Times Square Church

The Mark Hellinger Theatre (formerly the 51st Street Theatre and the Hollywood Theatre) is a church building at 237 West 51st Street in the Midtown Manhattan neighborhood of New York City, which formerly served as a cinema and a Broadway theatre. Opened in 1930, the Hellinger Theatre is named after journalist Mark Hellinger and was developed by the Warner Bros. as a movie palace. It was designed by Thomas W. Lamb with a modern facade and a Baroque interior. It has 1,605 seats across two levels and has been a house of worship for the Times Square Church since 1989. Both the exterior and interior of the theater are New York City landmarks. The facade on 51st Street is designed in a modern 1930s style and is constructed with golden and brown bricks. The stage house to the west and the auditorium at the center are designed as one unit, with a cornice above the auditorium. The eastern section, containing the building's current main entrance, includes statues flanking the doors, as well as an overhanging marquee. The 51st Street facade was originally a side entrance; the main entrance was originally at 1655 Broadway but was closed in the 1950s. In contrast to the exterior, the theater has a Baroque interior. Its rotunda lobby contains eight fluted columns, a balcony, and a domed ceiling with several murals; a basement lounge exists under the lobby. The auditorium has a coved ceiling with murals, as well as boxes and a deep stage. For the first two decades of the Hellinger Theatre's existence, it largely served as a cinema under the Hollywood Theatre name. Vaudeville was presented in 1932, and some legitimate productions were shown intermittently from 1934 to 1942. The theater was briefly known as the 51st Street Theatre in 1936 and 1941 and as the Warner Theatre from 1947 to 1948. Anthony Brady Farrell bought the theater and renamed it after Hellinger, reopening it as a legitimate theater in 1949. The theater was subsequently acquired by the Stahl family in 1957 and the Nederlander Organization in 1976. The Hellinger hosted some hits from the 1950s to the 1970s, including My Fair Lady and Timbuktu!, but its later productions were mostly flops. By 1989, a lack of Broadway productions prompted the Nederlanders to lease the theater to the Times Square Church, which bought the building two years later.

Circle in the Square Theatre School is a non-profit, tax exempt drama school associated with Circle in the Square Theatre; it is the only accredited conservatory attached to a Broadway theatre.It offers two 2-year full-time programs: a Professional Theatre Workshop, and a Professional Musical Theatre Workshop. The musical theatre program is unique in that it's identical to the acting program, except for additional musical classes. This gives the musical theatre students important, deep acting training so they can graduate as true, professional triple threats. There is also an option to earn a joint BFA in Theatre or Musical Theatre with Eckerd College in Florida. Additionally, Circle offers seven-week summer intensives for acting and musical theatre students. Circle in the Square Theatre School's primary objective is to train actors and singers for work in professional theatre, film, and television; it utilizes an eclectic curriculum to expose the students to various acting styles, methods, and techniques. Theodore Mann started the highly selective school in 1961 with 15 students in a Greenwich Village venue on Bleecker Street when Circle in the Square Theatre was an Off-Broadway venue. In 1972, it moved to its current Broadway location in the Paramount Plaza. Its student body is now approximately 75 students. Jacqueline Brookes, the Broadway actor, was a member of the faculty from 1973 until her death in April 2013.Circle in the Square Theatre School offers its students the rare opportunity to train and perform in the Broadway Theatre, and see the shows at Circle for free.

