place

Dillon's Reprise Room

CabaretManhattan building and structure stubsMusic venues in ManhattanOff-Broadway theatersUnited States theater (structure) stubs

Dillon's Reprise Room, is a cabaret, located on West 54th Street in Manhattan's Theater District. Over the years, Dillons has been home to successful musical runs of "Our Sinatra," "The Water Coolers," and most recently "Boobs! The Musical," as well as some of cabaret's top performers.

Excerpt from the Wikipedia article Dillon's Reprise Room (License: CC BY-SA 3.0, Authors).

Dillon's Reprise Room
West 54th Street, New York Manhattan

Geographical coordinates (GPS) Address Nearby Places
placeShow on map

Wikipedia: Dillon's Reprise RoomContinue reading on Wikipedia

Geographical coordinates (GPS)

Latitude Longitude
N 40.764435 ° E -73.98337 °
placeShow on map

Address

Characters NYC Bar & Lounge

West 54th Street 243
10019 New York, Manhattan
New York, United States
mapOpen on Google Maps

Share experience

Nearby Places

New York Jazz Museum

The New York Jazz Museum was, from 1972 to 1977, one of the most important centers for the study of jazz. At its height it held 25,000 items. It was founded by Howard Fischer, among others, but closed after five years amid a power struggle between Fischer and other curators.It was situated in its own two-story building in mid-town Manhattan and had a small staff, an archive that eventually numbered about 25,000 items and extensive programs in New York City and beyond. Some of the programs won awards and most of them were received with widespread acclaim in the media and from jazz fans. There were the free Calvert Extra Sunday Concerts – 40 per year, sponsored by Calvert Distillers, the Jazz Puppet Show, the Jazz Film Festivals, the Jazz Panorama – an audio visual history of jazz (sponsored by the New York State Council on the Arts), The Jazz Store, Information Center, the exhibits – Louis Armstrong, Duke Ellington, Benny Goodman, Bird & Diz: The Bebop Era, The Sax Section, Count Basie and His Bands, Billie Holiday Remembered, About John Coltrane and the Jazz Trumpet. Posters and booklets were produced in conjunction with the exhibits and there was so much more. An extended power struggle ensued that eventually caused the museum's demise. Entangled in the fatal conflagration was the "Jazz Fraternity", which included the most prominent names in jazz – musicians, producers, writers, artists, et al. The museum opened on June 16, 1972, in a 1+1⁄2-story carriage house at 125 West 55th Street, between Sixth and Seventh Avenues, in New York City. After moving to the Empire Hotel and a storage facility in an office building on Broadway and 58th Street, in 1976 the museum purchased a two-story building at 236 West 54th Street, New York, NY for $210,000 with help from a Ford Foundation grant. It re-opened in June of that year, but only lasted about a year later after Fischer was dismissed. Most of the archive remains in the Schomburg Center (part of the New York Public Library) and the Rutgers Institute of Jazz Studies in New Jersey.

Spyscape
Spyscape

Spyscape is a private, for-profit espionage museum and experience in Midtown Manhattan, New York City. It opened in February 2018 to a positive reception from local and international media. It features seven main experience zones. The 60,000-square-foot museum & experience was created by Archimedia, a London-based private investment group and developer of resorts and leisure attractions, at a cost of "tens of millions of dollars." The "dark, labyrinthine interior" was designed by David Adjaye and occupies two levels inside a glass box building in midtown Manhattan. The gallery themes include: Encryption, which focuses on the cryptanalysts who cracked the German Enigma machine in WWII; Deception, which takes visitors through the FBI's hunt for KGB mole Robert Hanssen; Surveillance, a 360-degree room that presents a closer look at Edward Snowden; Hacking, an emoji-filled gallery highlighting the Anonymous (group); Cyberwarfare, which focus on Stuxnet; Special Ops, which focuses on WWII spy gadgets and SOE Officer Virginia Hall; and Intelligence, which examines the how espionage and analysis shaped the Cuban Missile Crisis. Visitors have the opportunity to test their own skills with various 'challenges' throughout the galleries - assessing traits from empathy and agility, to personality, brain power, and risk tolerance. The final gallery is Debrief, where visitors receive the results of their tests and challenges, and are assigned a spy role.Driven: 007xSpyscape - the first official James Bond exhibit in New York City - opened March 2019 in Spyscape's south gallery. The focal point of the exhibit is the actual Aston Martin DB5 that was driven by Pierce Brosnan in the film GoldenEye. In response to the COVID-19 pandemic, Spyscape made the 007xSpyscape exhibition available for free online following the temporary closure of the NYC venue. Driven closed on March 31, 2022.In April 2020, Spyscape released a podcast series, True Spies, narrated by Hayley Atwell and Vanessa Kirby. True Spies provides a unique insight into the world of espionage, asking listeners what they'd do in real life spy situations. The series also invites listeners to test their own spy skills, with exercises designed by a former Head of Training at British Intelligence.

