Museumsquartier station

The Cellini Salt Cellar (in Vienna called the Saliera, Italian for salt cellar) is a part-enamelled gold table sculpture by Benvenuto Cellini. It was completed in 1543 for Francis I of France, from models that had been prepared many years earlier for Cardinal Ippolito d'Este. The cellar is the only remaining work of precious metal which can be reliably attributed to Cellini. It was created in the Mannerist style of the late Renaissance and allegorically portrays Terra e Mare (Land and Sea). In Cellini's description, the sea was represented by a male figure reclining beside a ship for holding the salt; the earth he "fashioned like a woman" and placed a temple near her to serve as a receptacle for pepper. The salt cellar is made of ivory, rolled gold, and vitreous enamel. The gold is not cast in a mould but hammered by hand into its delicate shape. It stands about 26 cm tall. The base is about 33.5 cm wide and features bearings to roll it around.It came into the possession of the Habsburgs as a gift by Charles IX of France to Archduke Ferdinand II of Tyrol, who had acted as a proxy for Charles in his wedding to Elisabeth of Austria. It was originally part of the Habsburg art collection at Castle Ambras, but was transferred to the Kunsthistorisches Museum in Vienna during the 19th century.

The Kunsthistorisches Museum (lit. "Museum of Art History", often referred to as the "Museum of Fine Arts") is an art museum in Vienna, Austria. Housed in its festive palatial building on the Vienna Ring Road, it is crowned with an octagonal dome. The term Kunsthistorisches Museum applies to both the institution and the main building. It is the largest art museum in the country and one of the most important museums worldwide. Emperor Franz Joseph I of Austria-Hungary opened the facility around 1891 at the same time as the Natural History Museum, Vienna which has a similar design and is directly across Maria-Theresien-Platz. The two buildings were constructed between 1871 and 1891 according to plans by Gottfried Semper and Baron Karl von Hasenauer. The emperor commissioned the two Ringstraße museums to create a suitable home for the Habsburgs' formidable art collection and to make it accessible to the general public. The buildings are rectangular, with symmetrical Renaissance Revival façades of sandstone lined with large arched windows on the main levels and topped with an octagonal dome 60 metres (200 ft) high. The interiors of the museums are lavishly decorated with marble, stucco ornamentation, gold-leaf, and murals. The grand stairway features paintings by Gustav Klimt, Ernst Klimt, Franz Matsch, Hans Makart and Mihály Munkácsy.

Maria-Theresien-Platz is a large public square in Vienna, Austria, that joins the Ringstraße with the Museumsquartier, a museum of modern arts located in the former Imperial Stables. Facing each other from the sides of the square are two near identical buildings, the Naturhistorisches Museum (Natural History Museum) and the Kunsthistorisches Museum (Art History Museum). The buildings are near identical, except for the statuary on their façades. The Naturhistorisches' façade has statues depicting personifications of Africa, Asia, Europe, and the Americas. The Kunsthistorisches façade features famous European artists, such as the Dutch Bruegel, among others.The Naturhistorisches Museum and the Kunsthistorisches Museum and the square adjoining them were built in 1889. At the center of the square stands the Maria-Theresia Memorial, a large statue depicting Empress Maria Theresa, namesake of the square. The Modern Art Museum in the former Imperial Stables shows contemporary works that some may consider controversial. The three museums are popular destinations for tourists.The Kunsthistorisches Museum contains numerous famous works by the Northern European masters, such as Bruegel's Tower of Babel, as well as an extensive collection of ancient world art. The Egyptian collection (Aegyptisches Sammlung) houses mummified forms, stone carvings, and the tomb of an Egyptian prince that was transported to Vienna and reassembled for Emperor Franz Joseph I of Austria. On the stairwell's roof are frescoes by Austrian artist Gustav Klimt. The Naturhistorisches Museum houses displays of butterflies and other insects, and an extensive preserved and stuffed animal collection, the most poignant examples of which include a Przewalskii's horse, a baby Javanese rhinoceros, and a case of dodo remains. Also notable is the museum's famous Mikrotheater, showing slides of microscopic organisms, its two spider crabs which were sent to Emperor Franz Joseph by the Japanese Emperor as a gift, and the first ever human depiction of an underwater scene made from life observation and the diving bell from which it was made. The stairwell contains paintings of Emperor Franz Joseph, Empress Maria Theresa and her stuffed pet lap dog, a miniature hound.

Kunsthalle Wien is the city of Vienna's institution for international contemporary art and discourse with two locations, in the Museumsquartier and at Karlsplatz. Kunsthalle Wien does not have a collection of its own, but instead dedicates its changing solo and thematic exhibitions to art and its relations to social change. It produces exhibitions, researches art practices, and supports local and international artists. It seeks to ground its knowledge of international contemporary art in and for Vienna, and advocates for the usefulness of artistic thinking in the wider public sphere.

