Santa Caterina da Siena, Naples

Santa Maria delle Grazie a Mondragone is a small now-deconsecrated Roman Catholic church building on Piazzeta Mondragone in central Naples, Italy.

San Nicola da Tolentino is a church, located in Corso Vittorio Emanuele in Naples, Italy. The church was founded in 1618 in a zone where one of the Palaces of the Regio Consigliere Scipione De Curtis was found, and which patronized the construction of a hospice run by the Augustinian Order. After the 1631 eruption of Vesuvius, forced the monks to relocate to Resina. The monastery was then ceded to monks of the Order of San Martino and later to priests of the Congregation Vincenziani della Missione till 1836, when they were expelled, only to regain the facility in 1860 and move back in by the 20th century. Outside, a scenic staircase leads to the church atrium of the church. A series of marble inscriptions and votive offerings indicate the veneration of Our Lady of Lourdes which began in 1873. The stucco and white marble interior is mainly the design Domenico Antonio Vaccaro following a reconstruction in the 18th century. The main altar is attributed to Granucci. In the lateral chapels is a St Joseph and Child Jesus with Saints Gennaro and Elmo by Giuseppe Castellano. It is placed next to a 16th-century crucifix. the frescoes on the ceiling (1890) were completed by Vincenzo Galloppi, who also decorated the apse in an oriental style similar to that of Domenico Morelli. The presbytery walls were frescoed by Francesco Saverio Altamura and Bernardo Hay with stories relevant to the Virgin of Lourdes; in 1875, a reproduction of the Grotto of Lourdes was built. The site was often visited by the modern saint Doctor Giuseppe Moscati, who provided a marble plaque in gratitude to the Virgin

San Carlo alle Mortelle is a Baroque style, Roman Catholic church in central Naples, Italy.

Santa Maria della Concordia is a baroque-style, Roman Catholic church, located on the Piazza of the same name in Naples, region of Campania, Italy.

The Central Funicular (Italian: Funicolare Centrale), is one of four funiculars in the public transportion system of Naples, Italy. The system is a true funicular: an inclined railway with two passenger cars, connected via cables, operating in concert. Inaugurated in 1928, the Central Funicular of Naples is one of the most used funicular railways in the world, and carries over 10 million passengers per year.The Central Funicular connects its upper terminus in Vomero with its lower terminus at Via Toledo near Galleria Umberto via four stations: Piazza Fuga, Petraio-Via Palizzi (accessing the Vomero Petraio), Corso Vittorio Emanuele (Napoli), and Augusteo at Piazzetta Duca d'Aosta. At Piazza Fuga, the Central Funicular station is adjacent to Piazza Fuga, near Piazza Vanvitelli, where there is a connection to both Vanvitelli station, on Line 1 of the Naples Metro, and to the Chiaia Funicular. The Montesanto Funicular is a short walk to the northeast. A fourth funicular, the Mergellina Funicular, connects the two further areas of Posillipo Alto and Mergellina. A now defunct system, the Sorrento Funicular, operated nearby from 1883 to 1886.

The Palazzo Cellamare or Cellammare is a monumental palace located in via Chiaia 139 in the Quartiere San Ferdinando of Naples, Italy. The entrance is near the church of Santa Caterina a Chiaia.

Sant'Orsola a Chiaia (also called Sant'Orsola dei Mercedari Spagnoli, or the Parish church of Santa Maria della Mercede a Chiaia) is a church in largo Sant'Orsola in the quartieri of Chiaia in Naples, Italy. Originally, this was the site of a small 16th-century chapel endowed by the Spaniard Annibale de Troyanis y Mortella and dedicated to Saint Ursula. In 1569 it was donated to fathers of the Order of Santa Maria della Mercede, who in 1576 demolished the chapel to build a new convent. The church was reconstructed. In 1875, the cloister that held the tombs of the monks was demolished and the Teatro Sannazaro was built instead. The convent held Mercedari priests till 1923. In the 19th century, the reconstruction added frescoes in the arches of the nave and ceiling, depicting Stories of the Virgin (1851) and Redemption of Captives (1852) by G. Gravante. In the transept are two canvases by unknown 16th-century artists.

