Murder of Jean Jaurès

The Café du Croissant or Crosse du Croisant (today the Taverne du Croissant) is a café in the 2nd arrondissement of Paris, France. It is famous for having been the place of the assassination of Jean Jaurès by Raoul Villain on July 31, 1914. On February 20, 1938, the owner Albert Wiedmer donated the marble plaque of the table on which Jaurès was assassinated to the municipality of Champigny-sur-Marne at the request of the city's mayor Albert Thomas, a friend of Jaurès. It was classified as a Historic Monument object in 1988. Yet the waiters still have the patrons believe the café has kept the original table with a dark stain on a brighter wood that is said to be Jaurès's blood.The assassination is still remembered in the café: in 1923, a commemorative plaque was added to the façade by the Human Rights League; a red and golden floor mosaic shows the date of Jaurès's death and the exact place where he fell. Additionally, a window shelters a part of Jaurès's chair, his hat with a bullet inside, and the two front pages of the newspaper L'Humanité of July 31 and August 1, 1914.On July 31, 1984, President François Mitterrand visited the Café du Croissant to commemorate the 70th anniversary of the assassination. In a radio show, he told that in 1934 he had rushed to the café to pay tribute to Jaurès.The establishment was re-opened in 2011 as the Taverne du Croissant. On July 31, 2014, President François Hollande and Germany's Vice-Chancellor Sigmar Gabriel visited the café upon the centenary of the assassination of Jaurès. The restaurant offered a special dinner menu for the centenary.

The Paris Chamber of Commerce (French: Chambre de commerce et d'industrie de Paris or CCIP) is a chamber of commerce of the Paris region. It defends the interests of companies of the city of Paris, and provides services to these companies. Since 2013 it has been a division of the Paris Île-de-France Regional Chamber of Commerce and Industry.

The Palais Brongniart housed the historical Paris stock exchange (French: Bourse de Paris). It is located at the Place de la Bourse, in the II arrondissement, Paris.

Bourse (pronounced [buʁs] (listen)) is a station on Paris Métro Line 3, located in the 2nd arrondissement of Paris.

The Théâtre des Variétés is a theatre and "salle de spectacles" at 7–8, boulevard Montmartre, 2nd arrondissement, in Paris. It was declared a monument historique in 1974.

Grands Boulevards (French pronunciation: ​[ɡʁɑ̃ bulvaʁ]), formerly named Rue Montmartre (1931–1998), is a station on Line 8 and Line 9 of the Paris Métro. In 2019, it was the 44th busiest station of the Métro network, with 6,807,424 yearly users.The section of both lines from just east of Richelieu–Drouot to west of République was built under the Grand Boulevards, partly on the border between the 2nd and 9th arrondissements, that replaced the Louis XIII wall and is in soft ground, which was once the course of the Seine. The lines are built on two levels, with Line 8 on the higher level and Line 9 in the lower level. The platforms are at the sides and the box containing the lines and supporting the road above is strengthened by a central wall between the tracks. There is no interconnection between the lines at Grands Boulevards, with each level having different accesses to the street.

The Académie Julian (French pronunciation: ​[akademi ʒyljɑ̃]) was a private art school for painting and sculpture founded in Paris, France, in 1867 by French painter and teacher Rodolphe Julian (1839–1907) that was active from 1868 through 1968. It remained famous for the number and quality of artists who attended during the great period of effervescence in the arts in the early twentieth century. After 1968, it integrated with ESAG Penninghen.

