Historic Centre of Naples

Santa Maria a Piazza is a former Roman Catholic church, located at Piazzetta Forcella (Via Forcella) in central Naples, region of Campania, Italy. Despite being among the oldest churches in Naples, according to tradition first erected by Emperor Constantine in the 4th century, the church is in ruinous state. Documentation of the church dates to the 9th century, and a bell-tower, present until 1924, dated to the 10th century. The interior once housed wooden crucifixes from the nearby church of Sant'Agrippino a Forcella, but the interior 17th-century canvases depicting the Holy Family and the Nativity are lost. The sepulchral plaque of the Duke of Naples Buono from the 9th century has been transferred to the Cathedral.

Sant'Agrippino a Forcella is a church located on Via Forcella in Naples, Italy. A church at the site may have been present since the fifth century, but we have documentation of a consecration during the papacy of pope Clement IV in 1265-1268. The church retains some Gothic architecture details in the apse, but the remainder of the church demonstrates the Baroque reconstructions (1758) by Nicola Tagliacozzi Canale. The exterior 14th century portal was designed by the Pisan Antonio di Chelino, pupil of Donatello.

Santa Maria della Pace is a Roman Catholic church attached to a monastery and hospital, located on Via dei Tribunali corner with Via Castel Capuano, just after the piazzetta Sedil Capuano, in Naples, Italy.

The Palazzo Ricca is a monumental palace, located on the southernmost end of Via dei Tribunali #231, in central Naples, region of Campania, Italy. It presently houses the archives of the Foundation of the Istituto Banco di Napoli. The palace is just down the street from the entrance to Castel Capuano

Sant'Eligio dei Chiavettieri (once known as Santa Maria ad Ercole) is a Roman Catholic church in Naples, Italy, located at the intersection of via Cesare Sersale and vicoletto Chiavettieri al Pendino.

Sant Agostino alla Zecca, also known as Sant'Agostino Maggiore is a church in central Naples, Italy. Originally granted to the Augustinian monks by Robert I of Anjou in 1259. The church underwent extensive reconstruction in the Baroque period by Bartolomeo Picchiati. Its name derives from its location near the former mint. Since the 1980 Irpinia earthquake, it has been closed and is in a poor state of conservation. The interior has frescoes of Giacinto Diano in the Sacristy.

The Santissima Annunziata Maggiore is a basilica church located in the quartieri Pendino near Forcella, in the historic center of Naples, Italy.

Santa Maria Egiziaca a Forcella (or church of Santa Maria Egiziaca all'Olmo) is a Baroque-style, Roman Catholic church located in the quartiere di Forcella, in the city of Naples, Italy;

Castel Capuano is a castle in Naples, southern Italy. It takes its name from the fact that it was at that point in the city walls where the road led out to the city of Capua. The castle is at the southwest end of via dei Tribunali, and until recently housed the Naples Hall of Justice, which has now moved to the new Civic Center, the Centro Direzionale. The structure was built in the 12th century by William I, the son of Roger II of Sicily, the first monarch of the Kingdom of Naples. It was expanded by Frederick II of Hohenstaufen and became one of his royal palaces. On 19 August 1432, Sergianni Caracciolo was stabbed by four knights in the service of the Queen in his room in Castel Capuano. In the 16th century, under the Spanish viceroyship of Pedro Álvarez de Toledo, all of the city's various legal offices and departments were consolidated here and it became the Hall of Justice - known as the "Vicaria" - the basements of which served as a prison. Over the entrance to the castle, the arms of Emperor Charles V, who visited Naples in 1535, are still visible. The castle has undergone many restorations, one as recent as 1860, and no longer retains much of its original appearance. The Colonna della Vicaria, a simple column on a pillar, once stood in front of the entrance; it was used to disgrace and punish debtors. At the rear exterior of the building, facing Piazza Enrico de Nicola, is the Fontana del Formiello.

The Pio Monte della Misericordia is a church in the historic center of Naples, southern Italy. It is famous for its art works, including Caravaggio's The Seven Works of Mercy. A charity brotherhood (Pio Monte della Misericordia meaning "Pious Mount of Mercy" in Italian) was founded in August 1601 by seven young nobles, who met every Friday at the Hospital for Incurables and ministered to the sick.In 1602 they established an institution and commissioned a small church, built by Gian Giacomo di Conforto, near the staircase leading to the Cathedral, on the corner of the Via dei Tribunali and the Vico dei Zuroli. In 1605, they received an apostolic letter from Pope Paul V, according special privileges to the high altar.The church was consecrated in September 1606. From 1658 to 1678 the edifice was enlarged, also with the annexation of neighbouring structures, by architect Francesco Antonio Picchiati, forming a complex with a palace and a renewed church. The latter, at the high altar, houses Caravaggio's Seven Works of Mercy. There are also paintings by Luca Giordano, Carlo Sellitto, Fabrizio Santafede, Battistello Caracciolo and others. The noblemen of the brotherhood at Pio Monte della Misericordia were looking for painters "to give permanent visual expression to their sense of charitable mission”. Regarding the sharp contrasts of the chiaroscuro in Caravaggio's painting’s, the German art historian Ralf van Bühren explains the bright light as a metaphor for mercy, which "helps the audience to explore mercy in their own lives".

San Giorgio Maggiore is a basilica church located on the corner of Via vicaria Vecchia and Via Duomo, in central Naples, Italy. The apse of the church lies diagonally across the street from San Severo al Pendino. A church at the site was built by the 4th century, and was initially known as "la severiana", after the bishop San Severo of Naples. The present name dates to the 9th century, and is dedicated to a martyred warrior in the battles against the Lombards. In 1640, a fire destroyed part of the church, and reconstruction followed plans by Cosimo Fanzago, who inverted the orientation. The present church's entrance is the former apse of the primitive church. After 1694, it was rebuilt after an earthquake. Cosimo Fanzago transferred into this church some of the granite columns from the nearby church of Santa Maria degli Angeli alle Croci. During the 18th century Risanamiento, when certain streets in Naples were being widened, the nave on the right side of the church was eliminated to widen Via Duomo. Near the lateral door of the church is the marble seat, constructed from spolia, of St Severus, founder of the church. In the left of main altar of the church are frescoes painted by a young Solimena. The church also holds a painting in Byzantine style, a wooden crucifix from the 13th century, and the relics of St Severus. The church has canvases by Camillo Lionti and Francesco Peresi.

The Fontana del Formiello (Fountain of the Formiello) is a historic public fountain located at the rear exterior of the Castel Capuano, facing Piazza Enrico de Nicola, and across the street from the church and convent of Santa Caterina a Formiello in Naples, Italy. The term Formiello comes from the forms or containers for water spouts found in the convent. The fountain had been placed in storage during the late 19th century, and reconstructed at this site in 1930. Mastro Joseppe and Michel De Guido were commissioned in 1573 to reconstruct a medieval fountain, originally called Fontana Reale con Abeveratoio, suggesting it was a watering station for horses. Three lion masks disgorge water, while the superior structure has a heraldic shield of the viceroy. The Shield is that of Don Pedro Tellez Giron, Duke of Osuna. A plaque in Latin states that: "While Philip II (of Spain) governed, here stopped travelers to venerate the waters of the Sebeto River, that the choirs of the Aonidi, and the waves of Parnassus, here provide you the source of Melpomene, who sings the aria of the works of the king." It is rumored that in the 17th century the viceroy Don Pedro Antonio of Aragon added a statue of Philip IV of Spain, but the placement was rebuffed by the people of Naples.