Museum of Ethnology, Vienna

Heldenplatz (German: Heroes' Square) is a public space in front of the Hofburg Palace in Vienna, Austria. Located in the Innere Stadt borough, the President of Austria resides in the adjoining Hofburg wing, while the Federal Chancellery is on adjacent Ballhausplatz. Many important actions and events took place here, most notably Adolf Hitler's ceremonial announcement of the Austrian Anschluss to Nazi Germany on 15 March 1938.

The Papyrus Collection of the Austrian National Library, also known as the Rainer Collection (Papyruskollektion Erzherzog Rainer) and Vienna Papyrus Collection (Papyrussammlung Wien), is a papyrus collection of the Austrian National Library at Hofburg palace in Vienna. It contains around 180,000 objects overall. It is one of the most significant collections in papyrology, containing writings documenting 3 millennia of the history of Egypt from 1500 BCE–1500 CE: Ancient Egypt, Hellenistic Egypt, Roman Egypt, and Egypt during Muslim rule. It includes a specialist library of around 19,500 books and journals as well. The Austrian National Library preserves and restores the stored papyri and facilitates scholarly research and publication based on these ancient documents. The core of the collection originates from the private collection of Archduke Rainer, who gave the collection to Emperor Franz Joseph I of Austria in 1899. Besides papyri, the collection includes papers, records on clay tablets, stone tablets, inscribed wood and wax trays, leathers, sheepskins, textiles, and bones, as well as gold, silver and bronze articles with inscriptions. A papyrus museum opened in 1999, displaying a portion of the collection to the public. The Rainer Collection was added to UNESCO's Memory of the World Programme Register in 2001.

The Mozart Monument (German: Mozart-Denkmal) is a monument located in the Burggarten in the Innere Stadt district of Vienna, Austria since 1953. It is dedicated to composer Wolfgang Amadeus Mozart (1756–1791). This 7.5-meter-high statue was made by architect Karl König (1841–1915) and sculptor Viktor Tilgner (1844–1896) and was unveiled at Albrechtsplatz (today Albertinaplatz) on April 21, 1896, five days after Tilgner died. Tilgner's signature was completed with his death date.

The Kunsthistorisches Museum (lit. "Museum of Art History", often referred to as the "Museum of Fine Arts") is an art museum in Vienna, Austria. Housed in its festive palatial building on the Vienna Ring Road, it is crowned with an octagonal dome. The term Kunsthistorisches Museum applies to both the institution and the main building. It is the largest art museum in the country and one of the most important museums worldwide. Emperor Franz Joseph I of Austria-Hungary opened the facility around 1891 at the same time as the Natural History Museum, Vienna which has a similar design and is directly across Maria-Theresien-Platz. The two buildings were constructed between 1871 and 1891 according to plans by Gottfried Semper and Baron Karl von Hasenauer. The emperor commissioned the two Ringstraße museums to create a suitable home for the Habsburgs' formidable art collection and to make it accessible to the general public. The buildings are rectangular, with symmetrical Renaissance Revival façades of sandstone lined with large arched windows on the main levels and topped with an octagonal dome 60 metres (200 ft) high. The interiors of the museums are lavishly decorated with marble, stucco ornamentation, gold-leaf, and murals. The grand stairway features paintings by Gustav Klimt, Ernst Klimt, Franz Matsch, Hans Makart and Mihály Munkácsy.

