Ca' d'Oro

The Galleria Giorgio Franchetti alla Ca' d'Oro is an art museum located in the Ca' d'Oro on the Grand Canal in Venice, Italy.

The Palazzo Giusti, also known as the Palazzo Miani Coletti Giusti, is a Neoclassic-style palace located on the Canal Grande of Venice, between Ca' d'Oro and Palazzo Fontana Rezzonico in the Sestiere of Cannaregio, Venice, Italy.

The Ca' Sagredo is a 14th-century Byzantine-Gothic style palace located on the corner of the Strada Nuova and Campo Santa Sofia, in the sestiere of Cannaregio in central Venice, Italy. It now faces the Grand Canal (Venice), and across the campo from the Ca' Foscari. On the left side there is the Palazzo Giustinian Pesaro.

The Palazzo Fontana Rezzonico is a palace located on the Canal Grande of Venice, between the Rio di San Felice and Palazzo Miani Coletti Giusti in the Sestiere of Cannaregio, Venice, Italy.

Santa Sofia is a church located in the sestiere (neighborhood) of Cannaregio in Venice, Italy. It should be distinguished from the palazzo Ca' d'Oro on the Grand Canal is also called the Palazzo Santa Sofia. A wooden church of Sant Sofia in Venice is documented in chronicles from 886 The church dates to initial patronage in the 11th century by the patrician family of the Gussoni. Construction began in 1020. It appears to have survived the great fire of 1105 in Venice. Major reconstruction took place from 1507 to 1534. The architect of a late-1600s reconstruction was Antonio Gaspari. With the construction of the Strada Nova in Venice in the 1800s, the church's length was diminished. Under Napoleonic rule, the rites in the church were suppressed. The church was converted into a warehouse, and the contents were dispersed. Fontana recounts how in 1836 the church was " redeem(ed) from the Israelites into whose hands it had fallen, and cleared of the debris. " In 1836, the church was re-consecrated for Roman Catholic services. Presently, the ground floor of the facade and bell tower of the church are screened behind a screen of buildings. The interior is less decorated than in the past. Originally a Last Supper by Paolo Veronese was located on the door leading to the Sacristy. Across from this canvas was a Birth of the Virgin by Titian. The main chapel had an altarpiece of Christ preaching to the Masses by Francesco da Ponte. Above the door, called that of St Peter, was a Crucifixion by Tintoretto. In the pulpit was a canvas by Domenico Tintoretto, depicting, the Marriage of the Virgin. On the organ covers were paintings of Adoration of the Shepherds attributed to Francesco and Leandro Bassano; these works are now attributed to Palma the Elder and are now in the Gallerie dell'Accademia of Venice. Other works included altarpieces by Gentile da Fabriano, Lionardo Corona, and Baldassare d'Anna. A Madonna and saints was painted by Giovanni Segala. The altarpiece of San Lorenzo Giustiniani was painted by Angelo Trevisani. A Baptism of Christ was painted by Daniele Heinz (Daniel Ens), brother of Joseph Ens.In the reduced size of the church after 1836 were housed a Madonna and Saints by Giovanni Battista Maganza; a St Anthony of Padua by Girolamo Brusaferro, a Christ in the Temple and an Adoration of the Magi by Leandro Bassano. In the small chapel beside the main door is a painting by Jacopo Palma the Elder. It also had an altarpieces by Pietro Moro. Likely most of these paintings were not originally in this church, nor have they been retained. Presently in this church are two paintings by Bassano's school: at the side of the presbytery, and a Baptism of Christ, now attributed to Girolamo Heinz, is now on the main altar. Four statues of saints, attributed to Antonio Rizzo, were relocated from the church of the Servi.

