Palazzo Pesaro Orfei

Artempo: Where Time Becomes Art was an encyclopedic art exhibition created for the Palazzo Fortuny, Venice in 2007. It examined the relationship between art and time, and the power of display. The exhibition included variations of cultures and periods, and featured objects ranging from simple "objecte trouve", archaeological materials, applied art, old, classical, and modern art, to contemporary installations.The exhibition was made by Mattijs Visser and Axel Vervoordt, together with Jean-Hubert Martin. The accompanying book included essays by philosopher Massimo Cacciari, the curator from Magiciens de la terre, Jean-Hubert Martin, the former director of Centre Georges Pompidou, Heinz-Norbert Jocks, as well as Eddi de Wolf and Visser.

The Museo Fortuny or Fortuny Museum is an art museum in San Marco, in central Venice, Italy. The museum is housed in the Palazzo Pesaro Orfei, now often known as Palazzo Fortuny, where Mariano Fortuny (1871–1949) had a studio in the late nineteenth century, and lived from 1902.: 49 The museum presents paintings, fabrics, and Fortuny’s lamps on the first floor, together with the history of the palazzo and its atelier on the second floor. The building still has features created by Fortuny. The working environment is represented through wall-hangings, paintings, and lamps. Fortuny died in 1949, and in 1956 the Palazzo Pesaro Orfei was gifted to the comune of Venice; the comune took full possession only in 1965, after the death of Fortuny's widow, Henriette Negrin. The museum was opened in 1975. It is run by the Fondazione Musei Civici di Venezia. The website for the museum is at: Fortuny Museum Website

The Chiesa di San Benedetto (Church of Saint Benedict) is a Roman Catholic church in Venice, northern Italy. Generally known as San Beneto in the Venetian dialect, the church faces the square named after it, the Campo San Beneto. It was founded in the 11th century and rebuilt in 1685. San Beneto is a vicariale (subsidiary) church of the parish of San Luca.

The Teatro San Benedetto was a theatre in Venice, particularly prominent in the operatic life of the city in the 18th and early 19th centuries. It saw the premieres of over 140 operas, including Rossini's L'italiana in Algeri, and was the theatre of choice for the presentation of opera seria until La Fenice was built in 1792.

The Palazzo Trevisan Pisani is a Renaissance-style palace situated in the Campo Sant'Angelo in the sestieri of San Marco in Venice, Italy. The palace belonged originally to the Trevisan family, a branch of which lived in this parish in the fourteenth century. In 1661 it was occupied by Antonio and David Trevisan. By the early part of the eighteenth century it was owned and occupied by Benetto Pisani, whose grandson, also Benetto, died in 1781 leaving a daughter, married to Alvise Mocenigo of Casa Vecchia San Samuele, and no male heir. The palace was sold, and in 1808, the palace the joint property of Giovanni Sacogna and Giovanni Brijovich.

The Palazzo Grimani di San Luca is a Renaissance-style palace, located between the Palazzo Corner Valmarana and the Rio di San Luca and the flanking Palazzo Corner Contarini dei Cavalli on the Grand Canal in the sestiere of San Marco of the city of Venice, Italy.

San Angelo degli Zoppi is a Gothic-style oratory or prayer hall, located in Campo Sant'Angelo in the Sestiere of San Marco, in Venice, Italy.

Campo Sant'Angelo, also known as Campo Sant'Anzolo, is a city square in the sestiere of San Marco, in the city of Venice, Italy. The piazza is asymmetric, and bounded on the South-West by the Rio di San Anzolo, across which stands the former monastery of Santo Stefano. In the piazza is a small building, the 10th-century Oratorio di Sant'Angelo degli Zoppi, once allied to a school for the crippled. The bounds of the piazza include the Palazzo Trevisan Pisani, the Palazzo Gritti Morosini, and the Palazzo Duodo a Sant'Angelo. In this latter palace, the composer Domenico Cimarosa died while in exile from the Kingdom of Naples.

The Palazzo Donà a Sant'Aponal, also known as the Palazzo Donà or Palazzo Donà dalle Trezze, is a Gothic-style palace located on the Canal Grande of Venice, between Palazzo Papadopoli and Palazzo Donà della Madoneta in the Sestiere of San Polo, Venice, Italy.

The Palazzo Donà or Donà Brusa is a Venetian Gothic style palace located in Campo San Polo in the Sestiere of San Polo in Venice. The palace was originally built by the old aristocratic Donà family, originally from Aquileia. Three members of the family, Francesco, Leonardo, and Nicolo became Doges. The composer Giovanni Francesco Brusa, a collaborator with Carlo Goldoni, lived in the palace. The palace is now owned by the Signum Foundation, which sponsors exhibitions from Polish and foreign contemporary artists.There are at four three other Dona palaces in Venice, the Palazzo Donà della Madoneta on the Grand Canal, the Palazzo Donà-Ottobon in Fondamenta San Severo in Castello, Palazzo Donà Balbi in Santa Croce, and the Palazzo Donà dalle Rose in Cannaregio.

The Palazzo Donà della Madoneta is a Gothic-style palace located on the Canal Grande of Venice, between Casa Sicher and Palazzo Donà a Sant'Aponal in the Sestiere of San Polo, Venice, Italy.

The Palazzo Papadopoli is a Baroque-style palace located on the Canal Grande of Venice, between Palazzo Giustinian Businello and Palazzo Donà a Sant'Aponal in the Sestiere of San Polo, Venice, Italy. The opposite building is the Palazzo Corner Contarini dei Cavalli.