San Felice, Venice

The Palazzo Fontana Rezzonico is a palace located on the Canal Grande of Venice, between the Rio di San Felice and Palazzo Miani Coletti Giusti in the Sestiere of Cannaregio, Venice, Italy.

The Palazzo Giusti, also known as the Palazzo Miani Coletti Giusti, is a Neoclassic-style palace located on the Canal Grande of Venice, between Ca' d'Oro and Palazzo Fontana Rezzonico in the Sestiere of Cannaregio, Venice, Italy.

The Galleria Giorgio Franchetti alla Ca' d'Oro is an art museum located in the Ca' d'Oro on the Grand Canal in Venice, Italy.

The Ca' d'Oro or Palazzo Santa Sofia is a palace on the Grand Canal in Venice, northern Italy. One of the older palaces in the city, its name means "golden house" due to the gilt and polychrome external decorations which once adorned its walls. Since 1927, it has been used as a museum, as the Galleria Giorgio Franchetti. It has long been regarded as the best surviving palazzo in Venetian Gothic architecture, retaining all the most characteristic features, despite some losses. On the facade, the loggia-like window group of closely spaced small columns, with heavy tracery with quatrefoil openings above, uses the formula from the Doge's Palace that had become iconic. There are also the byzantine-inspired decoration along the roofline, and patterning in fancy coloured stone to the flat wall surfaces. The smaller windows show a variety of forms with an ogee arch, capped with a relief ornament, and the edges and zone boundaries are marked with ropework reliefs. The third act of Amilcare Ponchielli's opera La gioconda is set in the palace.

Palazzo Corner della Regina, commonly known as Ca' Corner della Regina, is a Baroque-style palace in the Sestiere Santa Croce of the city of Venice, Italy. In the English language, the title conforms with Palace of the Queen from the "Corner (or Cornaro) Family"; it is so named because Caterina Cornaro, who became Queen of Cyprus by marriage, was born to this family and at this site in 1454. The palace is located on the Grand Canal, near Ca' Pesaro, and between Ca' Favretto and Palazzo Correggio. The opposite structure is Palazzo Contarini Pisani.

The Ca' Sagredo is a 14th-century Byzantine-Gothic style palace located on the corner of the Strada Nuova and Campo Santa Sofia, in the sestiere of Cannaregio in central Venice, Italy. It now faces the Grand Canal (Venice), and across the campo from the Ca' Foscari. On the left side there is the Palazzo Giustinian Pesaro.

Santa Sofia is a church located in the sestiere (neighborhood) of Cannaregio in Venice, Italy. It should be distinguished from the palazzo Ca' d'Oro on the Grand Canal is also called the Palazzo Santa Sofia. A wooden church of Sant Sofia in Venice is documented in chronicles from 886 The church dates to initial patronage in the 11th century by the patrician family of the Gussoni. Construction began in 1020. It appears to have survived the great fire of 1105 in Venice. Major reconstruction took place from 1507 to 1534. The architect of a late-1600s reconstruction was Antonio Gaspari. With the construction of the Strada Nova in Venice in the 1800s, the church's length was diminished. Under Napoleonic rule, the rites in the church were suppressed. The church was converted into a warehouse, and the contents were dispersed. Fontana recounts how in 1836 the church was " redeem(ed) from the Israelites into whose hands it had fallen, and cleared of the debris. " In 1836, the church was re-consecrated for Roman Catholic services. Presently, the ground floor of the facade and bell tower of the church are screened behind a screen of buildings. The interior is less decorated than in the past. Originally a Last Supper by Paolo Veronese was located on the door leading to the Sacristy. Across from this canvas was a Birth of the Virgin by Titian. The main chapel had an altarpiece of Christ preaching to the Masses by Francesco da Ponte. Above the door, called that of St Peter, was a Crucifixion by Tintoretto. In the pulpit was a canvas by Domenico Tintoretto, depicting, the Marriage of the Virgin. On the organ covers were paintings of Adoration of the Shepherds attributed to Francesco and Leandro Bassano; these works are now attributed to Palma the Elder and are now in the Gallerie dell'Accademia of Venice. Other works included altarpieces by Gentile da Fabriano, Lionardo Corona, and Baldassare d'Anna. A Madonna and saints was painted by Giovanni Segala. The altarpiece of San Lorenzo Giustiniani was painted by Angelo Trevisani. A Baptism of Christ was painted by Daniele Heinz (Daniel Ens), brother of Joseph Ens.In the reduced size of the church after 1836 were housed a Madonna and Saints by Giovanni Battista Maganza; a St Anthony of Padua by Girolamo Brusaferro, a Christ in the Temple and an Adoration of the Magi by Leandro Bassano. In the small chapel beside the main door is a painting by Jacopo Palma the Elder. It also had an altarpieces by Pietro Moro. Likely most of these paintings were not originally in this church, nor have they been retained. Presently in this church are two paintings by Bassano's school: at the side of the presbytery, and a Baptism of Christ, now attributed to Girolamo Heinz, is now on the main altar. Four statues of saints, attributed to Antonio Rizzo, were relocated from the church of the Servi.