San Felice is a church in Venice, northern Italy, located in the sestiere (district) of Cannaregio. It faces the eponymous campo (square), across the Strada Nova. It was founded in the 10th century, although the first document mentioning it dates to 1117. It was reconsecrated in 1267 by the patriarch of Caorle and Jesolo after it had been deeply renewed. Starting from 1531, it was completely rebuilt in the style of Mauro Codussi. The church has a square plan with two façades, the main one featuring pilasters with Corinthian capitals. The interior is on the Greek cross plan, with four pillars at the crossing supporting the arcades of the dome. Artworks include a St. Demetrius attributed to the early Tintoretto (c. 1547) and a crucifix attributed to Andrea Brustolon. An inscription in the interior recalls the baptism of Carlo Rezzonico, future Pope Clement XIII, occurred here on 29 March 1693.

The Palazzo Michiel Dalle Colonne is a Baroque style palace located on the northern bank of the Grand Canal in the sestiere of Cannaregio in Venice, Italy. It is one building south of the junction of Rio del Santissimi Apostoli with Grand Canal, next to the Palazzo Michiel del Brusà and across the Canal from the Rialto Mercato and the Campo della Pescaria. The palace is also referred to as Palazzo Michiel Dalle Colonne a Santa Sofia.

Palazzo Corner della Regina, commonly known as Ca' Corner della Regina, is a Baroque-style palace in the Sestiere Santa Croce of the city of Venice, Italy. In the English language, the title conforms with Palace of the Queen from the "Corner (or Cornaro) Family"; it is so named because Caterina Cornaro, who became Queen of Cyprus by marriage, was born to this family and at this site in 1454. The palace is located on the Grand Canal, near Ca' Pesaro, and between Ca' Favretto and Palazzo Correggio. The opposite structure is Palazzo Contarini Pisani.

San Giovanni Elemosinario is a church of Venice, northern Italy, dedicated to Saint John the Almsgiver. This church was founded in 1071, and was completely destroyed by the disastrous Rialto fire in 1514. The church was rebuilt by Antonio Abbondi called Scarpagnino. The painter Antonio Vassilacchi worked here in the 16th century. Nestled into the dense area near the Rialto Market (with your back to the Bridge on the San Polo side, turn left just past the flea market booths; the entrance will be through the frescoed arch behind iron gates on your left). The altarpiece on the high altar depicts St. John the Almsgiver (1545-1550) by Titian; the right apse chapel houses Saints Catherine, Sebastian and Roch (c. 1533) by il Pordenone.

Il Gobbo di Rialto (the Hunchback of the Rialto) is a marble statue of a hunchback found opposite the Church of San Giacomo di Rialto at the end of the Rialto in Venice. Sculpted by Pietro da Salò in the 16th century, the statue takes the form of a crouching, naked hunchback supporting a small flight of steps.

San Cassiano (English: Church of Saint Cassian) is a 14th-century Roman Catholic church located in the San Polo sestiere of the Italian city of Venice. A church has stood on the site since 726 with the present building dedicated to Saint Cassian of Imola being consecrated in 1376 and re-modelled during the 17th century. It has a plain exterior with several adjacent buildings overlapping it. Its interior however is richly decorated in a Baroque style. The church is located on the Campo San Cassiano, site of the world's first public opera house, west of the Rialto Bridge and is open to visitors Tuesday-Saturday mornings.The church houses three paintings by the Italian artist Tintoretto, including The Crucifixion of Christ painted in 1568 which the art critic John Ruskin described as, "the finest [example of a Crucifixion painting] in Europe". However, the most famous painting associated with the church is paradoxically one which is no longer there. The San Cassiano altarpiece, painted for this church by Antonello da Messina, was the first major example of oil painting in the city. It disappeared from the church in the 17th century and was cut into sections; the remaining known pieces are re-united in Vienna.

The Ca' da Mosto is a 13th-century, Venetian-Byzantine style palace, the oldest on the Grand Canal, located between the Rio dei Santi Apostoli and the Palazzo Bollani Erizzo, in the sestiere of Cannaregio in Venice, Italy.