The American Theater Hall of Fame in New York City was founded in 1972. Earl Blackwell was the first head of the organization's Executive Committee. In an announcement in 1972, he said that the new Theater Hall of Fame would be located in the Uris Theatre (then under construction, now the Gershwin). James M. Nederlander and Gerard Oestreicher, who leased the theater, donated the space for the Hall of Fame; Arnold Weissberger was another founder. Blackwell noted that the names of the first honorees would "be embossed in bronze-gold lettering on the theater's entrance walls flanking its grand staircase and escalator." The first group of inductees was announced in October 1972.Eligible inductees come from disciplines including actors, playwrights, songwriters, designers, directors, and producers who have had a career in American theater for at least twenty-five years and at least five major production credits on Broadway. Selections are made each year by voting members of the Theater Hall of Fame and the American Theatre Critics Association (ATCA). Induction takes place at a ceremony at the Gershwin Theatre in New York City, where the plaques containing the names of the inductees are hung.Since 1998, full accounts of the annual induction ceremonies, with quotes from both inductees and their presenters, have appeared in the Pittsburgh Post-Gazette. An index to these articles is on the ATCA website. An annual Theater Hall of Fame Fellowship Luncheon has been held annually since 2004 to salute a member "who continues to work on Broadway and also presents grants to emerging theatre artists."

Paramount Plaza, also 1633 Broadway and formerly the Uris Building, is a 48-story skyscraper in the Midtown Manhattan neighborhood of New York City. Designed by Emery Roth and Sons, the building was developed by the Uris brothers. Designed by Der Scutt of Ely J. Kahn & Jacobs, the building was developed by Sam Minskoff and Sons. Paramount Plaza occupies a site bounded by Broadway to the east, 51st Street to the north, and 50th Street to the south. The building has been named for its owners, the Paramount Group. The building has a slab-like massing, rising straight from street level to the roof, 669 feet (204 m) above ground. The facade is covered in dark glass and carries the name of German company Allianz near the roof. There is a sunken plaza on the eastern side of the building, leading to the 50th Street station of the New York City Subway, as well as a pedestrian corridor and driveway under the western side. The driveway and corridor lead to the building's two Broadway theaters: the 1,900-seat Gershwin Theatre on the second floor and the 650-seat Circle in the Square Theatre in the basement. The Uris Buildings Corporation leased the site of the Capitol Theatre in 1967 and proposed a skyscraper on the site. The two Broadway theaters were included in exchange for additional floor area, and the building opened in August 1971. The building went into foreclosure in May 1974, just two years after it was completed, and the Paramount Group bought a majority ownership stake in the building in 1976. J. C. Penney and Sears initially took up much of the building's space, though the subsequent tenants came from a wider variety of fields, including law and finance. The retail space and plazas have been renovated multiple times during the building's history. The Paramount Group and several banks jointly owned the building until 2011, when Beacon Capital Group acquired a partial ownership stake; Paramount assumed full ownership in 2015.

Gallagher's Steakhouse is a steakhouse restaurant at 228 West 52nd Street in the Theater District in Manhattan, New York City. It was founded in November 1927 by Helen Gallagher, a former Ziegfeld girl, and wife of Edward Gallagher (1873–1929), and Jack Solomon, a colorful gambler with a large loyal following from the sporting element. These were the days of Prohibition and Gallagher's was one of the first speakeasy gathering places for gamblers, sports figures, and stars of Broadway. There is now a location in the New York-New York Hotel & Casino in Las Vegas.The restaurant is next door to the Alvin (now Neil Simon) Theatre, which opened a few days afterward.

Mars 2112 (pronounced "Mars twenty-one twelve") was one of many tourist-targeted restaurants in the Times Square district of New York City, based on future space travel and accommodations. At 33,000 sq ft (3,100 m2), it was the largest such themed restaurant when it opened in November 1998. Businessmen and founders Paschal M. Phelan and Simon Deith claimed at its opening, "It's the fusion of fun and good food and fantasy." The restaurant was situated on a sunken courtyard in front of the Paramount Plaza building at Broadway and 51st Street. A UFO-like elevator took patrons to the dining tier, where the "Mars Bar" and "Space Arcade" were also located. Perhaps the most notable feature was Crystal Crater, which served as the dining area. It was three stories high, and decorated as an imaginary Mars underground landscape. Waiters dressed in futuristic costumes, and food and drink items had space-themed names. After dining, patrons passed through two doorways where a "teleporter" took them back to the main floor and the gift shop. The restaurant closed in January 2012. The restaurant was auctioned off by Eliot B. Millman and Michael Amodeo auction companies. It had previously filed for bankruptcy twice (once in 2002 and once in late 2007) before finally closing.A Mars 2112 restaurant opened at Woodfield Mall in Schaumburg, Illinois, on October 3, 2000. It closed in November 2001, for no publicly-stated reason.

