12 in the historic center of the upper town of Bergamo, Italy. The palace is a civic art museum, as well as used for cultural functions. The building, noted for its Baroque interior decorations, is presently managed by the Fondazione di Palazzo Moroni in conjunction with the city after a donation by Count Antonio Moroni. The exterior is plain and faces a narrow steep street. Construction of the palace was commissioned by Francesco Moroni. The Moroni family had bought a homes at this site in the second half of the 16th century. After his marriage to Lucrezia Roncalli in 1631, he began construction of the Palace on the ground of Porta Penta. Construction went on until 1666. In 1649 Francesco contracted Giovanni Giacomo Barbelli to fresco the rooms of the interiors. Over the next century, further decorations were added including ceilings depicting The Age of Gold, The Fall of the Giants, and Hercules on a Chariot. The main ball room depicts stories from Torquato Tasso’s Gerusalemme Liberata. The entrance stairway was frescoed by Paolo Vincenzo Bonomini. Among the works displayed in the palace are works by Giovanni Battista Moroni, Bernardino Luini, Giovanni Giacomo Barbelli, Giuseppe Roncelli, and Cesare Tallone. The interior opens up to an inner garden with terraces.

Sant'Andrea is a Neoclassic church in Bergamo, rebuilt by Ferdinando Crivelli in 1837. On the main altar, is Enthroned Madonna with child and Saints Eusebius, Andrew, Domno, and Domneone, painted in 1536-7 by Il Moretto and a Nativity by Giovanni Paolo Cavagna. Other paintings here are by Palma il Giovane, Enea Salmeggia, Giovanni Giacomo Barbelli, Padovanino, a ‘’Deposition’’ by Andrea Previtali, and others.

San Benedetto is a Renaissance-style, Roman Catholic church located in Via Sant'Alessandro #51 in Bergamo, region of Lombardy, Italy. The church was designed in 1500s by Pietro Isabello. The church was refurbished in 1756 - 1757. It acquired at this time a silver altarpiece for the main altar; this was melted down by the Napoleonic authorities during the Cisalpine Republic. The two main altarpieces depicting the Assumption of the Virgin by Giovanni Battista Moroni and San Stefano by Calisto Piazza were transferred to the Pinacoteca Brera in Milan. The monks still remained in the monastery, restoring the convent to life in 1827. In 1841 a new marble altar was completed by Giacomo Bianconi. The walls still retain the Renaissance-style frescoes. Further reconstructions occurred in the 20th and 21st centuries. The adjacent cloistered convent of the Benedictines, still active, has been recently restored.