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Hôtel du Timbre

Buildings and structures in the 2nd arrondissement of ParisMinistry of Finance (France)
Hotel du timbre
Hotel du timbre

The Hôtel du Timbre, full name Hôtel du Timbre, de l'Enregistrement et des Domaines (lit. 'Stamp, Registration and Public Lands Building'), is a public building on 9–13, rue de la Banque in Paris, France.

Excerpt from the Wikipedia article Hôtel du Timbre (License: CC BY-SA 3.0, Authors, Images).

Hôtel du Timbre
Rue de la Banque, Paris 2nd Arrondissement (Paris)

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Geographical coordinates (GPS)

Latitude Longitude
N 48.8673 ° E 2.3403 °
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Address

Rue de la Banque
75002 Paris, 2nd Arrondissement (Paris)
Ile-de-France, France
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Hotel du timbre
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Hôtel Tubeuf
Hôtel Tubeuf

The Hôtel Tubeuf or Hôtel Duret-de-Chevry is a hôtel particulier located at 8 Rue des Petits Champs in the 2nd arrondissement of Paris. It was built in 1635 to the designs of the French architect Jean Thiriot for Charles Duret de Chevry, president of the Chambre des Comptes. It was unfinished, when in 1641 it was purchased by the financier Jacques Tubeuf, who sold it to Cardinal Mazarin in 1649. The latter expanded it and combined it with adjacent hôtels, creating the Palais Mazarin, which in 1721 became the Bibliothèque du Roi (King's Library). The Hôtel Tubeuf is now part of the complex of buildings forming the Richelieu site of the Bibliothèque nationale de France and was declared a monument historique in 1983.The Hôtel Tubeuf is a typical hôtel particulier with a central corps de logis set between an entrance courtyard and a garden. The entrance courtyard is on the south side and was formerly enclosed on all sides. The street entrance seen today was constructed in the 18th century. The street facade as it existed in the 17th century can be seen in an engraving by Jean Marot. The Hôtel Tubeuf is one of the last and most splendid examples in Paris of brick-and-stone architecture (popular in France in the early 17th century). Brick-and-stone had already gone out of style at the time this hôtel was built, but was used at the request of Duret. The building reflects the architect's fondness for elaborate rustication, stone chaines and quoins, and uncommonly shaped pediments decorated in low-relief.A garden gallery, designed by François Mansart ca. 1644–45, was later added to the Hôtel Tubeuf. Of Mansart's designs only the exterior, and not the interior, of the garden gallery survives in somewhat altered form, with crossed quivers and garlands typical of Mansart visible above the upper windows.The Louisiana Purchase Treaty was signed at the Hôtel Tubeuf on 30 April 1803.The Hôtel Tubeuf now hosts the departments of prints and photographs (Département des estampes et de la photographie) and of maps and plans (Département des cartes et plans) of the French National Library.

2nd arrondissement of Paris
2nd arrondissement of Paris

The 2nd arrondissement of Paris (IIe arrondissement) is one of the 20 arrondissements of the capital city of France. In spoken French, this arrondissement is colloquially referred to as deuxième (second/the second). It is governed locally together with the 1st, 3rd and 4th arrondissement, with which it forms the 1st sector of Paris. Also known as Bourse, this arrondissement is located on the right bank of the River Seine. The 2nd arrondissement, together with the adjacent 8th and 9th arrondissements, hosts an important business district, centred on the Paris Opéra, which houses the city's most dense concentration of business activities. The arrondissement contains the former Paris Bourse (stock exchange) and several banking headquarters, as well as a textile district, known as the Sentier, and the Opéra-Comique's theatre, the Salle Favart. The 2nd arrondissement is the home of Grand Rex, the largest movie theater in Paris.The 2nd arrondissement is also the home of most of Paris's surviving 19th-century glazed commercial arcades. At the beginning of the 19th century, most of the streets of Paris were dark, muddy, and lacked sidewalks. A few entrepreneurs copied the success of the Passage des Panoramas and its well-lit, dry, and paved pedestrian passageways. By the middle of the 19th century, there were about two dozen of these commercial malls, but most of them disappeared as the Paris authorities paved the main streets and added sidewalks, as well as gas street lighting. The commercial survivors are – in addition to the Passage des Panoramas – the Galerie Vivienne, the Passage Choiseul, the Galerie Colbert, the Passage des Princes, the Passage du Grand Cerf, the Passage du Caire, the Passage Lemoine, the Passage Jouffroy, the Passage Basfour, the Passage du Bourg-L'abbé, and the Passage du Ponceau.