Palazzo da Lezze, Venice

The Scuola vecchia della Misericordia ("Old School of Mercy") is a former charity building in Venice, Italy, in the sestiere of Cannaregio. It is located near the north margin of the city, at the intersections of Rio della Sensa and the confluence of Rio di Noale and Rio di San Falice. It was also known as the Scuola Grande di Santa Maria della Misericordia. It was erected in 1310 and subsequently enlarged several times; in Venice a scuola was the seat of a charity/religious institution. By the early 16th century, the old church had joined with the nearby Franciscan abbey, and the old meeting hall had been rented out. Construction of a new Scuola meeting hall, the Scuola Nuova della Misericordia was begun in 1507 across the Rio dell Sensa. However, 25 years later this was only a foundation, and new designs by Jacopo Sansovino completed the two-story brick structure. This was never faced with marble or stone, and sold in 1634 to the guild of silk weavers. The Scuola Nuova has been recently restored.

San Marziale is a church building in the sestiere or neighborhood of Cannaregio in Venice. The church dates to 1133. The present church was rebuilt in 1693–1714 at the commission of Pietro Barbarigo, and reconsecrated in 1721. It contains works by Antonio Vassilacchi (L'Aliense) (Resurrection), Domenico Cresti (il Passignano), Tintoretto (one of the altar pieces Saint Martial in Glory with Saints Peter and Paul), and Giulia Lama (four paintings including two of the Evangelists St Matthew and St Mark).. The Scuola del Santissimo Sacramento commissioned the altar (1691-1704) in the chancel attributed to Tommaso Rues. He also sculpted the elaborate marble main altar, depicting Christ Ruler of World with Saints and Angels is dedicated to the Blessed Virgin of the Graces. The icon is a copy of the original image supposedly sculpted in Rimini in 1286 by a shepherd named Rustico and miraculously brought to Venice. The ceiling frescoes are by Sebastiano Ricci and depict The arrival of the icon of the Madonna in Venice, Apotheosis of Saint Marziale, Rustico observing angels sculpt the statue of the Madonna, and finally God the Father in Glory. It once contained a Titian painting of Tobias and the Angel, which is now in Madonna dell'Orto

The Church of the Abbey of Misericordia (Italian: Santa Maria dell'Abbazia della Misericordia or Santa Maria di Valverde) is a religious edifice in Venice, Italy, in the sestiere Cannaregio.

The Palazzo Pesaro Papafava or Palazzo Papafava is a 15th-century Gothic style palace in the sestiere of Cannaregio of Venice, Italy. Located on the Canale della Misericordia, near the corner with Rio di San Felice; it stands across from the Scuola Grande di Santa Maria della Misericordia. It originally belonged to the Pesaro family in the 14th century, until the marriage of Bonifacio Papafava to Pesarina Pesaro in 1615. The Papafava family originated from Padua; and Bonifacio bought his entry into the Venetian Nobility (Libro d'oro) in 1652. The less decorated lateral wing was a later addition. The Papafava family died out with Giacomo Papafava in 1796.

Santa Fosca is a church in the sestiere of Cannaregio of Venezia, Italy. Adjacent to the Strada Nova, it faces the campo of Santa Fosca. The church is named after, and dedicated to, the child saint Fusca of Ravenna. On the campo stands the monument with a bronze statue of Paolo Sarpi, who was reported to have been stabbed here by papal mercenaries. Documents attest to a church of this name dating to the 10th century. The present building dates to reconstructions beginning in the 18th century. The facade (1733-1741), designed by Domenico Rossi, was built with the patronage of the patrician Donà family. That family once occupied the adjacent Palazzo Giovanelli. The church now belongs to the parish of San Marcuola. The interior has a Trinity and the Virgin by Filippo Bianchi; while the Life of Santa Fosca altarpieces were painted by Francesco Migliori. This church should be distinguished from the older small church of Santa Fosca, Torcello, attached to the Cathedral of Santa Maria Assunta.

San Felice is a church in Venice, northern Italy, located in the sestiere (district) of Cannaregio. It faces the eponymous campo (square), across the Strada Nova. It was founded in the 10th century, although the first document mentioning it dates to 1117. It was reconsecrated in 1267 by the patriarch of Caorle and Jesolo after it had been deeply renewed. Starting from 1531, it was completely rebuilt in the style of Mauro Codussi. The church has a square plan with two façades, the main one featuring pilasters with Corinthian capitals. The interior is on the Greek cross plan, with four pillars at the crossing supporting the arcades of the dome. Artworks include a St. Demetrius attributed to the early Tintoretto (c. 1547) and a crucifix attributed to Andrea Brustolon. An inscription in the interior recalls the baptism of Carlo Rezzonico, future Pope Clement XIII, occurred here on 29 March 1693.

