Roseland Ballroom

The August Wilson Theatre (formerly the Guild Theatre, ANTA Theatre, and Virginia Theatre) is a Broadway theater at 245 West 52nd Street in the Theater District of Midtown Manhattan in New York City. Opened in 1925, the theater was designed by C. Howard Crane and Kenneth Franzheim and was built for the Theatre Guild. It is named for Pulitzer Prize-winning playwright August Wilson (1945–2005). The Wilson has approximately 1,225 seats across two levels and is operated by Jujamcyn Theaters. The facade is a New York City designated landmark. The facade is designed as a variation of a 15th-century Tuscan villa, with a stage house to the west and an auditorium to the east. The facade has a stucco surface and openings with quoins, as well as a loggia. The placement of window openings reflected the theater's original interior arrangement. The front of the theater had facilities for the Theatre Guild, including classrooms, studios, a club room, a library, and a book store. The rear of the theater contains the auditorium, which was placed one story above ground to make room for a lounge below. The auditorium originally had elaborate decorations, including loggias and a frieze with depictions of scenes from the Theatre Guild's plays. The Theatre Guild announced plans for its own theater in 1923, and the Guild Theatre opened on April 13, 1925. The theater's initial productions generally lasted only for several weeks, and the Theatre Guild started leasing the venue to other producers in 1938. Radio station WOR (AM) took over the auditorium as a broadcast studio in 1943, with the Theatre Guild moving out the next year. The American National Theater and Academy (ANTA) purchased the theater in 1950 and renamed it the ANTA Playhouse. The theater reopened as the ANTA Theatre in 1954 after a renovation that eliminated most of the interior detail. Jujamcyn purchased the ANTA Theatre in 1981 and renamed it for Virginia McKnight Binger, a co-owner. The Virginia was renovated again in the 1990s, and it was renamed for Wilson in 2005. Under Jujamcyn ownership, the theater has hosted long runs of productions including City of Angels, Smokey Joe's Cafe, and Jersey Boys.

The Neil Simon Theatre, originally the Alvin Theatre, is a Broadway theater at 250 West 52nd Street in the Theater District of Midtown Manhattan in New York City. Opened in 1927, the theater was designed by Herbert J. Krapp and was built for Alex A. Aarons and Vinton Freedley. The original name was an amalgamation of Aarons's and Freedley's first names; the theater was renamed for playwright Neil Simon in 1983. The Simon has 1,362 seats across two levels and is operated by the Nederlander Organization. Both the facade and the auditorium interior are New York City landmarks. The facade is divided into two sections: the six-story stage house to the west and the five-story auditorium to the east. The ground floor is clad with terracotta blocks and contains an entrance with a marquee. The upper stories of both sections are made of brick and terracotta; the auditorium facade has arched windows, niches, and a central pediment, while the stage house is plainer in design. The interior is designed in the Adam style and includes two lobbies and a mezzanine-level lounge. The auditorium consists of a ground-level orchestra and one balcony with boxes. The theater interiors are decorated with paneling and plasterwork, and the auditorium has a domed ceiling. Above the auditorium were three stories of offices. Alexander Pincus and M. L. Goldstone developed the Alvin Theatre, which opened on November 22, 1927, with Funny Face. Aarons and Freedley initially operated the theater and owned it from 1930 to 1932. In the theater's early years, it hosted musicals such as Anything Goes, Lady in the Dark, and Something for the Boys, as well as plays. CBS took over in 1946 and continued to operate the theater until 1959, when Max and Stanley Stahl bought it. The Alvin was further sold in 1967 to Rock-Time Inc. and in 1975 to the Nederlanders. Through the 1960s and 1970s, the Alvin hosted long runs of shows such as A Funny Thing Happened on the Way to the Forum, High Spirits, The Great White Hope, Company, Shenandoah, and Annie. After the theater was renamed for Neil Simon, it hosted several of his plays during the 1980s and 1990s, as well as the musical Hairspray during much of the 2000s.

Feinstein's/54 Below is a cabaret and restaurant in New York City owned by Broadway producers Steve Baruch, Richard Frankel, Marc Routh and Tom Viertel. It has hosted shows by such performers as Patti LuPone, Ben Vereen, Sierra Boggess, Marilyn Maye and Barbara Cook. It is located in the basement of Studio 54 in Midtown Manhattan.

