Pons Neronianus

Ponte Vittorio Emanuele II is a bridge in Rome constructed to designs of 1886 by the architect Ennio De Rossi. Construction was delayed, and it was not inaugurated until 1911. The bridge across the Tiber connects the historic centre of Rome (Corso Vittorio Emanuele, whose axis the bridge extends, and piazza Paoli at the bridgehead) with the rione Borgo and the Vatican City, close what is left of the ancient Pons Neronianus. The bridge commemorating Vittorio Emanuele II of Italy is carried in three arches spanning a distance of 108 metres. It is decorated at the ends with high socles carrying colossal bronze winged Victories and over each of the piers with massive allegorical travertine sculptural groups.

Santa Maria Annunziata in Borgo, popularly known as Nunziatina (or Annunziatina), is an oratory of Rome (Italy), in the rione Borgo, facing on Lungotevere Vaticano.

The Ospedale di San Carlo (lit. 'St. Charles's Hospital') was a building in Rome, important for historical and artistic reasons. Built at the end of the 18th century by the will of Pope Pius VI, the hospital was initially a branch of the nearby Santo Spirito Hospital. Later it was used as a military hospital for the army of the Papal States and, after the capture of Rome in 1870, became the first Italian military hospital in the new capital. It was demolished in 1939 for the construction of the Via della Conciliazione.

The Museo Storico Nazionale dell'Arte Sanitaria (Italian for National Historic Museum of Healthcare Art) is located within the Ospedale di Santo Spirito in Sassia at 3, Lungotevere in Sassia in Rome (Italy).

Ponte Principe Amedeo Savoia Aosta, also known as Ponte Principe or Ponte PASA after its acronym, is a bridge that links Lungotevere dei Sangallo to Piazza Della Rovere in Rome (Italy), in the Rioni Ponte, Trastevere and Borgo.

The Hospital of the Holy Spirit (Italian: L'Ospedale di Santo Spirito in Sassia) is the oldest hospital in Europe, located in Rome, Italy. It now serves as a convention center. The complex lies in rione Borgo, east of Vatican City and next to the modern Ospedale di Santo Spirito (which continues its tradition). The hospital was established on the site of the former Schola Saxonum, a part of the complex houses of the Museo Storico.

The Basilica of San Giovanni dei Fiorentini ("Saint John of the Florentines") is a minor basilica and a titular church in the Ponte rione of Rome, Italy. Dedicated to St. John the Baptist, the protector of Florence, the new church for the Florentine community in Rome was started in the 16th century and completed in the early 18th, and is the national church of Florence in Rome. It was lavishly decorated with art over the 16th and 17th centuries, with most commissions going to Florentine artists.

The Bust of Antonio Cepparelli is a sculptural portrait bust by the Italian artist Gian Lorenzo Bernini. It was executed around 1622. It is in the museum of the church of San Giovanni dei Fiorentini in Rome.

Borgo Santo Spirito is a street in Rome, Italy, important for historical and artistic reasons. From a historical point of view, it is considered the most interesting street in the Borgo district. Of medieval origin, it is linked to the foundation of the ancient fortified hospice for pilgrims from England, the Burgus Saxonum. The street houses the oldest Roman hospital, the Arcispedale di Santo Spirito in Saxia, which gave it its name. Heavily altered during the works for the opening of Via della Conciliazione, it nevertheless avoided the fate of the two parallel streets of Borgo Nuovo and Borgo Vecchio, both destroyed.

The Embassy of the Republic of China (Taiwan) to the Holy See (Chinese: 中華民國駐教廷大使館) is the diplomatic mission of the Republic of China (as known as Taiwan) accredited to the Holy See, one of its few de jure embassies in the world, and the only one remaining in Europe. It also has responsibility for relations with the Sovereign Military Order of Malta.Its counterpart in the Republic of China is the Apostolic Nunciature to China in Taipei.It is separate from the Taipei Representative Office in Italy in Rome, which functions as a de facto embassy in Italy.

Auditorium della Conciliazione, also known as Auditorio Pio, is an audience hall and concert hall on the Via della Conciliazione in the Borgo district of Rome. Conceived in the 1930s as part of a vast Mussolini-ordered redevelopment of the district, it was not completed until 1950 after post-World War II work by architects Marcello Piacentini and Giorgio Calza Bini. Surrounding it are wings of the large Palazzo San Pio X, a broadcasting facility also part of the 1930s conception. Both buildings open onto the long perspective from St. Peter's Basilica to the Ponte Sant'Angelo created by the redevelopment. The venue's role as a pontifical audience hall began when it was inaugurated by Pope Pius XII. But in 1971 it was replaced in this role by the new Paolo VI Audience Hall. As a concert hall it served from 1958 to 2000 as the performing home of Rome's main symphony orchestra, the Orchestra dell' Accademia Nazionale di Santa Cecilia, and in February 2001 it hosted a unique week-long filmed residency by the Berlin Philharmonic and Claudio Abbado. When the Santa Cecilia orchestra too moved away, the building underwent a lengthy refurbishment before reopening on April 29, 2005, with the ceremony of the David de Donatello Awards presented by l'Accademia del Cinema Italiano.

The Monument to Terenzio Mamiani della Rovere is a memorial statue to an 18th-century patriot and statesman, located alongside the Corso Vittorio Emanuele II at a small piazza along Via degli Acciaioli. Mamiani (1799–1885) was in life a liberal Catholic, and posthumously acknowledged as having been a free-mason: his service as both minister in the Papal States and under the Kingdom of Sardinia, later Senator in the Kingdom of Italy bridged contentious or warring factions. The City Council of Rome approved the construction of the statue, at a cost of 10,000 lire, on 25 May 1885, four days after his death. In 1889, it was decided to place the statue in the Piazza Sforza Cesarini, some four blocks southeast of the present position, alongside the Corso. The design of a monument by Mauro Benini was chosen by a committee led by the sculptor and council-member Ettore Ferrari. The ultimate cost was over 20,000 lire and paid out in various installments: 3000 lire paid for the initial design paid to Benini 4000 lire paid for a clay-plaster model 5000 lire paid for completion of the statue 7000 lire paid for the completion of the monument in situ 1000 lire for complete assemblyThe statue was inaugurated on 2 March 1893, in a ceremony attended by Terenzio's widow, Angela Mamiani della Rovere. During his life, Terenzio had published a work examining and praising of Nicola Spedalieri's opus Il Diritti dell'Uomo. Thus perhaps it is ironic that by 1927, another council in Rome decided to move Spedalieri's statue and monument from a busy street-piazza lot between the Palazzo Vidoni and Sant'Andrea della Valle, and place it in Piazza Sforza Cesarini, dislocating Terenzio to his present spot along Via degli Acciaioli. The statue in Carrara marble depicts the elder gaunt Terenzio, seated but alert and leaning forward, with a quill pen in his right hand, and a book in his left hand.