Palais Brongniart

Bourse (pronounced [buʁs] (listen)) is a station on Paris Métro Line 3, located in the 2nd arrondissement of Paris.

The 2nd arrondissement of Paris (IIe arrondissement) is one of the 20 arrondissements of the capital city of France. In spoken French, this arrondissement is colloquially referred to as deuxième (second/the second). It is governed locally together with the 1st, 3rd and 4th arrondissement, with which it forms the 1st sector of Paris. Also known as Bourse, this arrondissement is located on the right bank of the River Seine. The 2nd arrondissement, together with the adjacent 8th and 9th arrondissements, hosts an important business district, centred on the Paris Opéra, which houses the city's most dense concentration of business activities. The arrondissement contains the former Paris Bourse (stock exchange) and several banking headquarters, as well as a textile district, known as the Sentier, and the Opéra-Comique's theatre, the Salle Favart. The 2nd arrondissement is the home of Grand Rex, the largest movie theater in Paris.The 2nd arrondissement is also the home of most of Paris's surviving 19th-century glazed commercial arcades. At the beginning of the 19th century, most of the streets of Paris were dark, muddy, and lacked sidewalks. A few entrepreneurs copied the success of the Passage des Panoramas and its well-lit, dry, and paved pedestrian passageways. By the middle of the 19th century, there were about two dozen of these commercial malls, but most of them disappeared as the Paris authorities paved the main streets and added sidewalks, as well as gas street lighting. The commercial survivors are – in addition to the Passage des Panoramas – the Galerie Vivienne, the Passage Choiseul, the Galerie Colbert, the Passage des Princes, the Passage du Grand Cerf, the Passage du Caire, the Passage Lemoine, the Passage Jouffroy, the Passage Basfour, the Passage du Bourg-L'abbé, and the Passage du Ponceau.

The Paris Chamber of Commerce (French: Chambre de commerce et d'industrie de Paris or CCIP) is a chamber of commerce of the Paris region. It defends the interests of companies of the city of Paris, and provides services to these companies. Since 2013 it has been a division of the Paris Île-de-France Regional Chamber of Commerce and Industry.

The Salle de la Bourse was a Parisian theatre located on the rue Vivienne in the 2nd arrondissement, across from the Paris Bourse, hence the name. It was successively the home of the Théâtre des Nouveautés (1827–1832), the Opéra-Comique (1832–1840), and the Théâtre du Vaudeville (1840–1869). The theatre was demolished in 1869.

The Café du Croissant or Crosse du Croisant (today the Taverne du Croissant) is a café in the 2nd arrondissement of Paris, France. It is famous for having been the place of the assassination of Jean Jaurès by Raoul Villain on July 31, 1914. On February 20, 1938, the owner Albert Wiedmer donated the marble plaque of the table on which Jaurès was assassinated to the municipality of Champigny-sur-Marne at the request of the city's mayor Albert Thomas, a friend of Jaurès. It was classified as a Historic Monument object in 1988. Yet the waiters still have the patrons believe the café has kept the original table with a dark stain on a brighter wood that is said to be Jaurès's blood.The assassination is still remembered in the café: in 1923, a commemorative plaque was added to the façade by the Human Rights League; a red and golden floor mosaic shows the date of Jaurès's death and the exact place where he fell. Additionally, a window shelters a part of Jaurès's chair, his hat with a bullet inside, and the two front pages of the newspaper L'Humanité of July 31 and August 1, 1914.On July 31, 1984, President François Mitterrand visited the Café du Croissant to commemorate the 70th anniversary of the assassination. In a radio show, he told that in 1934 he had rushed to the café to pay tribute to Jaurès.The establishment was re-opened in 2011 as the Taverne du Croissant. On July 31, 2014, President François Hollande and Germany's Vice-Chancellor Sigmar Gabriel visited the café upon the centenary of the assassination of Jaurès. The restaurant offered a special dinner menu for the centenary.

