place

Villa Romana Prize

1905 establishments in GermanyAC with 0 elementsAwards established in 1905Commons category link is locally definedGerman art awards
Pages containing links to subscription-only contentUse British English from March 2018Use list-defined references from March 2018
Villa romana 01
Villa romana 01

The Villa Romana Prize, German: Villa-Romana-Preis, is an art prize awarded by the Deutscher Künstlerbund. It was established in 1905 and is the oldest German art award. The prize consists of a one-year artistic residence in the Villa Romana, a nineteenth-century villa on the Via Senese in the southern outskirts of Florence, in Tuscany in central Italy. Max Klinger, who in 1903 had become vice-president of the Deutscher Künstlerbund, established the Villa Romana as a study centre for artists in 1905. He had bought it that year for 60,000 gold lire. The prize was first awarded in that year also.Among the many recipients of the award are Max Beckmann (1906), Ernst Barlach (1909), Joseph Fassbender (1929), Gerhard Marcks, Toni Stadler (1937), Walter Stöhrer (1978), and Georg Baselitz (1965).

Excerpt from the Wikipedia article Villa Romana Prize (License: CC BY-SA 3.0, Authors, Images).

Villa Romana Prize
Via Senese, Florence Quartiere 3

Geographical coordinates (GPS) Address Nearby Places
placeShow on map

Wikipedia: Villa Romana PrizeContinue reading on Wikipedia

Geographical coordinates (GPS)

Latitude Longitude
N 43.754166666667 ° E 11.239166666667 °
placeShow on map

Address

Villa Romana

Via Senese
50124 Florence, Quartiere 3
Tuscany, Italy
mapOpen on Google Maps

Villa romana 01
Villa romana 01
Share experience

Nearby Places

Porta Romana, Florence
Porta Romana, Florence

The Porta Romana, once known as the Porta San Pier Gattolino was the southernmost gate in the 13th-century walls of the Oltrarno section of Florence, region of Tuscany, Italy. It stands at the confluence of a number of roads: accessed from north by Via Romana, Via de' Serragli, and Viale Francesco Petrarca. In addition, a central road along the Boboli Gardens begins near the gate, and allowed the inhabitants of the Pitti Palace to exit and enter Florence with minimal travel on city streets. Beyond the gates are the Via del Poggio Imperiale and Via Senese. The latter led to Siena and points south such as Rome, hence the name. When the majority of the defensive walls of Florence were razed in the 19th century, only a few, and sometimes partial gate structures were left standing including San Gallo Gate, Tower of San Niccolò, and this gate with a snippet of merlonated wall. The 13th century walls and gates of the city were erected with the designs of various builders; among the main contributors were Arnolfo di Cambio, with contributions by Orcagna, Giotto and others. A plaque on the external wall claims the gate was erected in 1327. Originally and as demonstrated on the 1584 Map by Stefano Buonsignori the gate had a lower outer wall with a small courtyard dominated by the larger gate we see today; in this, the gate resembled the Porta Romana of Siena. The gate had a large central entrance for horse-drawn carriages, and smaller lateral doors for pedestrian entry. The door retains its original massive, iron-clad doors. The outer arch has a weather-worn 13th-century fresco, depicting the enthroned Virgin and saints. The interior portion of the gate has two marble plaques: one commemorates the 1515 entrance into Florence of the Medici Pope Leo X, and the other the 1535 entry of Charles V, Holy Roman Emperor.When Cosimo I augmented the walls around Florence, at this site, he destroyed the church of San Pier Gattolino that had stood at the site since at least 1068. A subsequent church was rebuilt, which was restored in 1808, when frescoes of Giuseppe Castagnoli and Domenico Del Podestà were added. The church was decorated by Giusto Mariani and Romanelli. It is said the term Gattolino is a corruption of Gattuario, others say it was a corruption of Catelina. Others attribute it to the Italian word "gattice", designating a type of white poplar. The church is also called the parish church of Serumido, derived from the name of Ser Umido di Domenico Grazzini, who helped to fund its rebuilding.Just outside the wall was the 14th-century church and convent of San Giusto della Calza of the Knights of Jerusalem.A controversial modern marble statue of two women, named "Dietro-Front" ("Turnabout"), was erected in the circle before the wall by the artist Michelangelo Pistoletto.

