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State Bar of Georgia Building

A. Ten Eyck Brown buildingsGovernment buildings completed in 1918Greek Revival architecture in Georgia (U.S. state)Office buildings in AtlantaUse American English from November 2019
Use mdy dates from November 2019
State Bar of Georgia
State Bar of Georgia

The State Bar of Georgia Building is located at 104 Marietta St. NW in Downtown Atlanta. The building opened in 1918, and was designed by A. Ten Eyck Brown, one of the most notable architects of public buildings in Atlanta in the first third of the 20th century. It was originally occupied by the Federal Reserve Bank of Atlanta before the bank moved to Midtown Atlanta in 2001 and is now occupied by the State Bar of Georgia.A marker in front of the building identifies the location of the original site of the zero milepost of the terminus of the Western and Atlantic Railroad, and of the first settlement of Atlanta (then named Thrasherville).Prior to the construction of the Federal Reserve building, the First Presbyterian Church of Atlanta occupied the site. The first church on the site was built in 1852, replaced by a more ornate structure in 1878, which was demolished in 1916. The church moved to Peachtree at 16th in Midtown Atlanta.

Excerpt from the Wikipedia article State Bar of Georgia Building (License: CC BY-SA 3.0, Authors, Images).

State Bar of Georgia Building
Forsyth Street Northwest, Atlanta

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N 33.7562 ° E -84.3925 °
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Forsyth Street Northwest 10
30303 Atlanta
Georgia, United States
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State Bar of Georgia
State Bar of Georgia
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Crawford, Frazer & Co.
Crawford, Frazer & Co.

Crawford, Frazer & Co. was a slave-trading business located in Atlanta, Georgia, in the 1860s. The principals of Crawford, Frazer & Co. were Robert Crawford, Addison D. Frazer, and Thomas Lafayette Frazer. In company with a man named Robert Clarke, Crawford, Frazer & Co. may have been among "the largest of the city's slave brokers." The business opened in January 1863, and was dissolved in April 1864. All parties continued separately as negro traders, at another location in Atlanta (Crawford), and in Montgomery, Alabama (Frazers), until forced to cease operations due to the defeat of the Confederacy, concluding the American Civil War.On May 26, 1863, they advertised their business as commission merchants, auctioneers, and dealers in negroes in the Southern Confederacy newspaper, adding "Our Negro Yard and Lock Up, at No. 8, [is] both safe and comfortable. Dealers and other parties will find us prepared to feed and lodge well, and from experiences in the business since our boyhood, to handle the negro properly." The Crawford, Frazer & Co. auction room and, to the rear, slave pen, was located at 8 Whitehall Street, between Alabama and Hunter Streets, immediately adjacent to the Macon & Western Railroad line. The site is now the Five Points station of the MARTA transit system. The Crawford, Frazer & Co. stand was across from the offices of the Atlanta Intelligencer newspaper, which talked up their slave business, claiming in 1863 that Atlanta had overtaken Macon, Georgia, as a regional market for slaves and that it was fast approaching the scale of Richmond, Virginia.The Atlanta History Center holds a Crawford, Frazer & Co. receipt dated May 2, 1863, for the sale of "Harry about 34 & Hannah 30" to John P. Hulst. The sale price was $3,600 for the pair, likely paid in Confederate currency. Another such receipt is for Ben, a 21-year-old who sold for $3,200. In September 1863, Crawford, Frazer & Co. donated $1,000 to a fund for the care of the Confederate wounded from the Battle of Chickamauga.George N. Barnard photographed several business buildings along Whitehall, including the Crawford, Frazer & Co. storefront, in autumn 1864, after General William T. Sherman had captured the city, but before it burned. Stephen Berry in Lens of War argues that the famous photograph of a corporal in the U.S. Colored Troops reading in front of the building was most likely posed, as there were no USCT units with Sherman (he didn't much like "Negroes" and wrote a letter to Henry Halleck to that effect the week the photo was taken), and Berry argues that the figure visible just inside the door was likely told to move out of frame for the sake of the image. Berry notes that there are a great deal more questions than answers about the photo, including the identity of the reading man, and what was Barnard's intent (if he indeed posed the image), but also argues that even without these factual certainties, the image draws its power from juxtaposition of the reading man and the visibly derelict business, now deprived of its original purpose as a depot for buying and selling people: "Those days are over."33.754°N 84.392°W / 33.754; -84.392