Temple of Portunus

The Great Altar of Unconquered Hercules (Latin: Herculis Invicti Ara Maxima) stood in the Forum Boarium of ancient Rome. It was the earliest cult-centre of Hercules in Rome, predating the circular Temple of Hercules Victor. Roman tradition made the spot the site where Hercules slew Cacus and ascribed to Evander of Pallene its erection. Virgil's Aeneid tells of Evander attributing the original creation of the Ara Maxima to Potitius and the Pinarii.The original altar burned in the Great Fire of Rome, 64 CE, but was rebuilt and still stood in the fourth century. A tentative identification of a tufa platform in the crypt of Santa Maria in Cosmedin with the foundation of the altar has been made by Filippo Coarelli and other archaeologists.Various references, with Varro as their source, justified the exclusion of women from ceremonies here, or of partaking in the sacrificial meats. The rites at the Ara Maxima were unique within the cult of Hercules in that they were performed ritu Graeco, with heads uncovered.

The Forum Boarium (Classical Latin: [ˈfɔɾʊ̃ˑ boˈäːɾiʊm], Italian: Foro Boario) was the cattle forum venalium of ancient Rome. It was located on a level piece of land near the Tiber between the Capitoline, the Palatine and Aventine hills. As the site of the original docks of Rome (Portus Tiberinus), the Forum Boarium experienced intense commercial activity. The Forum Boarium was the site of the first gladiatorial contest at Rome which took place in 264 BC as part of aristocratic funerary ritual—a munus or funeral gift for the dead. Marcus and Decimus Junius Brutus Scaeva put on a gladiatorial combat in honor of their deceased father with three pairs of gladiators. The site was also a religious centre housing the Temple of Hercules Victor, the Temple of Portunus (Temple of Fortuna Virilis), and the massive 6th or 5th century BC Great Altar of Hercules.

The Temple of Hercules Victor ('Hercules the Winner') (Italian: Tempio di Ercole Vincitore) or Hercules Olivarius ((Hercules the Olive Branch Bearear) is a Roman temple in Piazza Bocca della Verità in the area of the Forum Boarium near the Tiber in Rome. It is a tholosa round temple of Greek 'peripteral' design completely surrounded by a colonnade. This layout caused it to be mistaken for a temple of Vesta until it was correctly identified by Napoleon's Prefect of Rome, Camille de Tournon.Despite (or perhaps due to) the Forum Boarium's role as the cattle-market for ancient Rome, the Temple of Hercules is the subject of a folk belief claiming that neither flies nor dogs will enter the holy place. The temple is the earliest surviving marble building in Rome. The Hercules Temple of Victor is also the only surviving sacred temple in ancient Rome that is made of Greek marble. Today it remains unsolved who this temple was dedicated to and for what purpose.

Piazza Bocca della Verità (Italian: Square of the Mouth of Truth) is a square between Via Luigi Petroselli and Via della Greca in Rome (Italy), in the rione Ripa. The square lies in the ancient area of the Forum Boarium, just in front of the Tiber Island; it takes its name from the Bocca della Verità (Italian: Mouth of Truth), placed under the portico of the church of Santa Maria in Cosmedin. Besides the church, dating back to the late Middle Ages, the square houses the Arcus Argentariorum, the Arch of Janus, the Temple of Hercules Victor and the Temple of Portunus, a deity related to the ancient river harbour. The fountain in front of the two temples, called Fountain of the Tritons, realised by Carlo Bizzaccheri under commission of Pope Clement XI, was erected in the square in 1715; it has an octagonal basis and portrays two tritons supporting a shell from which the water springs. The square was the place where, until 1868, the sentences of death were executed.

The Fountain of the Tritons (Italian: Fontana dei Tritoni) is a fountain in Rome (Italy), Piazza Bocca della Verità, in front of the basilica of Santa Maria in Cosmedin. This fountain should be distinguished from the similarly named nearby Triton Fountain (Fontana del Tritone) by Gian Lorenzo Bernini, in the Piazza Barberini, with only a single Triton. The building, starting from 1610, of the last Roman aqueduct, the Acqua Paola, didn't move to the background the two aqueducts built just a few years before (the Aqua Virgo in 1570 and the Acqua Felice in 1587), which gave the possibility to erect new fountains on the branches that guaranteed a more widespread distribution of water in the whole town. A secondary branch of the Acqua Felice reached the area south of the Tiber Island: here, between ancient and middle-age monuments (the Arcus Argentariorum, the Arch of Janus, the Temple of Hercules Victor, the Temple of Portunus and the basilica of Santa Maria in Cosmedin) Pope Clement XI ordered the construction of a monument in his own memory. It is not so clear indeed why the pontiff chose to erect a fountain in an area that was scarcely inhabited, broken-grounded and subject to the floods of river Tiber. In fact, its fulfillment raised many criticisms for the location believed to be unhappy. The fountain was completed in 1715 by architect Carlo Francesco Bizzaccheri, during the works for the accommodation of the square in front of the basilica. The whole travertine structure is placed on a circular step (delimited by 16 little columns joined by a grating), within which the design of the main basin represents an octagon with concave sides, or rather the eight-tips star that was the heraldic symbol of the family of the Pope, the Albanis). In the centre there is a group of rocks (an element that had become popular after the success of the fontana dei Quattro Fiumi) with bushes on which two Tritons (due to Francesco Moratti) are knelt with clinged tails and raised arms, sustaining on their shoulders a big oyster shell serving as upper basin. Between the two Tritons there is the coat of arms of the pontiff. Four mascarons formerly dumped water into the main basin; they were removed in the 19th century, probably due to the scarcity of the incoming water, that could have left them dry. In fact the fountain has been without water for a long time, but the hydric provision, though quite scarce, has been restored. The last restorations date back to 1994-1995 and 2010.