Studio 54 is a Broadway theatre and a former disco nightclub located on 54th Street in Midtown Manhattan, New York City. The building opened in 1927 as the Gallo Opera House. It operated as an entertainment venue under various names until 1942, when CBS began using it as a radio and television studio dubbed Studio 52.In 1977, Steve Rubell and Ian Schrager opened a nightclub in the building, retaining many former TV and theatrical sets and naming it for its street. Launched at the peak of the disco dancing and music trend, the club became world-famous, noted for its celebrity guest lists, restrictive (and subjective) entry policies (based on one's appearance and style), rampant club drug use, and open sexual activity in the club's infamous balcony and basement VIP rooms. In 1980, the club shut down after its founders were convicted for evading taxes. They sold the club to Mark Fleischman, who reopened it, then sold it in 1984 to new owners, who closed it in 1986. Since November 1998, the site has served as a venue for productions of the Roundabout Theatre Company and retains the name Studio 54. A separate restaurant and nightclub, Feinstein's/54 Below, operates in the basement of the building.In 2020, it expanded into a music imprint including a record label, Studio 54 Music, and radio station on Sirius XM, Studio 54 Radio.

53rd Street and Eighth Avenue was a station on the demolished IRT Sixth Avenue Line in Manhattan, New York City. It was built in 1881 by the Manhattan Railway Company as part of an effort to connect the northern end of the Sixth Avenue Line to the Ninth Avenue Line. It had three tracks and two side platforms, and was served by trains from the IRT Sixth Avenue Line. As a result, it became the last station on the Sixth Avenue Line before merging at a sharp curve with the Ninth Avenue Line. On September 11, 1905, 12 people were killed and 42 injured when a train jumped over the rails at the curve on 53rd Street between the Ninth Avenue 50th Street and 59th Street stations. In 1932, the Independent Subway System built the 50th Street Station three blocks to the south on the Eighth Avenue Subway with an additional lower level in 1933, thus rendering the elevated station and line obsolete. It closed on December 4, 1938. The next southbound stop was 50th Street. The next northbound stop was 59th Street.

Gallagher's Steakhouse is a steakhouse restaurant at 228 West 52nd Street in the Theater District in Manhattan, New York City. It was founded in November 1927 by Helen Gallagher, a former Ziegfeld girl, and wife of Edward Gallagher (1873–1929), and Jack Solomon, a colorful gambler with a large loyal following from the sporting element. These were the days of Prohibition and Gallagher's was one of the first speakeasy gathering places for gamblers, sports figures, and stars of Broadway. There is now a location in the New York-New York Hotel & Casino in Las Vegas.The restaurant is next door to the Alvin (now Neil Simon) Theatre, which opened a few days afterward.

The Broadway Theatre (formerly Universal's Colony Theatre, B.S. Moss' Broadway Theatre, Earl Carroll's Broadway Theatre, and Ciné Roma) is a Broadway theatre located in midtown Manhattan. It has a large seating capacity of 1,761, and unlike most Broadway theaters, it is actually located on Broadway, at number 1681.

The New York Jazz Museum was, from 1972 to 1977, one of the most important centers for the study of jazz. At its height it held 25,000 items. It was founded by Howard Fischer, among others, but closed after five years amid a power struggle between Fischer and other curators.It was situated in its own two-story building in mid-town Manhattan and had a small staff, an archive that eventually numbered about 25,000 items and extensive programs in New York City and beyond. Some of the programs won awards and most of them were received with widespread acclaim in the media and from jazz fans. There were the free Calvert Extra Sunday Concerts – 40 per year, sponsored by Calvert Distillers, the Jazz Puppet Show, the Jazz Film Festivals, the Jazz Panorama – an audio visual history of jazz (sponsored by the New York State Council on the Arts), The Jazz Store, Information Center, the exhibits – Louis Armstrong, Duke Ellington, Benny Goodman, Bird & Diz: The Bebop Era, The Sax Section, Count Basie and His Bands, Billie Holiday Remembered, About John Coltrane and the Jazz Trumpet. Posters and booklets were produced in conjunction with the exhibits and there was so much more. An extended power struggle ensued that eventually caused the museum's demise. Entangled in the fatal conflagration was the "Jazz Fraternity", which included the most prominent names in jazz – musicians, producers, writers, artists, et al. The museum opened on June 16, 1972, in a 1+1⁄2-story carriage house at 125 West 55th Street, between Sixth and Seventh Avenues, in New York City. After moving to the Empire Hotel and a storage facility in an office building on Broadway and 58th Street, in 1976 the museum purchased a two-story building at 236 West 54th Street, New York, NY for $210,000 with help from a Ford Foundation grant. It re-opened in June of that year, but only lasted about a year later after Fischer was dismissed. Most of the archive remains in the Schomburg Center (part of the New York Public Library) and the Rutgers Institute of Jazz Studies in New Jersey.

