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Lamb and Flag, Covent Garden

17th-century architecture in the United KingdomCovent GardenGrade II listed pubs in the City of WestminsterLondon building and structure stubsUnited Kingdom listed building stubs
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Lamb and Flag, Covent Garden, WC2 (3578392482)
Lamb and Flag, Covent Garden, WC2 (3578392482)

The Lamb and Flag is a Grade II listed public house at Rose Street, Covent Garden, London, WC2.The building is erroneously said to date back to Tudor times, and to have been a licensed premises since 1623, but in fact dates from the early 18th century. The building became a pub in 1772.Situated in what was a violent area of Covent Garden, the pub's upstairs room once hosted bare-knuckle prize fights, leading to it being nicknamed "The Bucket of Blood". A plaque on the building commemorates an attack on John Dryden in a nearby alley in 1679, when Charles II sent men to assault Dryden in objection to a satirical verse against Louise de Kérouaille, Charles II's mistress. Writer Charles Dickens frequented the pub in the 19th century. The pub was refaced with brick in 1958.

Excerpt from the Wikipedia article Lamb and Flag, Covent Garden (License: CC BY-SA 3.0, Authors, Images).

Lamb and Flag, Covent Garden
Rose Street, City of Westminster Covent Garden

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N 51.5116 ° E -0.1256 °
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Rose Street 35
WC2E 9BH City of Westminster, Covent Garden
England, United Kingdom
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Lamb and Flag, Covent Garden, WC2 (3578392482)
Lamb and Flag, Covent Garden, WC2 (3578392482)
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St Paul's, Covent Garden
St Paul's, Covent Garden

St Paul's Church is a Church of England parish church located in Bedford Street, Covent Garden, central London. It was designed by Inigo Jones as part of a commission for the 4th Earl of Bedford in 1631 to create "houses and buildings fit for the habitations of Gentlemen and men of ability". As well as being the parish church of Covent Garden, the church has gained the nickname of "the actors' church" by a long association with the theatre community. Completed in 1633, St Paul's was the first entirely new church to be built in London since the Reformation. Its design and the layout of the square have been attributed to Inigo Jones since the 17th century, although firm documentary evidence is lacking. According to an often repeated story, recorded by Horace Walpole, Lord Bedford asked Jones to design a simple church "not much better than a barn", to which the architect replied "Then you shall have the handsomest barn in England". The building is described by Sir John Summerson as "a study in the strictly Vitruvian Tuscan Order" and "almost an archaeological exercise". The description of a Tuscan or Etruscan-style temple by Vitruvius, which Jones closely follows in this building, reflects the early forms of Roman temple, which essentially continued Etruscan architecture, though quite what Vitruvius intended by his account has divided modern scholars. It has been seen as a work of deliberate primitivism: the Tuscan order is associated by Palladio with agricultural buildings.The temple front with a portico on the square has never in fact been the main entrance, although this may have been Jones's first intention. The altar lies behind this wall, and the entrance is at the far end to this. The stone facing of this facade is also later; originally it was apparently brick with stucco. The other sides of the building remain brick, with details in stone. The triangular pediments at both ends are in wood.

The Dance Centre

The Dance Centre, previously at 12 Floral Street, Covent Garden, central London, England, was founded by Valerie Tomalin (née Hyman) in 1964 as a space where dance teachers could hire small studios by the hour and large ballet companies, such as The Royal Ballet and Ballet Rambert, could rent larger studios by the day or by the week. Individual artists such as Margot Fonteyn, Wayne Sleep and Rudolf Nureyev used the smaller spaces to privately fine-tune their performances. The venture was inspired by Valerie's fascination with ballet. As an art-student Valerie bought student tickets for The Royal Opera House top gallery so that she could see the great Russian dancers take command of the aging stage. Subsequently, Valerie became fascinated by modern dance and especially American jazz which was championed in those days by Matt Mattox.Other teachers who quickly found the facilities helpful include Gillian Gregory, Diana South, and Mike St.Leger Arlene Phillips, Lindsay Kemp, Molly Molloy and Gary Cockrell. Many of the dance students themselves went on to successful careers, for example David Bowie, who cites Lindsay Kemp's mime classes as being a fundamental inspiration for the character Ziggy Stardust, and Kate Bush.By the mid-1960s, the Dance Centre was a Covent Garden Landmark. At that time virtually all the other buildings in Floral Street were vegetable or fruit warehouses. In fact the Dance Centre itself had previously been a banana-drying warehouse and before that it was a poor school. As a listed three-storey building, the bell-tower can still be seen rising above the other Floral Street retail units. The fruit and vegetable market was established in the 1600s as a growing area literally annexed to a convent; hence the name. Eventually many west-end and national shows auditioned there and rehearsed there too.The Dance Centre also operated its own leading theatrical agency under Rob Gardell.It commissioned its own ballet shoes, tights, leotards and leg-warmers. The idea of such brand extension was pioneering in its day.It also created its own dance troupes called The Beat Girls, later to become Pan's People.In 1971, theatre producer Ian Albery asked The Dance Centre to help rent its warehouse (just around the corner in Earlham Street) to theatrical companies. So successful was The Dance Centre in reviving this space that the warehouse thrived and became The Donmar Theatre.Valerie Tomalin's business partner Gary Cockrell opened The Sanctuary next door at number 11 Floral Street, and Valerie opened The Costume Centre in King Street in the centre of Covent Garden just by the piazza.