place

St Paul's, Covent Garden

1633 establishments in England17th-century Church of England church buildingsChurch of England church buildings in the City of WestminsterCovent GardenDiocese of London
Grade I listed churches in the City of WestminsterNeoclassical architecture in LondonReligious buildings and structures completed in 1633Use British English from February 2013
St. Paul's Church, Covent Garden, London
St. Paul's Church, Covent Garden, London

St Paul's Church is a Church of England parish church located in Bedford Street, Covent Garden, central London. It was designed by Inigo Jones as part of a commission for the 4th Earl of Bedford in 1631 to create "houses and buildings fit for the habitations of Gentlemen and men of ability". As well as being the parish church of Covent Garden, the church has gained the nickname of "the actors' church" by a long association with the theatre community. Completed in 1633, St Paul's was the first entirely new church to be built in London since the Reformation. Its design and the layout of the square have been attributed to Inigo Jones since the 17th century, although firm documentary evidence is lacking. According to an often repeated story, recorded by Horace Walpole, Lord Bedford asked Jones to design a simple church "not much better than a barn", to which the architect replied "Then you shall have the handsomest barn in England". The building is described by Sir John Summerson as "a study in the strictly Vitruvian Tuscan Order" and "almost an archaeological exercise". The description of a Tuscan or Etruscan-style temple by Vitruvius, which Jones closely follows in this building, reflects the early forms of Roman temple, which essentially continued Etruscan architecture, though quite what Vitruvius intended by his account has divided modern scholars. It has been seen as a work of deliberate primitivism: the Tuscan order is associated by Palladio with agricultural buildings.The temple front with a portico on the square has never in fact been the main entrance, although this may have been Jones's first intention. The altar lies behind this wall, and the entrance is at the far end to this. The stone facing of this facade is also later; originally it was apparently brick with stucco. The other sides of the building remain brick, with details in stone. The triangular pediments at both ends are in wood.

Excerpt from the Wikipedia article St Paul's, Covent Garden (License: CC BY-SA 3.0, Authors, Images).

St Paul's, Covent Garden
Inigo Place, City of Westminster Covent Garden

Geographical coordinates (GPS) Address Nearby Places
placeShow on map

Wikipedia: St Paul's, Covent GardenContinue reading on Wikipedia

Geographical coordinates (GPS)

Latitude Longitude
N 51.511388888889 ° E -0.12416666666667 °
placeShow on map

Address

Inigo Jones Garden

Inigo Place
WC2E 9ED City of Westminster, Covent Garden
England, United Kingdom
mapOpen on Google Maps

St. Paul's Church, Covent Garden, London
St. Paul's Church, Covent Garden, London
Share experience

Nearby Places

Evans Music-and-Supper Rooms
Evans Music-and-Supper Rooms

Evans Music-and-Supper Rooms was an entertainment venue for music and singing in the early nineteenth century, located at 43 King Street, Covent Garden, London. The venue provided the type of entertainment which later evolved into music hall. What would later be known as the Evans Music and Supper Rooms was initially known as the Thomas Archer House. The house was built by Thomas Archer in 1712 for Admiral Edward Russell, the fourth Earl of Bedford's grandson. The House would later be sold to a man named Joy and turned into The Grand Hotel. Formerly the dining room of the Grand Hotel, a 'song and supper' room was established in the 1840s by W. H. Evans. It was also known as Evans Late Joy's, the venue previously being owned by a man named Joy. In 1842 the rooms were taken over by John Paddy Green, who had been one of Evans's entertainers. Green reconstructed the rooms and maintained their popular reputation. The room was 113 feet (34.4 m) long by 56 feet (17.1 m) wide.Evans' existed as the most popular song and supper room in the West End for some time during the late 1800s Entertainment was provided by choir boys singing madrigals and glees, followed by older comic singers such as Sam Cowell, Charles Sloman and Sam Collins. The patrons would eat, drink and talk at tables provided and participate in singalongs, sometimes of a "lewd" nature. A repeat performer there in the late 1870s was the comedian Arthur Roberts, who was known for his risqué act. In 1879, his performance of one of his "saucy" songs caused Evans's to lose its license for a year. The venue was patronised by William Makepeace Thackeray, who presented it (in a composite portrait with the Coal Hole and the Cyder Cellars, two nearby song-and-supper rooms) as "The Cave of Harmony" in his novel The Newcomes and as "The Back Kitchen" in Pendennis.Unlike the later music halls the patrons were male only, until the 1860s, when women were at last admitted. John Paddy Green said in an interview that women were not allowed in because they were uneducated. The venue closed in 1880, and in 1930 the upstairs rooms in the building were occupied by the Players' Theatre Club who wished to revive the music hall tradition. The cast became known as the "Late Joys" and have since provided old time music hall entertainment at a variety of other venues.

The Dance Centre

The Dance Centre, previously at 12 Floral Street, Covent Garden, central London, England, was founded by Valerie Tomalin (née Hyman) in 1964 as a space where dance teachers could hire small studios by the hour and large ballet companies, such as The Royal Ballet and Ballet Rambert, could rent larger studios by the day or by the week. Individual artists such as Margot Fonteyn, Wayne Sleep and Rudolf Nureyev used the smaller spaces to privately fine-tune their performances. The venture was inspired by Valerie's fascination with ballet. As an art-student Valerie bought student tickets for The Royal Opera House top gallery so that she could see the great Russian dancers take command of the aging stage. Subsequently, Valerie became fascinated by modern dance and especially American jazz which was championed in those days by Matt Mattox.Other teachers who quickly found the facilities helpful include Gillian Gregory, Diana South, and Mike St.Leger Arlene Phillips, Lindsay Kemp, Molly Molloy and Gary Cockrell. Many of the dance students themselves went on to successful careers, for example David Bowie, who cites Lindsay Kemp's mime classes as being a fundamental inspiration for the character Ziggy Stardust, and Kate Bush.By the mid-1960s, the Dance Centre was a Covent Garden Landmark. At that time virtually all the other buildings in Floral Street were vegetable or fruit warehouses. In fact the Dance Centre itself had previously been a banana-drying warehouse and before that it was a poor school. As a listed three-storey building, the bell-tower can still be seen rising above the other Floral Street retail units. The fruit and vegetable market was established in the 1600s as a growing area literally annexed to a convent; hence the name. Eventually many west-end and national shows auditioned there and rehearsed there too.The Dance Centre also operated its own leading theatrical agency under Rob Gardell.It commissioned its own ballet shoes, tights, leotards and leg-warmers. The idea of such brand extension was pioneering in its day.It also created its own dance troupes called The Beat Girls, later to become Pan's People.In 1971, theatre producer Ian Albery asked The Dance Centre to help rent its warehouse (just around the corner in Earlham Street) to theatrical companies. So successful was The Dance Centre in reviving this space that the warehouse thrived and became The Donmar Theatre.Valerie Tomalin's business partner Gary Cockrell opened The Sanctuary next door at number 11 Floral Street, and Valerie opened The Costume Centre in King Street in the centre of Covent Garden just by the piazza.