Dillon's Reprise Room, is a cabaret, located on West 54th Street in Manhattan's Theater District. Over the years, Dillons has been home to successful musical runs of "Our Sinatra," "The Water Coolers," and most recently "Boobs! The Musical," as well as some of cabaret's top performers.

Times Square Church is an interdenominational congregation located at the Mark Hellinger Theatre on 237 West 51st Street in the Theater District of Manhattan in New York City. Times Square Church was founded by Pastor David Wilkerson in 1987 and bought the Mark Hellinger Theatre in 1991.

The Mark Hellinger Theatre (formerly the 51st Street Theatre and the Hollywood Theatre) is a church building at 237 West 51st Street in the Midtown Manhattan neighborhood of New York City, which formerly served as a cinema and a Broadway theatre. Opened in 1930, the Hellinger Theatre is named after journalist Mark Hellinger and was developed by the Warner Bros. as a movie palace. It was designed by Thomas W. Lamb with a modern facade and a Baroque interior. It has 1,605 seats across two levels and has been a house of worship for the Times Square Church since 1989. Both the exterior and interior of the theater are New York City landmarks. The facade on 51st Street is designed in a modern 1930s style and is constructed with golden and brown bricks. The stage house to the west and the auditorium at the center are designed as one unit, with a cornice above the auditorium. The eastern section, containing the building's current main entrance, includes statues flanking the doors, as well as an overhanging marquee. The 51st Street facade was originally a side entrance; the main entrance was originally at 1655 Broadway but was closed in the 1950s. In contrast to the exterior, the theater has a Baroque interior. Its rotunda lobby contains eight fluted columns, a balcony, and a domed ceiling with several murals; a basement lounge exists under the lobby. The auditorium has a coved ceiling with murals, as well as boxes and a deep stage. For the first two decades of the Hellinger Theatre's existence, it largely served as a cinema under the Hollywood Theatre name. Vaudeville was presented in 1932, and some legitimate productions were shown intermittently from 1934 to 1942. The theater was briefly known as the 51st Street Theatre in 1936 and 1941 and as the Warner Theatre from 1947 to 1948. Anthony Brady Farrell bought the theater and renamed it after Hellinger, reopening it as a legitimate theater in 1949. The theater was subsequently acquired by the Stahl family in 1957 and the Nederlander Organization in 1976. The Hellinger hosted some hits from the 1950s to the 1970s, including My Fair Lady and Timbuktu!, but its later productions were mostly flops. By 1989, a lack of Broadway productions prompted the Nederlanders to lease the theater to the Times Square Church, which bought the building two years later.

Cheetah was a nightclub located at 1686 Broadway near 53rd Street in Manhattan, New York City. The club opened on May 28, 1966, and closed in the 1970s. The financial backing was provided by Borden Stevenson, son of politician Adlai Stevenson, and Olivier Coquelin. Robert Hilsky and Russell Hilsky were associated with the club.According to Steven Watson's Factory Made: Warhol and the Sixties, it "was the granddaddy of the big commercial disco". The most elaborate discotheque was Cheetah, on Broadway and 53rd Street, where everybody, according to Life, looked like "a kook in a Kubla Khanteen." The three thousand colored lightbulbs dimmed and flicked and popped into an infinity of light patterns, reflecting off shiny aluminum sheets. Cheetah held two thousand people and offered not only dancing but a library, a movie room, and color television. "The Cheetah provides the most curious use of the intermedia," wrote Jonas Mekas. "Whereas the Dom shows are restricted (or became restricted) to the In-circle, Cheetah was designed for the masses. An attempt was made to go over the persona, over the ego to reach the impersonal, abstract, universal. The musical Hair was performed at Cheetah before becoming a major production on Broadway. A live album by The Esquires, Mike St Shaw and the Prophets, and The Thunder Frog Ensemble was recorded there in 1966 and released by Audio Fidelity Records as Where It's At — Cheetah (1966, AFSD 6168).A later incarnation of the Cheetah opened at 310 W 52nd near 8th Ave (formerly the Palm Gardens). Cheetah became a popular Latin-American dance club that helped popularize Salsa to mainstream America and is widely cited as the birthplace of salsa music, or at least of the popular use of the term "salsa" to denote pan-Latin music brewing in New York City. On Thursday, August 26, 1971, the Fania All-Stars headlined the club and drew an overflowing and excited crowd that was later captured on film as Our Latin Thing. The Fania All-Stars brought together the leading lights in Latin music styles (descarga, mambo, boogaloo, merengue, folkloric) and presented a single concert drawing from these diverse influences. Although the term "salsa" had been used in Latin music dating back to at least Pupi Legarreta's 1962 LP Salsa Nova, this modern combination of styles being presented at the Cheetah Club began to become popularly known under the umbrella term "salsa".