The Passage des Panoramas is the oldest of the covered passages of Paris, France located in the 2nd arrondissement between the Montmartre boulevard to the North and Saint-Marc street to the south. It is one of the earliest venues of the Parisian philatelic trade, and it was one of the first covered commercial passageways in Europe. Bazaars and souks in the Orient had roofed commercial passageways centuries earlier but the Passage de Panoramas innovated in having glazed roofing and, later on, in 1817, gas lights for illumination. It was an ancestor of the city gallerias of the 19th century and the covered suburban and city shopping malls of the 20th century. The passage was opened in 1800 on the site of the town residence of the Marechal de Montmorency, Duke of Luxembourg, which had been built in 1704. The doorway of the modern building, of the house, which opened on rue Saint-Marc, facing the rue des Panoramas, was the gateway of the original mansion. Its name came from an attraction built on the site; two large rotundas where panoramic paintings of Paris, Toulon, Rome, Jerusalem, and other famous cities were displayed. They were a business venture of the American inventor Robert Fulton, who had come to Paris to offer his latest inventions, the steamboat, submarine, and torpedo, to Napoleon and the French Directory. While waiting for an answer, Fulton earned money from his exhibition. Napoleon, who had little interest in the navy, finally rejected Fulton's projects. Fulton left behind his Panoramas and went to London to offer his inventions to the British. In 1800, Paris streets were narrow, dark, muddy and crowded, and very few had sidewalks or lighting; they were very unpleasant for shopping. The first indoor gallery, at the Palais Royal, had opened in 1786, followed by the passage Feydau in 1790-91, the Passage du Caire in 1799, and the Passage des Panoramas in 1800. The rotundas were destroyed in 1831. In the 1830s, the architect Jean-Louis Victor Grisart renovated the passage and created three additional galleries inside the block of houses: the Saint-Marc gallery parallel with the passage, the gallery of the Variétés which gives access to the entry of the artists of the Théâtre de Variétés, and the Feydeau galleries and Montmartre. Stern the famous engraver settled there in 1834, then merchants of postcards and postage stamps, and some restaurants moved in. The part of the passage close to the Montmartre boulevard is richly decorated, while the distant part is more modest. The passage, as it was in 1867, is described in chapter VII of Émile Zola's novel Nana.

The Théâtre des Nouveautés ("Theatre of the New") is a Parisian theatre built in 1921 and located at 24 boulevard Poissonnière (Paris, 9th arr.). The name was also used by several earlier Parisian theatre companies and their buildings, beginning in 1827.

The Max Linder Panorama is a cinema in Paris. It has been described as "one of the most beautiful Parisian movie theatres".: 70 

The salle Érard is a music venue located in Paris, 13 rue du Mail in the 2nd arrondissement of Paris. It is part of the hôtel particulier which belonged, from the 18th century, to the Érard family of piano, harp and harpsichord manufacturers. Small in size, but well isolated from the noises of the city, enjoying good acoustics, it is more particularly adapted to chamber music.During the 19th and the beginning of the 20th, it was the place of premières and debuts noted for both compositions and for interpreters, among which: Érik Satie (orchestrations of his Gymnopédies by Claude Debussy), Jacques Ibert, les histoires (ten pieces for piano) (1923), Nellie Melba, Ricardo Viñes, Maurice Ravel, Miroirs (1906) , Menuet antique (1892), Histoires naturelles with Jane Bathori (1907), Sonate pour violon et piano (1927), Trois poèmes de Mallarmé (1914), Camille Saint-Saens (1860).,Ignacy Jan Paderewski (1888), Claude Debussy, Triptyque Estampes (1904), Le Promenoir des deux amants (1911), Alexander Scriabin (1896), Joseph Jongen, André Caplet , Conte fantastique with Micheline Kahn as the harpist, (1923) Vladimir de Pachmann (1882), Charles Valentin Alkan (1837) and (1880), Francis Poulenc, Reynaldo Hahn, pianist Édouard Risler (1908), Ernest Chausson, Viviane (1883), César Franck, Le Chasseur maudit (1883), Arthur Honegger, Le Cahier romand (1924), Olivier Messiaen, Huit préludes (1930), Maurice Delage, Sept haï-kaïs (1925), Quatre poèmes hindous (1914), Francis Planté,Stéphan Elmas ou Youra Guller. Beethoven Sonata No. 29 in Bb Major "Hammerklavier" with Franz Liszt at the piano. Before the construction of the Maison de la Radio (1963), the hall served as a recording studio for the Radiodiffusion française. Nowadays, only the salon sees the organization of concerts, the volumes of the proper room having been reconverted (the volume of spaces is suggested by the organization of the roofs as well as the old entrance facade at No. 11 rue Paul Lelong - Paris 02). Nevertheless, it remains prized for its acoustics and its past charged with both musical and artistic history.

Le Palace is a Paris theatre located at 8, rue du Faubourg-Montmartre in the 9th arrondissement. It is best known for its years as a nightclub. Created by impresario Fabrice Emaer in 1978, intellectuals, actors, designers, and American and European jetsetters patronised the club for its flamboyant DJ Guy Cuevas, extravagant theme parties and performances, and Emaer's rule-breaking mix of clubgoers that threw together rich and poor, gay and straight, black and white.After Emaer's death in 1985, Le Palace changed hands and names several times before reopening in 2008 as a theater and concert space of the same name.