The Leopold Museum, housed in the Museumsquartier in Vienna, Austria, is home to one of the largest collections of modern Austrian art, featuring artists such as Egon Schiele, Gustav Klimt, Oskar Kokoschka and Richard Gerstl. It contains the world's largest Egon Schiele Collection. The more than 5,000 exhibits collected by Elisabeth and Rudolf Leopold over five decades were consolidated in 1994 with the assistance of the Republic of Austria and the National Bank of Austria into the Leopold Museum Private Foundation. In 2001 the Leopold Museum was opened.The core of the collection consists of Austrian art of the first half of the 20th century, including key paintings and drawings by Egon Schiele and Gustav Klimt, showing the gradual transformation from the Wiener Secession, the Art Nouveau/Jugendstil movement in Austria to Expressionism. The historical context is illustrated by major Austrian works of art from the 19th and 20th centuries.

The Museumsquartier (MQ) is a 90,000 m2 large area in the 7th district of the city of Vienna, Austria.

The k.u.k. War College, also k.u.k. Staff College (Ge: k.u.k. Kriegsschule) was the highest military facility to educate, instruct, train, and develop general staff officers of the Austrian Empire and later the Austro-Hungarian Empire. It was located in Vienna, and active from 1852 to 1918. Established in 1852, the k.u.k. War College was an outgrowth of the previous centers of Austrian military scholarship: the Kriegsarchiv and the Österreichische militärische Zeitschrift (Austrian Military Journal). Having been earlier suggested by the likes of officers including Joseph Radetzky von Radetz, it was organized early in the reign of Emperor Franz Josef. Among its students and faculty were such influential members of the Austro-Hungarian military as Count Franz Conrad von Hötzendorf, who attended the school and later taught tactics there from 1888 to 1892.

Café Sperl is a traditional Viennese café located at Gumpendorfer Straße 11 in the Mariahilf sixth district of Vienna, Austria. The café is on the Austrian Register of Historic Places.

The Imperial Natural History Museum or Imperial-Royal Natural History Court Museum of Austria-Hungary was created by (Kaiser) Emperor Franz Joseph I during an extensive reorganization of the museum collections, from 1851 to 1876, and opened to the public on August 10, 1889. Located in Vienna, the Museum was named in German as "K.k. Naturhistorisches Hofmuseum" (with "Hofmuseum" translated as "Court Museum").Later, the Museum became part of the Natural History Museum of Vienna, Austria (in German, "Naturhistorisches Museum Wien" or NHM-Wien). When officially begun in 1876, Austrian geologist Ferdinand von Hochstetter (1829–1884) became the first superintendent of the Imperial Natural History Museum, after having been, from 1860, professor of mineralogy and geology at the Imperial-Royal Polytechnic Institute in Vienna. In 1886, Austrian geologist and paleontologist Franz Ritter von Hauer became second superintendent of the Imperial Natural History Museum (more at "History" below). The main building for the Museum was constructed between 1871 and 1891. See more about the current museum at: Naturhistorisches Museum.

The Natural History Museum Vienna (German: Naturhistorisches Museum Wien) is a large natural history museum located in Vienna, Austria. It is one of the most important natural history museums worldwide. The NHM Vienna is one of the largest museums and non-university research institutions in Austria and an important center of excellence for all matters relating to natural sciences. The museum's 39 exhibition rooms cover 8,460 square meters and present more than 100,000 objects. It is home to 30 million objects available to more than 60 scientists and numerous guest researchers who carry out basic research in a wide range of topics related to human sciences, earth sciences, and life sciences.The Index Herbariorum code assigned to this museum is W and it is used when citing housed herbarium specimens.

The Weltmuseum Wien (former Museum of Ethnology) in Vienna is the largest anthropological museum in Austria, established in 1876. It currently resides in the Hofburg Imperial Palace and houses more than 400,000 ethnographical and archaeological objects from Asia, Africa, Oceania, and America. Since November 2014 the museum was closed due to renovation and was reopened on the 25th of October 2017.

The Fillgraderstiege is a staircase in the sixth district of Vienna, Mariahilf. It was built from 1905 to 1907 and designed by Max Hegele, a student of Victor Luntz and Carl Hasenauer, in an Art Nouveau style to connect the two streets, Fillgradergasse and Theobaldgasse. The stairs were blocked off in 1981, having been worn down for almost 80 years, and were then repaired between 1982 and 1984, in the process of which a café and art gallery were added in a previously unused inner room behind the stairs, both of which opened on the 1 August 1985. The Fillgraderstiege staircase was named the fourth most beautiful steps in Europe in a 2004 poll of European art professors .