L'Istituto Statale della Ss. Annunziata

L'Istituto Statale della Ss. Annunziata (English: The Ss. Annunziata Boarding School) was the first female boarding school in Florence, founded for the daughters of Marquis Gino Capponi. The Institute was created in 1823, to educate aristocratic and noble girls, under the patronage of Maria Anna of Saxony and Leopold II, Grand Duke of Tuscany. The original building was in the via della Scala, Florence. In 1865 it moved to the Villa del Poggio Imperiale overlooking Florence where it remains in situ today. The school has a Brother establishment in Prato, Collegio Cicognini where cultural figures Curzio Malaparte and D'Annunzio attended. The school is subdivided into a mixed Elementary, Middle, and Upper School. The Elementary school is an Italian-German school, teaching children in Italian, German and English. The Middle school teaches children predominantly in Italian and English, with the introduction of Latin and the option of Ancient Greek. The Upper School, which is five years, is subdivided into Scientific, Linguistic, and European Classic schools. Students start at 14 years old. The Linguists, focusses on German, Italian and English as well as the core subjects. Whilst the Scientific, promotes the sciences; Biology, Physics, Chemistry, Geology, Philosophy, History. Whereas the European Classic, orientated towards Law, Economics, Italian, German, Ancient Greek and Latin. The boarding is still private but follows the more demanding state curriculum. As rooms are limited within the Medici house boarding is reserved for only for approximately 80 girls. Girls come predominantly from all over Italy but nevertheless, there are few international students. Girls are called "Poggioline".

Villa Feri
Villa Feri

Villa Feri is a villa in Florence, central Italy. It is known as "gentleman's villa" (villa da signore) already in the 15th century. The first known documents about this villa date back to 1472, when Agostino di Lotto Tanini and Agnolo di Zanobi Da Diacceto sold it to Bernardo d'Antonio degli Alberti. In 1481 it became property of the brothers Agnolo and Benedetto Bartolomei, then, at the beginning of the 16th century, was acquired by Raffaello and Miniato Miniati. It was then property of Bartolini Salimbeni, who modified the structure of the main building, of the Vinci family and, later, of the Boni family. In 1863 it was finally acquired by the Feri family, which eventually gave the current denomination (the Feri family Coat of Arms is still visible on top of the main gate). The building lies on higher grounds than the road delimiting its walls and it is symmetric in structure to the main door on Via del Podestà. The villa has two floors with a large tower-like room on top of 19th century making. On the front there is an Italian garden from the late 19th century with hedges of laurel, limes, cypress, platanus, and a water-well. On the rear is a large garden with a centennial pine tree, while the northern side is occupied by a large limonaia delimiting Via Martellini. On the external wall of the villa is a terracotta tabernacle with a Madonna with Child. The Feri family sold the villa to the current owners at the end of the 1980s. Since then it is also known as Villa Malavolta.

Monument to Daniele Manin, Florence
Monument to Daniele Manin, Florence

The Monument to Daniele Manin is located on Viale dei Colli in Piazzale Galileo in the neighborhood of Arcetri in the outskirts of Oltrarno in Florence, region of Tuscany, Italy. In 1862, Venetians in Florence, who found themselves in exile after the Austrian reconquest of Venice planned to erect a monument to the patriot Daniele Manin (1804–1857). After the incorporation of Venice into Italy in 1866 the project was revived. After a contest, the statue was commissioned (1888) from the Venetian sculptor Urbano Nono. It was cast in 1889 by the Micheli foundry in Venice, and inaugurated in place in the center of Piazza d'Ognissanti in 1890, a piazza then renamed for Daniele Manin. In 1931 the architect Alfredo Lenzi of the Office of Fine Arts of the Comune of Florence banished the statue to piazzale Galileo, on the grounds that limited the enjoyment of the ancient architecture, then decided in 1937 to install the bronze statue of Hercules strangling the Nemean Lion by Romano Romanelli. The theme of this statue, a classical European hero subduing a barbaric African beast, appealed to the Fascist authorities engaged in the colonial subjugation of African people. Manin, himself in life however, was well accustomed to exile, having lived nearly the last decade of his life in France. The monument to Manin underwent restoration in 2003–2004. Originally (as documented by the images and accounts of the time), the foundation had metal ornaments and a large bronze lion (which at the time severely criticized for the design), but these were scrapped during World War I. Manin is depicted as President of the Republic of San Marco at the meeting of the Council of Venice proclaiming the determination to resist at any cost the ultimatum of surrender made by Marshal Julius Jacob von Haynau of the Austrian army (right hand), during the siege of 1848–1849. The sculpture is placed on a base of Carrara marble bearing commemorative inscriptions on all four sides. The engineer of the monument was Moreno Perini. The base was decorated by Marco Fancelli.