Palazzo Ricca, Naples

Santa Maria della Pace is a Roman Catholic church attached to a monastery and hospital, located on Via dei Tribunali corner with Via Castel Capuano, just after the piazzetta Sedil Capuano, in Naples, Italy.

Castel Capuano is a castle in Naples, southern Italy. It takes its name from the fact that it was at that point in the city walls where the road led out to the city of Capua. The castle is at the southwest end of via dei Tribunali, and until recently housed the Naples Hall of Justice, which has now moved to the new Civic Center, the Centro Direzionale. The structure was built in the 12th century by William I, the son of Roger II of Sicily, the first monarch of the Kingdom of Naples. It was expanded by Frederick II of Hohenstaufen and became one of his royal palaces. On 19 August 1432, Sergianni Caracciolo was stabbed by four knights in the service of the Queen in his room in Castel Capuano. In the 16th century, under the Spanish viceroyship of Pedro Álvarez de Toledo, all of the city's various legal offices and departments were consolidated here and it became the Hall of Justice - known as the "Vicaria" - the basements of which served as a prison. Over the entrance to the castle, the arms of Emperor Charles V, who visited Naples in 1535, are still visible. The castle has undergone many restorations, one as recent as 1860, and no longer retains much of its original appearance. The Colonna della Vicaria, a simple column on a pillar, once stood in front of the entrance; it was used to disgrace and punish debtors. At the rear exterior of the building, facing Piazza Enrico de Nicola, is the Fontana del Formiello.

Considering that the site is of exceptional value. It is one of the most ancient cities in Europe, whose contemporary urban fabric preserves the elements of its long and eventful history. Its setting on the Bay of Naples gives it an outstanding universal value which has had a profound influence in many parts of Europe and beyond. — Motivation of UNESCO The historic center of Naples represents the first historical nucleus of the city. It contains 27 centuries of history. Mostly declared a World Heritage Site by UNESCO in 1995 (about 1021 hectares), it was included in the list of assets to be protected; its particular uniqueness lies in the almost total conservation and use of the ancient Greek road layout.

The Fontana del Formiello (Fountain of the Formiello) is a historic public fountain located at the rear exterior of the Castel Capuano, facing Piazza Enrico de Nicola, and across the street from the church and convent of Santa Caterina a Formiello in Naples, Italy. The term Formiello comes from the forms or containers for water spouts found in the convent. The fountain had been placed in storage during the late 19th century, and reconstructed at this site in 1930. Mastro Joseppe and Michel De Guido were commissioned in 1573 to reconstruct a medieval fountain, originally called Fontana Reale con Abeveratoio, suggesting it was a watering station for horses. Three lion masks disgorge water, while the superior structure has a heraldic shield of the viceroy. The Shield is that of Don Pedro Tellez Giron, Duke of Osuna. A plaque in Latin states that: "While Philip II (of Spain) governed, here stopped travelers to venerate the waters of the Sebeto River, that the choirs of the Aonidi, and the waves of Parnassus, here provide you the source of Melpomene, who sings the aria of the works of the king." It is rumored that in the 17th century the viceroy Don Pedro Antonio of Aragon added a statue of Philip IV of Spain, but the placement was rebuffed by the people of Naples.

Santa Maria a Piazza is a former Roman Catholic church, located at Piazzetta Forcella (Via Forcella) in central Naples, region of Campania, Italy. Despite being among the oldest churches in Naples, according to tradition first erected by Emperor Constantine in the 4th century, the church is in ruinous state. Documentation of the church dates to the 9th century, and a bell-tower, present until 1924, dated to the 10th century. The interior once housed wooden crucifixes from the nearby church of Sant'Agrippino a Forcella, but the interior 17th-century canvases depicting the Holy Family and the Nativity are lost. The sepulchral plaque of the Duke of Naples Buono from the 9th century has been transferred to the Cathedral.

Sant'Agrippino a Forcella is a church located on Via Forcella in Naples, Italy. A church at the site may have been present since the fifth century, but we have documentation of a consecration during the papacy of pope Clement IV in 1265-1268. The church retains some Gothic architecture details in the apse, but the remainder of the church demonstrates the Baroque reconstructions (1758) by Nicola Tagliacozzi Canale. The exterior 14th century portal was designed by the Pisan Antonio di Chelino, pupil of Donatello.

The Santissima Annunziata Maggiore is a basilica church located in the quartieri Pendino near Forcella, in the historic center of Naples, Italy.

