Sant'Eligio dei Chiavettieri

Sant Agostino alla Zecca, also known as Sant'Agostino Maggiore is a church in central Naples, Italy. Originally granted to the Augustinian monks by Robert I of Anjou in 1259. The church underwent extensive reconstruction in the Baroque period by Bartolomeo Picchiati. Its name derives from its location near the former mint. Since the 1980 Irpinia earthquake, it has been closed and is in a poor state of conservation. The interior has frescoes of Giacinto Diano in the Sacristy.

Santa Maria Egiziaca a Forcella (or church of Santa Maria Egiziaca all'Olmo) is a Baroque-style, Roman Catholic church located in the quartiere di Forcella, in the city of Naples, Italy;

Sant'Agrippino a Forcella is a church located on Via Forcella in Naples, Italy. A church at the site may have been present since the fifth century, but we have documentation of a consecration during the papacy of pope Clement IV in 1265-1268. The church retains some Gothic architecture details in the apse, but the remainder of the church demonstrates the Baroque reconstructions (1758) by Nicola Tagliacozzi Canale. The exterior 14th century portal was designed by the Pisan Antonio di Chelino, pupil of Donatello.

Santa Maria a Piazza is a former Roman Catholic church, located at Piazzetta Forcella (Via Forcella) in central Naples, region of Campania, Italy. Despite being among the oldest churches in Naples, according to tradition first erected by Emperor Constantine in the 4th century, the church is in ruinous state. Documentation of the church dates to the 9th century, and a bell-tower, present until 1924, dated to the 10th century. The interior once housed wooden crucifixes from the nearby church of Sant'Agrippino a Forcella, but the interior 17th-century canvases depicting the Holy Family and the Nativity are lost. The sepulchral plaque of the Duke of Naples Buono from the 9th century has been transferred to the Cathedral.

Considering that the site is of exceptional value. It is one of the most ancient cities in Europe, whose contemporary urban fabric preserves the elements of its long and eventful history. Its setting on the Bay of Naples gives it an outstanding universal value which has had a profound influence in many parts of Europe and beyond. — Motivation of UNESCO The historic center of Naples represents the first historical nucleus of the city. It contains 27 centuries of history. Mostly declared a World Heritage Site by UNESCO in 1995 (about 1021 hectares), it was included in the list of assets to be protected; its particular uniqueness lies in the almost total conservation and use of the ancient Greek road layout.

The Santissima Annunziata Maggiore is a basilica church located in the quartieri Pendino near Forcella, in the historic center of Naples, Italy.

Pendino is one of the 30 quartieri of Naples, southern Italy.It covers an area of 0.63 km2 and in 2009 had a population of 15,588 inhabitants.The neighbourhood is part of the historical city centre (Centro historico), including the Palazzo Como, that houses the Filangieri Civic Museum, on the main north–south street in the area, Via Duomo (the street on which Naples Cathedral is located). The area was one of the most heavily affected by the risanamento, the massive demolitions of the urban renewal of Naples on either side of the year 1900, including the dismantling and repositioning of the aforementioned museum and the very construction of the street, Via Duomo, itself, to provide a main traffic artery to connect the northern side of Naples with the port area.

Santa Maria la Scala is a Baroque style church in a Piazzetta of the same name in Naples, Italy. The complex was built in 1054, when merchants of the town of Scala in the peninsula of Sorrento, traded with Neapolitans, thus were granted a plot which then stood outside the city walls, to erect a church complex. By the 15th century, the church stood inside the walls of the city. As trade between Naples and Scala declined, the church fell in disuse. The church was reconstructed in the 17th and 18th century as the home of various lay and religious confraternities. The interior is decorated in an elaborate Baroque style. In the 19th century, the church was restored by the architect Francesconi. The interior was redecorated by Lorenzo De Caro. Among those buried in the church are men who were faithful to the Bourbon Monarchy, and who were arrested on June 13, 1799, and the next day executed on the grounds of Capodimonte by a firing squad set up by the Neapolitan Republic of 1799. The executed were Antonio di Lieto, Carloantonio Genovese, Saverio Greco, Carmine Ruggiero, Antonio Russo, and Francesco Vigliotto. Among the interior decorations are a number of paintings from the school of Solimena. Next to the sacristy is an altarpiece depicting St Matthew by Antonio Pascucci. The canvases in the second and third chapels on the right, depicting Madonnas with Saints Francis and John the Baptist, and with Saints Anthony and Phillip were painted by Nicola de Mattheis. The third chapel also has a canvas depicting the Resurrection by Paolillo, a pupil of Andrea di Salerno. The first chapel on the right has a St Anthony by the school of Massimo Stanzione.

Duomo is an underground metro station on line 1 of the Naples Metro. It opened on 6 August 2021. It is located near Naples Cathedral (Italian: Duomo di Napoli), after which it is named. Designed by the Italian architect Massimiliano Fuksas, the station is located at a central roundabout in Corso Umberto I (Rettifilo), with secondary entrances along Via Marina and Via Duomo.

The Museo Civico Filangieri ("Filangieri civic museum") is an eclectic collection of artworks, coins, and books assembled in the nineteenth century by Gaetano Filangieri, prince of Satriano, who gave it to the city of Naples as a museum. It is housed in his former palace, Palazzo Cuomo (or Como) on Via Duomo, by the church of San Severo al Pendino.

San Giorgio Maggiore is a basilica church located on the corner of Via vicaria Vecchia and Via Duomo, in central Naples, Italy. The apse of the church lies diagonally across the street from San Severo al Pendino. A church at the site was built by the 4th century, and was initially known as "la severiana", after the bishop San Severo of Naples. The present name dates to the 9th century, and is dedicated to a martyred warrior in the battles against the Lombards. In 1640, a fire destroyed part of the church, and reconstruction followed plans by Cosimo Fanzago, who inverted the orientation. The present church's entrance is the former apse of the primitive church. After 1694, it was rebuilt after an earthquake. Cosimo Fanzago transferred into this church some of the granite columns from the nearby church of Santa Maria degli Angeli alle Croci. During the 18th century Risanamiento, when certain streets in Naples were being widened, the nave on the right side of the church was eliminated to widen Via Duomo. Near the lateral door of the church is the marble seat, constructed from spolia, of St Severus, founder of the church. In the left of main altar of the church are frescoes painted by a young Solimena. The church also holds a painting in Byzantine style, a wooden crucifix from the 13th century, and the relics of St Severus. The church has canvases by Camillo Lionti and Francesco Peresi.

Santa Croce e Purgatorio al Mercato is a church in the center of the Piazza Mercato, in Naples, Italy. A religious building has stood at this site since the 13th century when Conradin of Swabia was decapitated by orders of Charles I d'Anjou, on October 29, 1268. A porphyry column at the site read: Asturis ungue, leo pullum rapiens aquilinum; hic deplumavit acephalumque dedit which loosely translates: At the point of Astura, the lion seized the eagle, here without feathers, gave his head. This references the capture of Conradin (eagle) by the Angevin (Lion) at the Torre Astura, and subsequent beheading here without honor. In 1786 it was reconstructed by Francesco Sicuro, and again in 1781, after a fire destroyed the piazza and church. The church was damaged by the earthquake in 1980, and has been closed since then. Originally the church held paintings by Luca Giordano, but these have been transferred to the Museo Civico di Castel Nuovo.