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Bourse (Paris Métro)

Paris Métro line 3Paris Métro stations in the 2nd arrondissement of ParisRailway stations in France opened in 1904
Metro Paris Ligne 3 station Bourse 01
Metro Paris Ligne 3 station Bourse 01

Bourse (pronounced [buʁs] (listen)) is a station on Paris Métro Line 3, located in the 2nd arrondissement of Paris.

Excerpt from the Wikipedia article Bourse (Paris Métro) (License: CC BY-SA 3.0, Authors, Images).

Bourse (Paris Métro)
Paris 2nd Arrondissement (Paris)

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Geographical coordinates (GPS)

Latitude Longitude
N 48.868738 ° E 2.34137 °
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Address


75002 Paris, 2nd Arrondissement (Paris)
Ile-de-France, France
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Metro Paris Ligne 3 station Bourse 01
Metro Paris Ligne 3 station Bourse 01
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2nd arrondissement of Paris
2nd arrondissement of Paris

The 2nd arrondissement of Paris (IIe arrondissement) is one of the 20 arrondissements of the capital city of France. In spoken French, this arrondissement is colloquially referred to as deuxième (second/the second). It is governed locally together with the 1st, 3rd and 4th arrondissement, with which it forms the 1st sector of Paris. Also known as Bourse, this arrondissement is located on the right bank of the River Seine. The 2nd arrondissement, together with the adjacent 8th and 9th arrondissements, hosts an important business district, centred on the Paris Opéra, which houses the city's most dense concentration of business activities. The arrondissement contains the former Paris Bourse (stock exchange) and several banking headquarters, as well as a textile district, known as the Sentier, and the Opéra-Comique's theatre, the Salle Favart. The 2nd arrondissement is the home of Grand Rex, the largest movie theater in Paris.The 2nd arrondissement is also the home of most of Paris's surviving 19th-century glazed commercial arcades. At the beginning of the 19th century, most of the streets of Paris were dark, muddy, and lacked sidewalks. A few entrepreneurs copied the success of the Passage des Panoramas and its well-lit, dry, and paved pedestrian passageways. By the middle of the 19th century, there were about two dozen of these commercial malls, but most of them disappeared as the Paris authorities paved the main streets and added sidewalks, as well as gas street lighting. The commercial survivors are – in addition to the Passage des Panoramas – the Galerie Vivienne, the Passage Choiseul, the Galerie Colbert, the Passage des Princes, the Passage du Grand Cerf, the Passage du Caire, the Passage Lemoine, the Passage Jouffroy, the Passage Basfour, the Passage du Bourg-L'abbé, and the Passage du Ponceau.

Café du Croissant
Café du Croissant

The Café du Croissant or Crosse du Croisant (today the Taverne du Croissant) is a café in the 2nd arrondissement of Paris, France. It is famous for having been the place of the assassination of Jean Jaurès by Raoul Villain on July 31, 1914. On February 20, 1938, the owner Albert Wiedmer donated the marble plaque of the table on which Jaurès was assassinated to the municipality of Champigny-sur-Marne at the request of the city's mayor Albert Thomas, a friend of Jaurès. It was classified as a Historic Monument object in 1988. Yet the waiters still have the patrons believe the café has kept the original table with a dark stain on a brighter wood that is said to be Jaurès's blood.The assassination is still remembered in the café: in 1923, a commemorative plaque was added to the façade by the Human Rights League; a red and golden floor mosaic shows the date of Jaurès's death and the exact place where he fell. Additionally, a window shelters a part of Jaurès's chair, his hat with a bullet inside, and the two front pages of the newspaper L'Humanité of July 31 and August 1, 1914.On July 31, 1984, President François Mitterrand visited the Café du Croissant to commemorate the 70th anniversary of the assassination. In a radio show, he told that in 1934 he had rushed to the café to pay tribute to Jaurès.The establishment was re-opened in 2011 as the Taverne du Croissant. On July 31, 2014, President François Hollande and Germany's Vice-Chancellor Sigmar Gabriel visited the café upon the centenary of the assassination of Jaurès. The restaurant offered a special dinner menu for the centenary.

Salle Érard
Salle Érard

The salle Érard is a music venue located in Paris, 13 rue du Mail in the 2nd arrondissement of Paris. It is part of the hôtel particulier which belonged, from the 18th century, to the Érard family of piano, harp and harpsichord manufacturers. Small in size, but well isolated from the noises of the city, enjoying good acoustics, it is more particularly adapted to chamber music.During the 19th and the beginning of the 20th, it was the place of premières and debuts noted for both compositions and for interpreters, among which: Érik Satie (orchestrations of his Gymnopédies by Claude Debussy), Jacques Ibert, les histoires (ten pieces for piano) (1923), Nellie Melba, Ricardo Viñes, Maurice Ravel, Miroirs (1906) , Menuet antique (1892), Histoires naturelles with Jane Bathori (1907), Sonate pour violon et piano (1927), Trois poèmes de Mallarmé (1914), Camille Saint-Saens (1860).,Ignacy Jan Paderewski (1888), Claude Debussy, Triptyque Estampes (1904), Le Promenoir des deux amants (1911), Alexander Scriabin (1896), Joseph Jongen, André Caplet , Conte fantastique with Micheline Kahn as the harpist, (1923) Vladimir de Pachmann (1882), Charles Valentin Alkan (1837) and (1880), Francis Poulenc, Reynaldo Hahn, pianist Édouard Risler (1908), Ernest Chausson, Viviane (1883), César Franck, Le Chasseur maudit (1883), Arthur Honegger, Le Cahier romand (1924), Olivier Messiaen, Huit préludes (1930), Maurice Delage, Sept haï-kaïs (1925), Quatre poèmes hindous (1914), Francis Planté,Stéphan Elmas ou Youra Guller. Beethoven Sonata No. 29 in Bb Major "Hammerklavier" with Franz Liszt at the piano. Before the construction of the Maison de la Radio (1963), the hall served as a recording studio for the Radiodiffusion française. Nowadays, only the salon sees the organization of concerts, the volumes of the proper room having been reconverted (the volume of spaces is suggested by the organization of the roofs as well as the old entrance facade at No. 11 rue Paul Lelong - Paris 02). Nevertheless, it remains prized for its acoustics and its past charged with both musical and artistic history.