Ed Sullivan Theater
Ed Sullivan Theater

The Ed Sullivan Theater (originally Hammerstein's Theatre; later the Manhattan Theatre, Billy Rose's Music Hall, CBS Radio Playhouse No. 3, and CBS Studio 50) is a theater at 1697–1699 Broadway, between 53rd and 54th Streets, in the Theater District of Midtown Manhattan in New York City. Built from 1926 to 1927 as a Broadway theater, the Sullivan was developed by Arthur Hammerstein in memory of his father, Oscar Hammerstein I. The two-level theater was designed by Herbert J. Krapp with over 1,500 seats, though the modern Ed Sullivan Theater seats many fewer people. The neo-Gothic interior is a New York City landmark, and the building is on the National Register of Historic Places. The Ed Sullivan Theater was built in conjunction with a 13-story Gothic-style office building facing Broadway. An entrance vestibule and two lobbies lead from the main entrance on Broadway to the auditorium on 53rd Street. The auditorium was purposely designed to resemble a cathedral, unlike other structures that were designed as Broadway theaters. It has a domed ceiling with ribs, as well as walls with stained glass. Though the seating arrangement and stage have been heavily modified from their original design, many of the design elements in the lobbies and auditorium are intact. Hammerstein operated the theater from 1927 to 1931, when he lost it to foreclosure. For the next five years, the theater was leased to multiple operators as both a theater and a music hall. The theater became a venue for CBS radio broadcasts in 1936, and it was converted to TV broadcasting in 1950. Under the Studio 50 name, the theater housed The Ed Sullivan Show from 1953 to 1971, as well as other shows such as The Garry Moore Show and The Jackie Gleason Show. Studio 50 was renamed after Ed Sullivan in 1967, and Reeves Entertainment used the Sullivan in the 1980s as a broadcast facility. The Sullivan has staged CBS's The Late Show franchise since 1993, first under David Letterman, then under Stephen Colbert since 2015.

Cheetah (nightclub)

Cheetah was a nightclub located at 1686 Broadway near 53rd Street in Manhattan, New York City. The club opened on May 28, 1966, and closed in the 1970s. The financial backing was provided by Borden Stevenson, son of politician Adlai Stevenson, and Olivier Coquelin. Robert Hilsky and Russell Hilsky were associated with the club.According to Steven Watson's Factory Made: Warhol and the Sixties, it "was the granddaddy of the big commercial disco". The most elaborate discotheque was Cheetah, on Broadway and 53rd Street, where everybody, according to Life, looked like "a kook in a Kubla Khanteen." The three thousand colored lightbulbs dimmed and flicked and popped into an infinity of light patterns, reflecting off shiny aluminum sheets. Cheetah held two thousand people and offered not only dancing but a library, a movie room, and color television. "The Cheetah provides the most curious use of the intermedia," wrote Jonas Mekas. "Whereas the Dom shows are restricted (or became restricted) to the In-circle, Cheetah was designed for the masses. An attempt was made to go over the persona, over the ego to reach the impersonal, abstract, universal. The musical Hair was performed at Cheetah before becoming a major production on Broadway. A live album by The Esquires, Mike St Shaw and the Prophets, and The Thunder Frog Ensemble was recorded there in 1966 and released by Audio Fidelity Records as Where It's At — Cheetah (1966, AFSD 6168).A later incarnation of the Cheetah opened at 310 W 52nd near 8th Ave (formerly the Palm Gardens). Cheetah became a popular Latin-American dance club that helped popularize Salsa to mainstream America and is widely cited as the birthplace of salsa music, or at least of the popular use of the term "salsa" to denote pan-Latin music brewing in New York City. On Thursday, August 26, 1971, the Fania All-Stars headlined the club and drew an overflowing and excited crowd that was later captured on film as Our Latin Thing. The Fania All-Stars brought together the leading lights in Latin music styles (descarga, mambo, boogaloo, merengue, folkloric) and presented a single concert drawing from these diverse influences. Although the term "salsa" had been used in Latin music dating back to at least Pupi Legarreta's 1962 LP Salsa Nova, this modern combination of styles being presented at the Cheetah Club began to become popularly known under the umbrella term "salsa".