Sant'Anna di Palazzo (or church of the Rosario di Palazzo) is a church in the quartiere of San Ferdinando in Naples, Italy. After the victory at the Lepanto, this church and Santa Maria della Vittoria in Naples were erected and dedicated to the Madonna del Rosario, whose devotion was felt to have contributed to the success at the battle. In 1572, Michele Lauro offered the Dominicans this land for construction of a church. In this time, this zone was exterior to the walls and less populated. One of the leaders of the Parthenopean Republic, Eleonora Fonseca Pimentel was married here in February 1778, and later buried her son here. Luca Giordano was baptized in this church. The facade (1706-1710) is attributed to Giovanni Battista Nauclerio. The stucco decorations date from the 17th century, but heavily restored in the 18th century. There are four bas-relief depictions of popes who helped establish the devotion of the rosary: Popes Benedict XI, Benedict XIII, Innocent V, and Pius V. The main altar (1729) created by Domenico Antonio Vaccaro. The main altarpiece is a Madonna del Rosario (c. 1738) by Giuseppe Bonito. The Rococo style sacristy (1739) was completed by Michelangelo Porzio. The dome, once tiled with Maiolica, dominates the skyline of the zone. The church was severely damaged during bombardments in 1943.

The church of the Santissima Trinità degli Spagnoli is a religious building in Naples, Italy, found in the piazza of the same name. The structure was first built in 1573 and was ceded to the Spanish residents of the Quartieri Spagnoli, later it passed to the Order of the Santissima Trinità della Redenzione dei Cattivi, an order dedicated to the redemption of captives held in Muslim lands. This order had been instituted by Pope Innocent III. The church was rebuilt and the interior redecorated by the Trinitarians in 1788. The portico dates from the mid-17th century. The church and convent were suppressed during the Napoleonic occupation. At the time a seventeenth-century altarpiece of the Santissima Trinità con la Madonna del Rimedio was looted.

Quartieri Spagnoli (Spanish Neighborhoods) is a part of the city of Naples in Italy. The Neapolitan language is stronger here than anywhere else. The area, encompassing c. 800,000 square metres, consists of a grid of around eighteen streets by twelve, including a population of some 14,000 inhabitants. The Quartieri were created in the 16th century to house Spanish garrisons, hence the name, whose role was to quench revolts from the Neapolitan population. Among the historic churches in the district are: Church of the Immacolata Concezione e Purificazione di Maria de' nobili in Montecalvario Church of San Carlo alle Mortelle Church of San Mattia Church of Santa Maria della Concezione a Montecalvario Church of Santa Maria della Lettera Church of Santa Maria della Mercede a Montecalvario Church of Santa Maria Francesca delle Cinque Piaghe Church of Sant'Anna di Palazzo Church of Santa Maria del Rosario a Portamedina Church of Santa Maria della Concordia Church of Santa Maria delle Grazie a Toledo Convent and church of Santa Maria dello Splendore Church of Santa Maria Ognibene Church of Santa Teresella degli Spagnoli Church of the Trinità dei Pellegrini Church of the Santissima Trinità degli Spagnoli

Santa Caterina a Chiaia (also known as Santa Caterina martire) is a Roman Catholic church located on via Santa Caterina 76 in Naples, Italy. It is located near Piazza dei Martiri in the Chiaia section of the city, near where Via Santa Caterina flows toward the tree-shaded Via Chiaia.

Santa Maria degli Angeli a Pizzofalcone is a Baroque-style church in Naples, Italy. A church, designed by Francesco Grimaldi, was built at the site for the Theatine Order. Construction started in 1587 and was completed in 1610. The interior is decorated with paintings by Giordano, and Andrea Vaccaro. The central nave and transept ceilings were frescoed Scenes from the Life of the Virgin (1668-1675) by Giovanni Battista Beinaschi. The Cupola was frescoed with a Coronation of the Virgin. Some of these frescoes suffered damage from aerial bombing during the second World War. Francesco Maria Caselli painted the large canvases in the apse and transept. In the Chapel of the Immaculate Conception is a canvas depicting the Virgin by Massimo Stanzione, while Giovanni Bernardo Azzolino decorated the first and third chapels on the left side. In the choir is a canvas of San Gaetano (1662) by Luca Giordano. The main altar by Giovanni Battista Broggia was made in Neoclassic style. It has a canvas by Paolo De Matteis depicting Sant'Andrea in Extasis.