The Cellini Salt Cellar (in Vienna called the Saliera, Italian for salt cellar) is a part-enamelled gold table sculpture by Benvenuto Cellini. It was completed in 1543 for Francis I of France, from models that had been prepared many years earlier for Cardinal Ippolito d'Este. The cellar is the only remaining work of precious metal which can be reliably attributed to Cellini. It was created in the Mannerist style of the late Renaissance and allegorically portrays Terra e Mare (Land and Sea). In Cellini's description, the sea was represented by a male figure reclining beside a ship for holding the salt; the earth he "fashioned like a woman" and placed a temple near her to serve as a receptacle for pepper. The salt cellar is made of ivory, rolled gold, and vitreous enamel. The gold is not cast in a mould but hammered by hand into its delicate shape. It stands about 26 cm tall. The base is about 33.5 cm wide and features bearings to roll it around.It came into the possession of the Habsburgs as a gift by Charles IX of France to Archduke Ferdinand II of Tyrol, who had acted as a proxy for Charles in his wedding to Elisabeth of Austria. It was originally part of the Habsburg art collection at Castle Ambras, but was transferred to the Kunsthistorisches Museum in Vienna during the 19th century.

The Ephesos Museum in Vienna displays antiquities from the city of Ephesus (Greek: Έφεσος, German: Ephesos), in modern-day Turkey. Begun in the late 19th century, the collection includes original works of sculpture and architecture, and belongs to the Kunsthistorisches Museum. Since 1978 the Ephesos Museum has had its own rooms in the Neue Burg. Before the museum was established, the present exhibits were provisionally displayed in various locations, including on occasion the Theseus Temple in the Volksgarten.Lying on the Turkish Aegean coast, Ephesus was one of the largest cities of the ancient world and is now among the most popular tourist destinations in Turkey. The Austrian Archaeological Institute has been conducting research in the ruins of the city since 1895, interrupted only by the two world wars. The museum's collection began when Sultan Abdul Hamid II donated some of the archaeological findings to Emperor Franz Joseph I. Due to a change in Turkish law, no more artefacts have been sent to Vienna since 1907. Many other Ephesus artefacts are on display in the British Museum in London as well as in the Ephesus Archaeological Museum near the site of the excavation in Selçuk.

The Hofburg (German: [hoːf.buʁk]) is the former principal imperial palace of the Habsburg dynasty. Located in the centre of Vienna, it was built in the 13th century and expanded several times afterwards. It also served as the imperial winter residence, as Schönbrunn Palace was the summer residence. Since 1946, it is the official residence and workplace of the president of Austria. Since 1279, the Hofburg area has been the documented seat of government. The Hofburg has been expanded over the centuries to include various residences (with the Amalienburg and the Albertina), the imperial chapel (Hofkapelle or Burgkapelle), the imperial library (Hofbibliothek), the treasury (Schatzkammer), the Burgtheater, the Spanish Riding School (Hofreitschule), the imperial mews (Stallburg and Hofstallungen). The palace faces the Heldenplatz (Heroes Square) ordered under the reign of Emperor Franz Joseph I, as part of what was planned to become the Kaiserforum but which was never completed. Numerous architects have executed work at the Hofburg as it expanded, notably the Italian architect-engineer Filiberto Luchese, Lodovico Burnacini and Martino and Domenico Carlone, the Baroque architects Lukas von Hildebrandt and Joseph Emanuel Fischer von Erlach, Johann Fischer von Erlach, and the architects of the Neue Burg built between 1881 and 1913.

The Imperial Crown of the Holy Roman Empire (German: Reichskrone), a hoop crown (German: Bügelkrone) with a characteristic octagonal shape, was the coronation crown of the Holy Roman Emperor, probably from the late 10th century until the dissolution of the Holy Roman Empire in 1806. The crown was used in the coronation of the King of the Romans, the title assumed by the Emperor-elect immediately after his election. It is now kept in the Imperial Treasury (Kaiserliche Schatzkammer) at the Hofburg in Vienna, Austria.

