Palazzo Salviati (Rome)

Ponte Principe Amedeo Savoia Aosta, also known as Ponte Principe or Ponte PASA after its acronym, is a bridge that links Lungotevere dei Sangallo to Piazza Della Rovere in Rome (Italy), in the Rioni Ponte, Trastevere and Borgo.

San Giuseppe alla Lungara is a church of Rome (Italy), in the Rione Trastevere, facing on Via della Lungara. It was built under the papacy of Clement XII in 1734, after a design by Ludovico Rusconi Sassi; it underwent restoration works during the 19th century, when the dome, that had collapsed, was rebuilt (1872).

Sant'Onofrio al Gianicolo is a titular church in Trastevere, Rome. It is the official church of the papal order of knighthood Order of the Holy Sepulchre. A side chapel is dedicated to the Order and a former grand master, Nicola Canali is entombed there. It is located on the Janiculum. Since 1946, the church has been under the care of the American congregation of the Franciscan Friars of the Atonement.

The Teatro delle Dame, also known as the Teatro Alibert (its original name), was a theatre in Rome built in 1718 and located on what is now the corner of Via D'Alibert and Via Margutta. In the course of its history it underwent a series of reconstructions and renovations until it was definitively destroyed by a fire in 1863. In their 18th-century heyday, the Teatro delle Dame and its rival, the Teatro Capranica, were the leading opera houses in Rome and saw many world premieres performed by some of the most prominent singers of the time.

The Basilica of San Giovanni dei Fiorentini ("Saint John of the Florentines") is a minor basilica and a titular church in the Ponte rione of Rome, Italy. Dedicated to St. John the Baptist, the protector of Florence, the new church for the Florentine community in Rome was started in the 16th century and completed in the early 18th, and is the national church of Florence in Rome. It was lavishly decorated with art over the 16th and 17th centuries, with most commissions going to Florentine artists.

The Bust of Antonio Cepparelli is a sculptural portrait bust by the Italian artist Gian Lorenzo Bernini. It was executed around 1622. It is in the museum of the church of San Giovanni dei Fiorentini in Rome.

Ospedale Pediatrico Bambino Gesù (Baby Jesus Paediatric Hospital) is a tertiary care academic children's hospital located in Rome that is under extraterritorial jurisdiction of the Holy See. As a tertiary children referral centre, the hospital provides over 20 specialties of healthcare through 10 pediatric departments.

Porta Santo Spirito is one of the gates of the Leonine walls in Rome (Italy). It rises on the back side of the Hospital of the same name, in Via dei Penitenzieri, close to the crossing with Piazza della Rovere.

Palazzo Sacchetti (formerly Palazzo Ricci) is a palazzo in Rome, important for historical and artistic reasons. The building was designed and owned by Antonio da Sangallo the Younger and completed by Nanni di Baccio Bigio or his son Annibale Lippi. After Sangallo, the palace belonged among others to the Ricci, Ceoli and Sacchetti, important families of the Roman nobility. Among the artworks that decorate the interior, the cycle of frescoes depicting the Storie di David by Francesco Salviati represents an important work of Mannerism. The palace also housed hundreds of paintings that would become the nucleus of the Pinacoteca Capitolina. Palazzo Sacchetti is widely considered the most important palace in Via Giulia.

The Pons Neronianus or Bridge of Nero was an ancient bridge in Rome built during the reign of the emperors Caligula or Nero to connect the western part of the Campus Martius with the Ager Vaticanus ("Vatican Fields"), where the Imperial Family owned land along the Via Cornelia.

Ponte Vittorio Emanuele II is a bridge in Rome constructed to designs of 1886 by the architect Ennio De Rossi. Construction was delayed, and it was not inaugurated until 1911. The bridge across the Tiber connects the historic centre of Rome (Corso Vittorio Emanuele, whose axis the bridge extends, and piazza Paoli at the bridgehead) with the rione Borgo and the Vatican City, close what is left of the ancient Pons Neronianus. The bridge commemorating Vittorio Emanuele II of Italy is carried in three arches spanning a distance of 108 metres. It is decorated at the ends with high socles carrying colossal bronze winged Victories and over each of the piers with massive allegorical travertine sculptural groups.

The Monument to Terenzio Mamiani della Rovere is a memorial statue to an 18th-century patriot and statesman, located alongside the Corso Vittorio Emanuele II at a small piazza along Via degli Acciaioli. Mamiani (1799–1885) was in life a liberal Catholic, and posthumously acknowledged as having been a free-mason: his service as both minister in the Papal States and under the Kingdom of Sardinia, later Senator in the Kingdom of Italy bridged contentious or warring factions. The City Council of Rome approved the construction of the statue, at a cost of 10,000 lire, on 25 May 1885, four days after his death. In 1889, it was decided to place the statue in the Piazza Sforza Cesarini, some four blocks southeast of the present position, alongside the Corso. The design of a monument by Mauro Benini was chosen by a committee led by the sculptor and council-member Ettore Ferrari. The ultimate cost was over 20,000 lire and paid out in various installments: 3000 lire paid for the initial design paid to Benini 4000 lire paid for a clay-plaster model 5000 lire paid for completion of the statue 7000 lire paid for the completion of the monument in situ 1000 lire for complete assemblyThe statue was inaugurated on 2 March 1893, in a ceremony attended by Terenzio's widow, Angela Mamiani della Rovere. During his life, Terenzio had published a work examining and praising of Nicola Spedalieri's opus Il Diritti dell'Uomo. Thus perhaps it is ironic that by 1927, another council in Rome decided to move Spedalieri's statue and monument from a busy street-piazza lot between the Palazzo Vidoni and Sant'Andrea della Valle, and place it in Piazza Sforza Cesarini, dislocating Terenzio to his present spot along Via degli Acciaioli. The statue in Carrara marble depicts the elder gaunt Terenzio, seated but alert and leaning forward, with a quill pen in his right hand, and a book in his left hand.