The Neil Simon Theatre, originally the Alvin Theatre, is a Broadway theater at 250 West 52nd Street in the Theater District of Midtown Manhattan in New York City. Opened in 1927, the theater was designed by Herbert J. Krapp and was built for Alex A. Aarons and Vinton Freedley. The original name was an amalgamation of Aarons's and Freedley's first names; the theater was renamed for playwright Neil Simon in 1983. The Simon has 1,362 seats across two levels and is operated by the Nederlander Organization. Both the facade and the auditorium interior are New York City landmarks. The facade is divided into two sections: the six-story stage house to the west and the five-story auditorium to the east. The ground floor is clad with terracotta blocks and contains an entrance with a marquee. The upper stories of both sections are made of brick and terracotta; the auditorium facade has arched windows, niches, and a central pediment, while the stage house is plainer in design. The interior is designed in the Adam style and includes two lobbies and a mezzanine-level lounge. The auditorium consists of a ground-level orchestra and one balcony with boxes. The theater interiors are decorated with paneling and plasterwork, and the auditorium has a domed ceiling. Above the auditorium were three stories of offices. Alexander Pincus and M. L. Goldstone developed the Alvin Theatre, which opened on November 22, 1927, with Funny Face. Aarons and Freedley initially operated the theater and owned it from 1930 to 1932. In the theater's early years, it hosted musicals such as Anything Goes, Lady in the Dark, and Something for the Boys, as well as plays. CBS took over in 1946 and continued to operate the theater until 1959, when Max and Stanley Stahl bought it. The Alvin was further sold in 1967 to Rock-Time Inc. and in 1975 to the Nederlanders. Through the 1960s and 1970s, the Alvin hosted long runs of shows such as A Funny Thing Happened on the Way to the Forum, High Spirits, The Great White Hope, Company, Shenandoah, and Annie. After the theater was renamed for Neil Simon, it hosted several of his plays during the 1980s and 1990s, as well as the musical Hairspray during much of the 2000s.

The Circle in the Square Theatre is a Broadway theatre in midtown Manhattan at 235 West 50th Street in the Paramount Plaza building. It is one of two Broadway theaters that use a thrust stage that extends into the audience on three sides.

The August Wilson Theatre (formerly the Guild Theatre, ANTA Theatre, and Virginia Theatre) is a Broadway theater at 245 West 52nd Street in the Theater District of Midtown Manhattan in New York City. Opened in 1925, the theater was designed by C. Howard Crane and Kenneth Franzheim and was built for the Theatre Guild. It is named for Pulitzer Prize-winning playwright August Wilson (1945–2005). The Wilson has approximately 1,225 seats across two levels and is operated by Jujamcyn Theaters. The facade is a New York City designated landmark. The facade is designed as a variation of a 15th-century Tuscan villa, with a stage house to the west and an auditorium to the east. The facade has a stucco surface and openings with quoins, as well as a loggia. The placement of window openings reflected the theater's original interior arrangement. The front of the theater had facilities for the Theatre Guild, including classrooms, studios, a club room, a library, and a book store. The rear of the theater contains the auditorium, which was placed one story above ground to make room for a lounge below. The auditorium originally had elaborate decorations, including loggias and a frieze with depictions of scenes from the Theatre Guild's plays. The Theatre Guild announced plans for its own theater in 1923, and the Guild Theatre opened on April 13, 1925. The theater's initial productions generally lasted only for several weeks, and the Theatre Guild started leasing the venue to other producers in 1938. Radio station WOR (AM) took over the auditorium as a broadcast studio in 1943, with the Theatre Guild moving out the next year. The American National Theater and Academy (ANTA) purchased the theater in 1950 and renamed it the ANTA Playhouse. The theater reopened as the ANTA Theatre in 1954 after a renovation that eliminated most of the interior detail. Jujamcyn purchased the ANTA Theatre in 1981 and renamed it for Virginia McKnight Binger, a co-owner. The Virginia was renovated again in the 1990s, and it was renamed for Wilson in 2005. Under Jujamcyn ownership, the theater has hosted long runs of productions including City of Angels, Smokey Joe's Cafe, and Jersey Boys.

