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St Thomas More Church, Dulwich

20th-century Roman Catholic church buildings in the United KingdomChurches bombed by the Luftwaffe in LondonDulwichEdward Goldie church buildingsLondon church stubs
Roman Catholic churches completed in 1929Roman Catholic churches in the London Borough of Southwark
Dulwich, St Thomas More Church, Apparition of St Columba by Patrick Pye
Dulwich, St Thomas More Church, Apparition of St Columba by Patrick Pye

St Thomas More Catholic Church is a Roman Catholic church in Lordship Lane, East Dulwich, London. It was designed by Joseph Goldie in 1929 and restored in 1953 after war damage. A lady chapel was built in 1970. The stained glass is by Patrick Pye. The statue of the Madonna and Child in the Lady Chapel is by Freda Skinner. The reredos and altar of the church are from the former chapel of the Jesuit college in Hales Place, near Canterbury, Kent.

Excerpt from the Wikipedia article St Thomas More Church, Dulwich (License: CC BY-SA 3.0, Authors, Images).

St Thomas More Church, Dulwich
Lordship Lane, London East Dulwich (London Borough of Southwark)

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N 51.448535 ° E -0.074266 °
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St Thomas More

Lordship Lane
SE22 8JN London, East Dulwich (London Borough of Southwark)
England, United Kingdom
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Dulwich, St Thomas More Church, Apparition of St Columba by Patrick Pye
Dulwich, St Thomas More Church, Apparition of St Columba by Patrick Pye
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The Shed at Dulwich

The Shed at Dulwich was a spoof restaurant in a garden shed in Dulwich, London. It was created as a hoax by journalist Oobah Butler for Vice Magazine and became the top-rated restaurant in London on TripAdvisor before the listing was taken down. The restaurant was open for one night in November 2017, serving ten guests.The faux menu theme was "moods", and Butler photographed plates of fake food created using household products including shaving foam and dishwasher tablets. One item on the menu purported to be "Empathetic: Vegan clams in a clear broth with parsnips, carrots, celery, and potatoes. Served with rye crisps."Butler had once worked posting fake reviews of other restaurants at a rate of £10 per review, saying, "I’d look at the menu, pick something, and start lying." For The Shed, he asked friends to post fake TripAdvisor reviews in sufficient quantity to place the venue among the top two thousand restaurants in London. The restaurant attracted a single one-star review, from what Butler assumed was a rival.After becoming the top-rated restaurant on TripAdvisor and bombarded with requests for bookings, Butler staged a genuine opening night for the restaurant, serving thinly-disguised £1 ready meals to ten customers. Having been blindfolded and then led down the alley past his house to the end of the garden and the shed, some said they wanted to come back and would recommend it.The hoax was plausible because micro-restaurants were then a fashionable trend. Chef Tom Kerridge started a real venue called The Shed, opposite his gastropub, The Hand and Flowers, in Marlow. When launched in 2017, it was described as an “intimate private dining space.”

549 Lordship Lane
549 Lordship Lane

549 Lordship Lane, also known as the Concrete House, is a house on Lordship Lane in East Dulwich, close to the junction with Underhill Road and opposite St Peter's Church. The Gothic Revival house is an early example of a modern domestic dwelling constructed of concrete. It became a grade II listed building in 1994. The house may have been designed by Charles Barry Jr. (1823-1900) (son of Sir Charles Barry who worked on the Houses of Parliament), possibly as a rectory or parsonage to accompany his Gothic style St Peter's Church on the opposite other side of Lordship Lane. It was built in 1873 by Charles Drake of the Patent Concrete Building Company, and it may have been his own house. Drake had taken out a patent in 1867 for the use of iron panels for shuttering, in place of the usual timber. The mass concrete construction anticipates modern slip form methods, with bare concrete around the windows resembling stone, and surface patterning in other areas resembling pebbledash, with an effect similar to béton brut. It is believed that the house is the only surviving example in England.It was made from Portland cement with "burnt ballast" (clay) aggregate, without reinforcement, faced with mortar and render. The house has an L-shape plan, with two storeys and an attic. The ground floor has canted bays on the two principal façades, to the south west and south east, with pointed arched windows, and gabled porch in the return angle on the south west elevation. There are further pointed arched windows on the first floor, and square headed windows on the north west and north east elevations. The steeply pitched slate roof has projecting gables, topped by three large concrete chimneys. The house was sold three years after it was completed, and passed through many hands of many owners. It suffered bomb damage in the Second World War, but survived plans to replace it in the 1950s with a petrol filling station or residential flats, or in the 1970s with a nursery, or in the 1980s with a nursing home. It fell into disrepair and was vacant from the 1980s, with water ingress through holes in the roof causing significant damage to the interior, including the loss of the original decorative cornices and ceiling roses. The owner was granted planning permission to construct a similar building behind, on condition that the Concrete House was restored, but while the new building was completed the restoration was not done, and the house became increasingly dilapidated. Southwark London Borough Council rejected several applications for permission to demolish the building. It was listed on English Heritage's Buildings At Risk register from 1994 to 2013. The house was acquired by Southwark Council in 2009 under a compulsory purchase order. It was restored with assistance from the Heritage of London Trust, the Architectural Heritage Fund, and the London Development Agency, and converted from a single dwelling into five flats in shared ownership, with a long lease granted to Hexagon Housing Association. Prince Richard, Duke of Gloucester, reopened the restored building on 13 June 2013. The restoration won the Angel Commendation award from English Heritage in 2013, and an award for building conservation from the Royal Institution of Chartered Surveyors in 2014.