Santa Caterina is a deconsecrated Roman Catholic church in the Cannaregio district of Venice, now forming part of the Liceo Marco Foscarini complex, to which it was joined when the Augustinian monks took over the running of the school. The church was begun by the "frati del Sacco" (Order of Penitence of Jesus Christ) early in the 13th century, but they were unable to complete it before their suppression in 1274. The building passed to a wealthy merchant, who gave it to Botolotta Giustinian, who in turn gave it to a group of Augustinian monks, who completed it by the 15th century and dedicated it to Catherine of Alexandria. On Catherine's feast day the Doge of Venice would come to the church to celebrate the "Festa dei Dotti", whilst it also originally housed Palma il Giovane's Saint Catherine's Mother Consulting Wise Men about her Daughter's Marriage (now in the Palazzo Patriarcale), Tintoretto's c.1585 cycle Scenes from the Life of Saint Catherine (now also in the Palazzo Patriarcale) and Paolo Veronese's 1575 Mystic Marriage of Saint Catherine (now in the Gallerie dell'Accademia). In the 1970s the church was devastated by a fire during restoration works, destroying the rest of its works of art.

The Palazzo Fontana Rezzonico is a palace located on the Canal Grande of Venice, between the Rio di San Felice and Palazzo Miani Coletti Giusti in the Sestiere of Cannaregio, Venice, Italy.

Santa Sofia is a church located in the sestiere (neighborhood) of Cannaregio in Venice, Italy. It should be distinguished from the palazzo Ca' d'Oro on the Grand Canal is also called the Palazzo Santa Sofia. A wooden church of Sant Sofia in Venice is documented in chronicles from 886 The church dates to initial patronage in the 11th century by the patrician family of the Gussoni. Construction began in 1020. It appears to have survived the great fire of 1105 in Venice. Major reconstruction took place from 1507 to 1534. The architect of a late-1600s reconstruction was Antonio Gaspari. With the construction of the Strada Nova in Venice in the 1800s, the church's length was diminished. Under Napoleonic rule, the rites in the church were suppressed. The church was converted into a warehouse, and the contents were dispersed. Fontana recounts how in 1836 the church was " redeem(ed) from the Israelites into whose hands it had fallen, and cleared of the debris. " In 1836, the church was re-consecrated for Roman Catholic services. Presently, the ground floor of the facade and bell tower of the church are screened behind a screen of buildings. The interior is less decorated than in the past. Originally a Last Supper by Paolo Veronese was located on the door leading to the Sacristy. Across from this canvas was a Birth of the Virgin by Titian. The main chapel had an altarpiece of Christ preaching to the Masses by Francesco da Ponte. Above the door, called that of St Peter, was a Crucifixion by Tintoretto. In the pulpit was a canvas by Domenico Tintoretto, depicting, the Marriage of the Virgin. On the organ covers were paintings of Adoration of the Shepherds attributed to Francesco and Leandro Bassano; these works are now attributed to Palma the Elder and are now in the Gallerie dell'Accademia of Venice. Other works included altarpieces by Gentile da Fabriano, Lionardo Corona, and Baldassare d'Anna. A Madonna and saints was painted by Giovanni Segala. The altarpiece of San Lorenzo Giustiniani was painted by Angelo Trevisani. A Baptism of Christ was painted by Daniele Heinz (Daniel Ens), brother of Joseph Ens.In the reduced size of the church after 1836 were housed a Madonna and Saints by Giovanni Battista Maganza; a St Anthony of Padua by Girolamo Brusaferro, a Christ in the Temple and an Adoration of the Magi by Leandro Bassano. In the small chapel beside the main door is a painting by Jacopo Palma the Elder. It also had an altarpieces by Pietro Moro. Likely most of these paintings were not originally in this church, nor have they been retained. Presently in this church are two paintings by Bassano's school: at the side of the presbytery, and a Baptism of Christ, now attributed to Girolamo Heinz, is now on the main altar. Four statues of saints, attributed to Antonio Rizzo, were relocated from the church of the Servi.

The Palazzo Giusti, also known as the Palazzo Miani Coletti Giusti, is a Neoclassic-style palace located on the Canal Grande of Venice, between Ca' d'Oro and Palazzo Fontana Rezzonico in the Sestiere of Cannaregio, Venice, Italy.

The Palazzo Benedetti a Santa Sofia is a 14th-century Venetian-Gothic style palace with a characteristic and rare sottoportego or portico at the canal side, located near Santa Sofia in the sestiere of Cannaregio. Across the bridge from the palace is the Palazzo Priuli Stazio. This palace also called the Palazzo di Sottoportico della Guerra.

The Ca' Sagredo is a 14th-century Byzantine-Gothic style palace located on the corner of the Strada Nuova and Campo Santa Sofia, in the sestiere of Cannaregio in central Venice, Italy. It now faces the Grand Canal (Venice), and across the campo from the Ca' Foscari. On the left side there is the Palazzo Giustinian Pesaro.