The Gershwin Theatre (originally the Uris Theatre) is a Broadway theater at 222 West 51st Street, on the second floor of the Paramount Plaza office building, in the Midtown Manhattan neighborhood of New York City. Opened in 1972, it is operated by the Nederlander Organization and is named after brothers George and Ira Gershwin, who wrote several Broadway musicals. The Gershwin is Broadway's largest theater, with 1,933 seats across two levels. Over the years, it has hosted musicals, dance companies, and concerts. The Gershwin was designed by Ralph Alswang. It was one of the first theaters constructed under the Special Theater District amendment of 1967. The theater's main entrances are from a midblock passageway that runs between 50th and 51st Streets. There are escalators leading from the ground floor to the second-story lobby and rotundas. The American Theater Hall of Fame, which contains inscriptions of the names of over 500 notable theatrical personalities, is placed within the lobby and rotundas. The Gershwin's orchestra level, which has about 1,300 seats, is more than double the size of the mezzanine level, which has about 600 seats. The Uris Buildings Corporation built the theater within the Uris Building, now Paramount Plaza, in the 1960s in exchange for several additional floors of office space. The Uris opened on November 28, 1972, with a performance of the musical Via Galactica. Following several flops, the theater was rented out for concerts and dance specials in the 1970s. The musicals The King and I and Sweeney Todd had relatively long runs at the end of the decade. The theater was renamed the Gershwin during the 37th Tony Awards in 1983, the first of six Tony Awards ceremonies to be hosted there. In the 1980s, the theater hosted concerts; its first straight plays; and musicals such as Singin' in the Rain and Starlight Express. The theater continued to host concert appearances in the early 1990s, as well as musicals such as Show Boat, and was renovated in 1993. The Gershwin has been home to the musical Wicked since 2003.

The Iridium is a music club located on Broadway in New York City. The club featured weekly performances by Les Paul for nearly fifteen years.

The Winter Garden Theatre is a Broadway theatre at 1634 Broadway in the Midtown Manhattan neighborhood of New York City. It opened in 1911 under designs by architect William Albert Swasey. The Winter Garden's current design dates to 1922, when it was completely remodeled by Herbert J. Krapp. Due to the size of its auditorium, stage, and backstage facilities, it is favored for large musical productions. It has 1,600 seats and is operated by The Shubert Organization. The auditorium interior is a New York City landmark. The Winter Garden Theatre was adapted from the old building of the American Horse Exchange, completed in 1896. Its original facade consisted of several arches on Broadway, which were subsequently converted to a brick wall with a large sign. The interior is covered with detailing in the Adam style. Though the auditorium contains a single balcony above the orchestra level, the boxes are arranged in two levels above the orchestra. The auditorium contains a ribbed ceiling, which originally had exposed trusses prior to Krapp's renovation. The proscenium and stage also date to Krapp's renovation, when they were scaled down from their original size. The Winter Garden was originally operated by brothers Lee and Jacob J. Shubert. In its early days, the theater frequently hosted series of revues presented under the umbrella titles The Passing Show, Artists and Models, and the Greenwich Village Follies. The Winter Garden served as a Warner Bros. movie house from 1928 to 1933 and a United Artists cinema from 1945 to 1948. Aside from these interruptions, it has largely operated as a legitimate theater. From 1982 to 2013, the Winter Garden hosted only two productions: the musicals Cats and Mamma Mia!. The theater was renovated in 2000 and was known as the Cadillac Winter Garden Theatre from 2002 to 2007.