San Beneto

The Teatro San Benedetto was a theatre in Venice, particularly prominent in the operatic life of the city in the 18th and early 19th centuries. It saw the premieres of over 140 operas, including Rossini's L'italiana in Algeri, and was the theatre of choice for the presentation of opera seria until La Fenice was built in 1792.

The Museo Fortuny or Fortuny Museum is an art museum in San Marco, in central Venice, Italy. The museum is housed in the Palazzo Pesaro Orfei, now often known as Palazzo Fortuny, where Mariano Fortuny (1871–1949) had a studio in the late nineteenth century, and lived from 1902.: 49 The museum presents paintings, fabrics, and Fortuny’s lamps on the first floor, together with the history of the palazzo and its atelier on the second floor. The building still has features created by Fortuny. The working environment is represented through wall-hangings, paintings, and lamps. Fortuny died in 1949, and in 1956 the Palazzo Pesaro Orfei was gifted to the comune of Venice; the comune took full possession only in 1965, after the death of Fortuny's widow, Henriette Negrin. The museum was opened in 1975. It is run by the Fondazione Musei Civici di Venezia. The website for the museum is at: Fortuny Museum Website

The Palazzo Pesaro Orfei or Palazzo Pesaro degli Orfei is a historic palace in Venice, in northern Italy. It was built by the Pesaro family in the fifteenth century in Venetian Gothic style. From 1902 it was the home of Mariano Fortuny and his wife Henriette Negrin.: 49  It now houses the Museo Fortuny, and may also be called Palazzo Fortuny.

Artempo: Where Time Becomes Art was an encyclopedic art exhibition created for the Palazzo Fortuny, Venice in 2007. It examined the relationship between art and time, and the power of display. The exhibition included variations of cultures and periods, and featured objects ranging from simple "objecte trouve", archaeological materials, applied art, old, classical, and modern art, to contemporary installations.The exhibition was made by Mattijs Visser and Axel Vervoordt, together with Jean-Hubert Martin. The accompanying book included essays by philosopher Massimo Cacciari, the curator from Magiciens de la terre, Jean-Hubert Martin, the former director of Centre Georges Pompidou, Heinz-Norbert Jocks, as well as Eddi de Wolf and Visser.

The Palazzo Grimani di San Luca is a Renaissance-style palace, located between the Palazzo Corner Valmarana and the Rio di San Luca and the flanking Palazzo Corner Contarini dei Cavalli on the Grand Canal in the sestiere of San Marco of the city of Venice, Italy.

The Palazzo Giustiniani Businello is Gothic-style palace located on the Grand Canal, in the Sestiere of San Polo, adjacent to the Palazzo Papadopoli, in Venice, Italy.

The Palazzo Trevisan Pisani is a Renaissance-style palace situated in the Campo Sant'Angelo in the sestieri of San Marco in Venice, Italy. The palace belonged originally to the Trevisan family, a branch of which lived in this parish in the fourteenth century. In 1661 it was occupied by Antonio and David Trevisan. By the early part of the eighteenth century it was owned and occupied by Benetto Pisani, whose grandson, also Benetto, died in 1781 leaving a daughter, married to Alvise Mocenigo of Casa Vecchia San Samuele, and no male heir. The palace was sold, and in 1808, the palace the joint property of Giovanni Sacogna and Giovanni Brijovich.

The Palazzo Papadopoli is a Baroque-style palace located on the Canal Grande of Venice, between Palazzo Giustinian Businello and Palazzo Donà a Sant'Aponal in the Sestiere of San Polo, Venice, Italy. The opposite building is the Palazzo Corner Contarini dei Cavalli.

The church of San Luca Evangelista is a church in the sestiere of San Marco in Venice, Italy. A parish church stood at the site since the 11th century, patronized by the patrician Dandolo and Pizzamano families. Restored over the centuries, it underwent major reconstruction in the early 1600s, and was reconsecrated in 1617. The facade is simple, but the interior has a rich decoration. The walls and the ceiling were frescoed by Sebastiano Santi. In the altar in the presbytery is an altarpiece depicting The Virgin appears to St. Luke as he writes the Gospel by Paolo Veronese. In the right lateral chapel is an altarpiece of Virgin and Saints by Palma il Giovane. In the second altar to the left, is a painting depicting Lorenzo Giustiniani, first Patriarch of Venice, defeating the plague and distributing alms by Carlo Loth. Pietro Aretino, Lodovico Dolce, and other men of letters are buried in San Luca.

The Palazzo Donà or Donà Brusa is a Venetian Gothic style palace located in Campo San Polo in the Sestiere of San Polo in Venice. The palace was originally built by the old aristocratic Donà family, originally from Aquileia. Three members of the family, Francesco, Leonardo, and Nicolo became Doges. The composer Giovanni Francesco Brusa, a collaborator with Carlo Goldoni, lived in the palace. The palace is now owned by the Signum Foundation, which sponsors exhibitions from Polish and foreign contemporary artists.There are at four three other Dona palaces in Venice, the Palazzo Donà della Madoneta on the Grand Canal, the Palazzo Donà-Ottobon in Fondamenta San Severo in Castello, Palazzo Donà Balbi in Santa Croce, and the Palazzo Donà dalle Rose in Cannaregio.

The Palazzo Donà a Sant'Aponal, also known as the Palazzo Donà or Palazzo Donà dalle Trezze, is a Gothic-style palace located on the Canal Grande of Venice, between Palazzo Papadopoli and Palazzo Donà della Madoneta in the Sestiere of San Polo, Venice, Italy.

Palazzo Barzizza is a restructured formerly Gothic-style palace located on the Canal Grande of Venice, adjacent to the Palazzo Giustinian Businello in the Sestiere of San Polo, Venice, Italy. The opposite palace is Palazzo Cavalli.