The Pio Monte della Misericordia is a church in the historic center of Naples, southern Italy. It is famous for its art works, including Caravaggio's The Seven Works of Mercy. A charity brotherhood (Pio Monte della Misericordia meaning "Pious Mount of Mercy" in Italian) was founded in August 1601 by seven young nobles, who met every Friday at the Hospital for Incurables and ministered to the sick.In 1602 they established an institution and commissioned a small church, built by Gian Giacomo di Conforto, near the staircase leading to the Cathedral, on the corner of the Via dei Tribunali and the Vico dei Zuroli. In 1605, they received an apostolic letter from Pope Paul V, according special privileges to the high altar.The church was consecrated in September 1606. From 1658 to 1678 the edifice was enlarged, also with the annexation of neighbouring structures, by architect Francesco Antonio Picchiati, forming a complex with a palace and a renewed church. The latter, at the high altar, houses Caravaggio's Seven Works of Mercy. There are also paintings by Luca Giordano, Carlo Sellitto, Fabrizio Santafede, Battistello Caracciolo and others. The noblemen of the brotherhood at Pio Monte della Misericordia were looking for painters "to give permanent visual expression to their sense of charitable mission”. Regarding the sharp contrasts of the chiaroscuro in Caravaggio's painting’s, the German art historian Ralf van Bühren explains the bright light as a metaphor for mercy, which "helps the audience to explore mercy in their own lives".

Santa Caterina a Formiello is a church in Naples, in southern Italy, located at the extreme eastern end of the old historic center of the city, on Via Carbonara and Piazza Enrico de Nicola, near the gate called Porta Capuana. The term Formiello comes from the forms or containers for water spouts found in the convent. Diagonally across the street and South is the Fontana del Formiello against the rear wall of the imposing Castel Capuano.

The Porta Capuana is an ancient city gate in Naples, Italy. The gate also gives name to the zone, which is one of the ten boroughs of Naples. This zone being part of the Fourth Municipality. In spite of the name, the portal is not the ancient gateway to the decumanus maximus, the main east-west road that once led out of Roman Naples to Capua. When the city was extended eastwards in the 15th century as part of the construction of the new Aragonese city walls, the original gate, which had been closer to the castle of the same name, Castel Capuano, was rebuilt and relocated in 1484. Then when the walls were razed, the gate remained free-standing, giving it somewhat the air of a triumphal arch. The carving on the 1484 facings consists of classically inspired trophies, flying Victories and other triumphal imagery. Just inside the gate, is the domed church of Santa Caterina a Formiello.

Santi Apostoli is a Baroque-style church in Naples, Italy. Legend holds that a church at the site was built atop a Temple of Mercury by Emperor Constantine. Restored by the Caracciolo Family, it was ceded in 1570 to the Theatine Order. By 1590, the adjacent cloister and monastery was designed by Francesco Grimaldi. In the early 17th century was reconstructed by Giacomo Conforti. In 1638, the work was continued by Bartolomeo Picchiatti. In the 19th century, the Theatine order was suppressed and the church turned over in administrations. An earthquake damaged the dome. The church now belongs to the Liceo Artistico Statale di Napoli. The counter-facade and ceiling panels were frescoed by Giovanni Lanfranco in the 1640s. The panels contain the following depictions: a Martyrdom of Apostles Simone e Giuda; a Martyrdom of St Thomas Apostle; a Martyrdom of St Bartholomew; a Martyrdom of St Matthew; a Martyrdom of St John Evangelist; a Glory of the Apostles, Virtue, Prophets, Patriarchs, and finally the four Evangelists on the pendentives of the dome. The cupola has a large fresco depicting Paradise (1684) by Giovanni Battista Benasca, who also painted the frescoes in the chapel of St Michael. This chapel has a painting by Marco da Siena The lunnettes in this chapel were painted by Giordano and Solimena. Over the main door is a painting of the Healing Pool by Viviani. The main altar was designed by Fuga. In the choir are five canvases by Solimena. The altar in the Filomarino Family Chapel at the right of the main altar, was designed (1647) by Borromini. The chapel has mosaics made by Giovanni Battista Calandra and copied from paintings by Reni. The relief on the altar of the four evangelist symbols is by François Duquesnoy, and two marble lions are by Giuliano Finelli. The sacristy was built in 1626 using designs of Ferdinando Sanfelice. The crypt was frescoed by Belisario Corenzio.

Sant'Eligio dei Chiavettieri (once known as Santa Maria ad Ercole) is a Roman Catholic church in Naples, Italy, located at the intersection of via Cesare Sersale and vicoletto Chiavettieri al Pendino.