The Eurovision Song Contest 1967 was the 12th edition of the annual Eurovision Song Contest. It took place in Vienna, Austria, following the country's victory at the 1966 contest with the song "Merci, Chérie" by Udo Jürgens. Organised by the European Broadcasting Union (EBU) and host broadcaster Österreichischer Rundfunk (ORF), the contest was held at the Großer Festsaal der Wiener Hofburg on 8 April 1967, becoming the first contest held in the month of April, and was hosted by Austrian actress Erica Vaal. Seventeen countries participated in the contest, one fewer than the record eighteen that had competed in the 1965 and 1966 editions. Denmark decided not to enter and left the contest at this point, not returning until 1978.The United Kingdom won the contest for the first time with the song "Puppet on a String", written and composed by Bill Martin and Phil Coulter, and performed by Sandie Shaw. The entry had one of the widest margins of victory ever witnessed in the competition; it garnered more than twice as many points as the second-placed song. Shaw intensely disliked the composition, though her attitude towards the song somewhat mellowed in later years, even releasing a new version in 2007.This was the last contest to be transmitted only in black and white as it would begin to be transmitted in colour from the 1968 edition onwards.

Maria-Theresien-Platz is a large public square in Vienna, Austria, that joins the Ringstraße with the Museumsquartier, a museum of modern arts located in the former Imperial Stables. Facing each other from the sides of the square are two near identical buildings, the Naturhistorisches Museum (Natural History Museum) and the Kunsthistorisches Museum (Art History Museum). The buildings are near identical, except for the statuary on their façades. The Naturhistorisches' façade has statues depicting personifications of Africa, Asia, Europe, and the Americas. The Kunsthistorisches façade features famous European artists, such as the Dutch Bruegel, among others.The Naturhistorisches Museum and the Kunsthistorisches Museum and the square adjoining them were built in 1889. At the center of the square stands the Maria-Theresia Memorial, a large statue depicting Empress Maria Theresa, namesake of the square. The Modern Art Museum in the former Imperial Stables shows contemporary works that some may consider controversial. The three museums are popular destinations for tourists.The Kunsthistorisches Museum contains numerous famous works by the Northern European masters, such as Bruegel's Tower of Babel, as well as an extensive collection of ancient world art. The Egyptian collection (Aegyptisches Sammlung) houses mummified forms, stone carvings, and the tomb of an Egyptian prince that was transported to Vienna and reassembled for Emperor Franz Joseph I of Austria. On the stairwell's roof are frescoes by Austrian artist Gustav Klimt. The Naturhistorisches Museum houses displays of butterflies and other insects, and an extensive preserved and stuffed animal collection, the most poignant examples of which include a Przewalskii's horse, a baby Javanese rhinoceros, and a case of dodo remains. Also notable is the museum's famous Mikrotheater, showing slides of microscopic organisms, its two spider crabs which were sent to Emperor Franz Joseph by the Japanese Emperor as a gift, and the first ever human depiction of an underwater scene made from life observation and the diving bell from which it was made. The stairwell contains paintings of Emperor Franz Joseph, Empress Maria Theresa and her stuffed pet lap dog, a miniature hound.

The Imperial Sword (Latin: Gladius Imperatoria, German: Reichsschwert) is one of the four most important parts of the Imperial Regalia (Reichskleinodien) of the Holy Roman Empire. During a coronation, it was given to the emperor along with the Imperial Crown (Reichskrone), Imperial Sceptre (Reichszepter), and the Imperial Orb (Reichsapfel). All four parts of the Imperial Regalia are displayed in the Imperial Treasury at the Hofburg Palace in Vienna, Austria. It is also known as Mauritiusschwert, or the sword of Saint Maurice.

The Vienna Coronation Gospels, also known simply as the Coronation Gospels (German: Krönungsevangeliar), is a late 8th century illuminated Gospel Book produced at the court of Charlemagne in Aachen. It was used by the future emperor at his coronation on Christmas Day 800, when he placed three fingers of his right hand on the first page of the Gospel of Saint John and took his oath. Traditionally, it is considered to be the same manuscript that was found in the tomb of Charlemagne when it was opened in the year 1000 by Emperor Otto III. The Coronation Evangeliar cover was created by Hans von Reutlingen, c. 1500. The Coronation Evangeliar is part of the Imperial Treasury (Schatzkammer) in the Hofburg Palace in Vienna, Austria (Schatzkammer, Inv. XIII 18).