Prayner Conservatory of Music and Dramatic Arts in Vienna

The Dritte Mann Museum (Third Man Museum) is a film museum in the 4th district of Vienna, Austria. Opened in 2005, the museum has an area of over 400 square meters divided into 16 rooms, displaying a comprehensive collection of original exhibits based on and around the international film triumph The Third Man, directed by Carol Reed and based on a treatment by Graham Greene.The Third Man Museum is an independent two-person project, initiated by Gerhard Strassgschwandtner. He put together the collection, whilst the design and concept came from Karin Höfler. Specialists and generalists, they created the museum from scratch. It is a private museum with no sponsors and subsidies. The museum is aimed for film fans and contains collections on the history of pre- and post-war Vienna. An exhibition within the museum explains the historical backdrop of the film and portrays the everyday life of a city occupied by the Allies (Americans, British, Soviets and French) between 1945 and 1955, and includes many original documents from the period.

The Café Savoy (formerly Café Wienzeile) is a Viennese coffee house and gay bar on the left bank of the Wien river (Linke Wienzeile) in Mariahilf district. It was opened in 1896.The building itself was designed and built by the architect Franz von Neumann in 1896 and 1897, commissioned by textile manufacturer Julius Léon von Wernburg, who bought the property in 1889. The café moved into the majority of the floor at street level. In the beginning, it carried the name Café Wienzeile, based on its location, and was owned by the Kuszak family, who also operated coffee houses in Prague and Budapest. The architectural style is palatial and the café features two mirrors advertised to be Europe′s largest mirrors formed from one piece after the ones in Palace of Versailles, as well as a chandelier by Theophil von Hansen.The coffee house was renamed to Café Savoy in 1983 and downsized to just over a third of the ground level and was renovated in 2008 and 2009.

The Naschmarkt is Vienna's most popular market. Located at the Wienzeile over the Wien River, it is about 1.5 kilometres (0.93 mi) long. The Naschmarkt has existed since the 16th century when mainly milk bottles were sold (as milk bottles were made out of ash (wood from an ash tree), "Asch" (German for "ash") led to the name "Aschenmarkt"). From 1793 onwards, all fruits and vegetables brought to Vienna with carts had to be sold there, while goods arriving on the Danube were sold elsewhere. Nowadays, one can buy fresh fruit and vegetables from around the world, exotic herbs, cheese, baked goods such as bread, kaiser rolls, torte, meats, and seafood. There are also many small restaurants which offer e.g. sushi, kebab, seafood, traditional Viennese food such as Kaiserschmarrn or Palatschinken (rolled up crepes) and stalls which offer clothes and accessories. Since 1977, the market extends further along the Wienzeile to an adjacent area every Saturday, when a flea market takes place there. The atmosphere of the Naschmarkt is famous far beyond the borders of Vienna, and large numbers of tourists visit the market every year.

The Theater an der Wien is a historic theatre in Vienna located on the Left Wienzeile in the Mariahilf district. Completed in 1801, the theatre has hosted the premieres of many celebrated works of theatre, opera, and symphonic music. Since 2006, it has served primarily as an opera house, hosting its own company. Although "Wien" is German for "Vienna", the "Wien" in the name of the theatre is actually the name of the Wien River, which once flowed by the theatre site; "an der Wien" means "on the banks of the Wien". In modern times, the river has been covered over in this location and the covered riverbed now houses the Naschmarkt, an open-air market. The theatre is operated in cooperation with Vereinigte Bühnen Wien (VBW) which also operates the Raimund Theater and the Ronacher.

Café Sperl is a traditional Viennese café located at Gumpendorfer Straße 11 in the Mariahilf sixth district of Vienna, Austria. The café is on the Austrian Register of Historic Places.

The Theater auf der Wieden, also called the Freihaus-Theater auf der Wieden or the Wiednertheater, was a theater located in the then-suburban Wieden district of Vienna in the late 18th century. It existed for only 14 years (1787–1801), but during this time it was the venue for the premiere of no fewer than 350 theatrical works, of which the most celebrated was Mozart's opera The Magic Flute. During most of this period the director of the theater was Emanuel Schikaneder, remembered today as librettist and impresario of The Magic Flute.

Kettenbrückengasse is a station on U4 of the Vienna U-Bahn. It is located in the Margareten District. It opened on the Wiener Stadtbahn in 1899 and became an U-Bahn station in 1980.

The k.u.k. War College, also k.u.k. Staff College (Ge: k.u.k. Kriegsschule) was the highest military facility to educate, instruct, train, and develop general staff officers of the Austrian Empire and later the Austro-Hungarian Empire. It was located in Vienna, and active from 1852 to 1918. Established in 1852, the k.u.k. War College was an outgrowth of the previous centers of Austrian military scholarship: the Kriegsarchiv and the Österreichische militärische Zeitschrift (Austrian Military Journal). Having been earlier suggested by the likes of officers including Joseph Radetzky von Radetz, it was organized early in the reign of Emperor Franz Josef. Among its students and faculty were such influential members of the Austro-Hungarian military as Count Franz Conrad von Hötzendorf, who attended the school and later taught tactics there from 1888 to 1892.

The Fillgraderstiege is a staircase in the sixth district of Vienna, Mariahilf. It was built from 1905 to 1907 and designed by Max Hegele, a student of Victor Luntz and Carl Hasenauer, in an Art Nouveau style to connect the two streets, Fillgradergasse and Theobaldgasse. The stairs were blocked off in 1981, having been worn down for almost 80 years, and were then repaired between 1982 and 1984, in the process of which a café and art gallery were added in a previously unused inner room behind the stairs, both of which opened on the 1 August 1985. The Fillgraderstiege staircase was named the fourth most beautiful steps in Europe in a 2004 poll of European art professors .

The Generali Foundation was established in 1988 by the Generali Group Austria as a private and non-profit-making art association for the promotion of contemporary art. Situated in Vienna, Austria, it is one of the important museums specialised in collecting and exhibiting conceptual and performance art pieces in different media (documents, video art, installation art etc.). The collection of the Generali Foundation contains 2100 works by 170 international artists, mainly from the 1960s to today. The Generali Foundation has also edited numerous books and catalogues on conceptual art, performance art, and other contemporary art practices.

The Secession Building (German: Secessionsgebäude) is an exhibition hall in Vienna, Austria. It was completed in 1898 by Joseph Maria Olbrich as an architectural manifesto for the Vienna Secession, a group of rebel artists that seceded from the long-established fine art institution.

The Vienna Secession (German: Wiener Secession; also known as the Union of Austrian Artists, or Vereinigung Bildender Künstler Österreichs) is an art movement, closely related to Art Nouveau, that was formed in 1897 by a group of Austrian painters, graphic artists, sculptors and architects, including Josef Hoffman, Koloman Moser, Otto Wagner and Gustav Klimt. They resigned from the Association of Austrian Artists in protest against its support for more traditional artistic styles. Their most influential architectural work was the Secession Building designed by Joseph Maria Olbrich as a venue for expositions of the group. Their official magazine was called Ver Sacrum (Sacred Spring, in Latin), which published highly stylised and influential works of graphic art. In 1905 the group itself split, when some of the most prominent members, including Klimt, Wagner, and Hoffmann, resigned in a dispute over priorities, but it continued to function, and still functions today, from its headquarters in the Secession Building. In its current form, the Secession exhibition gallery is independently led and managed by artists.