The murder of Jean Jaurès, French deputy for Tarn and Socialist politician, took place on Friday, July 31, 1914, at 9:40 pm, as he dined at the Café du Croissant on rue Montmartre in Paris's 2nd arrondissement, in the heart of the Republic of the Croissant, not far from the headquarters of his newspaper, L'Humanité. He was hit by two gunshots: one bullet pierced his skull and the other nestled in woodwork. The famous politician collapsed, mortally wounded. Committed three days before France's entry into World War I, this murder put an end to the desperate efforts Jaurès had made since the Sarajevo bombing to prevent a military explosion in Europe. It precipitated the rallying of the majority of the French left to the Sacred Union, including many socialists and trade unionists who had previously refused to support the war. The Sacred Union ceased to exist in 1919 when his assassin, Raoul Villain, was acquitted. The transfer of Jaurès's ashes to the Panthéon in 1924 underlined another political split within the Left, between communists and socialists.

The Académie Julian (French pronunciation: ​[akademi ʒyljɑ̃]) was a private art school for painting and sculpture founded in Paris, France, in 1867 by French painter and teacher Rodolphe Julian (1839–1907) that was active from 1868 through 1968. It remained famous for the number and quality of artists who attended during the great period of effervescence in the arts in the early twentieth century. After 1968, it integrated with ESAG Penninghen.

The Passage des Panoramas is the oldest of the covered passages of Paris, France located in the 2nd arrondissement between the Montmartre boulevard to the North and Saint-Marc street to the south. It is one of the earliest venues of the Parisian philatelic trade, and it was one of the first covered commercial passageways in Europe. Bazaars and souks in the Orient had roofed commercial passageways centuries earlier but the Passage de Panoramas innovated in having glazed roofing and, later on, in 1817, gas lights for illumination. It was an ancestor of the city gallerias of the 19th century and the covered suburban and city shopping malls of the 20th century. The passage was opened in 1800 on the site of the town residence of the Marechal de Montmorency, Duke of Luxembourg, which had been built in 1704. The doorway of the modern building, of the house, which opened on rue Saint-Marc, facing the rue des Panoramas, was the gateway of the original mansion. Its name came from an attraction built on the site; two large rotundas where panoramic paintings of Paris, Toulon, Rome, Jerusalem, and other famous cities were displayed. They were a business venture of the American inventor Robert Fulton, who had come to Paris to offer his latest inventions, the steamboat, submarine, and torpedo, to Napoleon and the French Directory. While waiting for an answer, Fulton earned money from his exhibition. Napoleon, who had little interest in the navy, finally rejected Fulton's projects. Fulton left behind his Panoramas and went to London to offer his inventions to the British. In 1800, Paris streets were narrow, dark, muddy and crowded, and very few had sidewalks or lighting; they were very unpleasant for shopping. The first indoor gallery, at the Palais Royal, had opened in 1786, followed by the passage Feydau in 1790-91, the Passage du Caire in 1799, and the Passage des Panoramas in 1800. The rotundas were destroyed in 1831. In the 1830s, the architect Jean-Louis Victor Grisart renovated the passage and created three additional galleries inside the block of houses: the Saint-Marc gallery parallel with the passage, the gallery of the Variétés which gives access to the entry of the artists of the Théâtre de Variétés, and the Feydeau galleries and Montmartre. Stern the famous engraver settled there in 1834, then merchants of postcards and postage stamps, and some restaurants moved in. The part of the passage close to the Montmartre boulevard is richly decorated, while the distant part is more modest. The passage, as it was in 1867, is described in chapter VII of Émile Zola's novel Nana.

The Théâtre des Variétés is a theatre and "salle de spectacles" at 7–8, boulevard Montmartre, 2nd arrondissement, in Paris. It was declared a monument historique in 1974.

The Caserne des Petits-Pères (lit. 'barracks of the Little Fathers'), also known as Caserne de la Banque, is a barracks building at 12, rue de la Banque in Paris. It was erected for the garde nationale de Paris and has been used lately by the Republican Guard. Like the nearby Place des Petits-Pères, it takes its name from the former convent of discalced Augustinians (known colloquially as the "little fathers") on whose grounds the rue de la Banque was opened in the 1840s.

The Hôtel du Timbre, full name Hôtel du Timbre, de l'Enregistrement et des Domaines (lit. 'Stamp, Registration and Public Lands Building'), is a public building on 9–13, rue de la Banque in Paris, France.

Established in 2014 in Paris as a subsidiary of ISG Business School, Moda Domani Institute is one of the few business schools in France specialized in luxury, fashion and design. The business school is a member of the IONIS Education Group, the largest private group in France in terms of student population and endowment.In UK, the university has a double-degree partnership with the Liverpool John Moores University.