The Velabrum (Classical Latin: [weː.laː.brũ]) is the low valley in the city of Rome that connects the Forum with the Forum Boarium, and the Capitoline Hill with the western slope of the Palatine Hill. It was believed that before the construction of the Cloaca Maxima, which probably follows the course of an ancient stream, the area was a swamp, though this claim has been disproven by core samples taken from Velabrum in 1994. Ancient authorities state that in this marshy area the roots of a fig tree (Ficus Ruminalis) caught and stopped the basket carrying Romulus and Remus as it floated along on the Tiber current. The place therefore has a high symbolic significance. Even after the Cloaca was built, the area was still prone to flooding from the Tiber, until the ground level was raised after the Neronian fire. It is the site of the Arch of Janus, the Arcus Argentariorum and the church San Giorgio al Velabro.

The Sack of Rome on 24 August 410 AD was undertaken by the Visigoths led by their king, Alaric. At that time, Rome was no longer the capital of the Western Roman Empire, having been replaced in that position first by Mediolanum in 286 and then by Ravenna in 402. Nevertheless, the city of Rome retained a paramount position as "the eternal city" and a spiritual center of the Empire. This was the first time in almost 800 years that Rome had fallen to a foreign enemy, and the sack was a major shock to contemporaries, friends and foes of the Empire alike. The sacking of 410 is seen as a major landmark in the fall of the Western Roman Empire. St. Jerome, living in Bethlehem at the time, wrote; "the city which had taken the whole world was itself taken."

The main road to the Roman Capitol, the Clivus Capitolinus ("Capitoline Rise") starts at the head of the Roman Forum beside the Arch of Tiberius as a continuation of the Via Sacra; proceeding around the Temple of Saturn and turning to the south in front of the Portico Dii Consentes, it then climbs up the slope of the Capitoline Hill to the Temple of Jupiter Optimus Maximus at its summit. This was traditionally the last and culminating portion of all Roman triumphs.

San Giovanni Decollato (the Beheaded John the Baptist) is a Roman Catholic church in Rome, sited on via di San Giovanni Decollato in the Ripa rione.

Sant'Omobono is a church in Rome at the foot of the Capitoline Hill in rione Ripa. It was built in the 15th century and called San Salvatore in Portico. When the church was given to the "Università dei Sarti" (the association of tailors) in 1575, the church was dedicated to their patron saint, Saint Homobonus. Next to it is the Sant'Omobono Area, containing the remains of two Roman temples.

The Basilica of Saint Mary in Cosmedin (Italian: Basilica di Santa Maria in Cosmedin or de Schola Graeca) is a minor basilica church in Rome, Italy. It is located in the rione of Ripa.

The Mouth of Truth (Italian: Bocca della Verità [ˈbokka della veriˈta]) is a marble mask in Rome, Italy, which stands against the left wall of the portico of the Santa Maria in Cosmedin church, at the Piazza della Bocca della Verità, the site of the ancient Forum Boarium (the ancient cattle market). According to enduring medieval legend, it will bite off the hand of any liar who places their hand in its mouth, or, alternatively, any who utters a lie while their hand is in the mouth. It still attracts many visitors who audaciously insert their hands. The massive marble mask weighs about 1300 kg (2800 lbs) and probably depicts the face of the sea titan god Oceanus. The eyes, nostrils and mouth are open. Historians aren't quite certain what the original purpose of the disc was. It was possibly used as a drain cover in the nearby Temple of Hercules Victor, which had an oculus—a round open space in the middle of the roof, similar to that of the Pantheon. Hence, it could rain inside. It is also thought that cattle merchants used it to drain the blood of cattle sacrificed to the god Hercules. In the thirteenth century the disc was probably removed from the temple and placed against the wall of the Santa Maria in Cosmedin. In the seventeenth century it eventually moved to its current location inside the portico of the church.