Santa Fosca is a church in the sestiere of Cannaregio of Venezia, Italy. Adjacent to the Strada Nova, it faces the campo of Santa Fosca. The church is named after, and dedicated to, the child saint Fusca of Ravenna. On the campo stands the monument with a bronze statue of Paolo Sarpi, who was reported to have been stabbed here by papal mercenaries. Documents attest to a church of this name dating to the 10th century. The present building dates to reconstructions beginning in the 18th century. The facade (1733-1741), designed by Domenico Rossi, was built with the patronage of the patrician Donà family. That family once occupied the adjacent Palazzo Giovanelli. The church now belongs to the parish of San Marcuola. The interior has a Trinity and the Virgin by Filippo Bianchi; while the Life of Santa Fosca altarpieces were painted by Francesco Migliori. This church should be distinguished from the older small church of Santa Fosca, Torcello, attached to the Cathedral of Santa Maria Assunta.

The Palazzo da Lezze or Ca' Lezze is a Baroque palace in Sestiere of Cannaregio in the city of Venice, Italy. It is located on Rio della Misericordia, with a facade on the fondamenta (canal-sidewalk), and stands between the Scuola Grande Nuova della Misericordia and Calle Largo Lezze.

San Marziale is a church building in the sestiere or neighborhood of Cannaregio in Venice. The church dates to 1133. The present church was rebuilt in 1693–1714 at the commission of Pietro Barbarigo, and reconsecrated in 1721. It contains works by Antonio Vassilacchi (L'Aliense) (Resurrection), Domenico Cresti (il Passignano), Tintoretto (one of the altar pieces Saint Martial in Glory with Saints Peter and Paul), and Giulia Lama (four paintings including two of the Evangelists St Matthew and St Mark).. The Scuola del Santissimo Sacramento commissioned the altar (1691-1704) in the chancel attributed to Tommaso Rues. He also sculpted the elaborate marble main altar, depicting Christ Ruler of World with Saints and Angels is dedicated to the Blessed Virgin of the Graces. The icon is a copy of the original image supposedly sculpted in Rimini in 1286 by a shepherd named Rustico and miraculously brought to Venice. The ceiling frescoes are by Sebastiano Ricci and depict The arrival of the icon of the Madonna in Venice, Apotheosis of Saint Marziale, Rustico observing angels sculpt the statue of the Madonna, and finally God the Father in Glory. It once contained a Titian painting of Tobias and the Angel, which is now in Madonna dell'Orto

The Palazzo Michiel Dalle Colonne is a Baroque style palace located on the northern bank of the Grand Canal in the sestiere of Cannaregio in Venice, Italy. It is one building south of the junction of Rio del Santissimi Apostoli with Grand Canal, next to the Palazzo Michiel del Brusà and across the Canal from the Rialto Mercato and the Campo della Pescaria. The palace is also referred to as Palazzo Michiel Dalle Colonne a Santa Sofia.

San Cassiano (English: Church of Saint Cassian) is a 14th-century Roman Catholic church located in the San Polo sestiere of the Italian city of Venice. A church has stood on the site since 726 with the present building dedicated to Saint Cassian of Imola being consecrated in 1376 and re-modelled during the 17th century. It has a plain exterior with several adjacent buildings overlapping it. Its interior however is richly decorated in a Baroque style. The church is located on the Campo San Cassiano, site of the world's first public opera house, west of the Rialto Bridge and is open to visitors Tuesday-Saturday mornings.The church houses three paintings by the Italian artist Tintoretto, including The Crucifixion of Christ painted in 1568 which the art critic John Ruskin described as, "the finest [example of a Crucifixion painting] in Europe". However, the most famous painting associated with the church is paradoxically one which is no longer there. The San Cassiano altarpiece, painted for this church by Antonello da Messina, was the first major example of oil painting in the city. It disappeared from the church in the 17th century and was cut into sections; the remaining known pieces are re-united in Vienna.