Teatro Goldoni (Florence)

Santa Elisabetta delle Convertite is a formerly Roman Catholic church on Via de' Serragli in the Oltrarno neighborhood of Florence region of Tuscany, Italy. Since 2015, the church has functioned as a Georgian Orthodox church. The former adjacent convent has multiple uses, including in 2016 as the Istituti Pio X Artigianelli.

The Museum of Zoology and Natural History, best known as La Specola, is an eclectic natural history museum in Florence, central Italy, located next to the Pitti Palace. The name Specola means observatory, a reference to the astronomical observatory founded there in 1790. It now forms part of the Museo di Storia Naturale di Firenze. This museum is part of what are now six different collections at four different sites for the Museo di Storia Naturale di Firenze.

The Tribune of Galileo (Italian: Tribuna di Galileo) is a Neoclassic architectural addition, built to commemorate the famous Florentine scientist, Galileo Galilei and to house some of his scientific instruments.

The Brancacci Chapel (in Italian, "Cappella dei Brancacci") is a chapel in the Church of Santa Maria del Carmine in Florence, central Italy. It is sometimes called the "Sistine Chapel of the early Renaissance" for its painting cycle, among the most famous and influential of the period. Construction of the chapel was commissioned by Felice Brancacci and begun in 1422. The paintings were executed over the years 1425 to 1427. Public access is currently gained via the neighbouring convent, designed by Brunelleschi. The church and the chapel are treated as separate places to visit and as such have different opening times and it is quite difficult to see the rest of the church from the chapel. The patron of the pictorial decoration was Felice Brancacci, descendant of Pietro, who had served as the Florentine ambassador to Cairo until 1423. Upon his return to Florence, he hired Masolino da Panicale to paint his chapel. Masolino's associate, 21-year-old Masaccio, 18 years younger than Masolino, assisted, but during painting Masolino left to Hungary, where he was painter to the king, and the commission was given to Masaccio. By the time Masolino returned he was learning from his talented former student. However, Masaccio was called to Rome before he could finish the chapel, and died in Rome at the age of 27. Portions of the chapel were completed later by Filippino Lippi. Unfortunately during the Baroque period some of the paintings were seen as unfashionable and a tomb was placed in front of them.

The Chiesa di San Felice (Church of St Felix) is a Roman Catholic church in Florence, region of Tuscany, Italy. It is located on the south bank of the River Arno, just west of the Pitti Palace. It is predominantly Gothic, but has a Renaissance façade by Michelozzo, added in 1457. Over the high altar is a large Crucifix attributed to Giotto or his school. A church at the site was built about the 10th-century outside one of the gates of early walls of Florence. It first belonged to the Monastery of San Silvestro of Nonantola, and in 1413 it was transferred to the Camaldolese Order. In 1552, it became property of the Dominican nuns of San Pietro Martire. The church provided a sanctuary to women fleeing from abusive husbands. The interior had a Madonna with Child and Saints by Ridolfo Ghirlandaio. Another chapel has a fresco by Giovanni da San Giovanni, depicting San Felice reviving St Massimo; the angels gathering the grapes in the painting are by Baldassare Franceschini. It had a triptych (1467) by Neri di Bicci, depicting St Augustin and St John Baptist, and St Julian and King St Sigismond. Another chapel had a Madonna and Child with St Hyacinth, by Jacopo da Empoli. The church has a Last Supper by Matteo Rosselli.

Santa Maria del Carmine is a church of the Carmelite Order, in the Oltrarno district of Florence, in Tuscany, Italy. It is famous as the location of the Brancacci Chapel housing outstanding Renaissance frescoes by Masaccio and Masolino da Panicale, later finished by Filippino Lippi.

Casa Guidi is a writer's house museum in the 15th-century patrician house in Piazza San Felice, 8, near the south end of the Pitti Palace in Florence, Italy. The piano nobile apartment was inhabited by Robert and Elizabeth Barrett Browning between 1847 and Mrs Browning's death in 1861. Their only child, Robert Barrett Browning (known as Pen) was born there in 1849. Casa Guidi was the subject of her 1851 poem "Casa Guidi Windows". The Browning household was a centre of British society in Florence although it was said that Theodosia Trollope's house was more care free. There was no animosity however and the Trollope's daughter played with the Browning's son Robert, known as Pen. After Pen's death in 1912 the apartment was bought by several Browning enthusiasts. By that time, Casa Guidi was in poor shape, and the apartment retained hardly any furniture or paintings. The Browning Society in New York restored it, before giving it to Eton College which undertook further work so that the building could be used as a study centre. Today, it is part of The Eton College Collections, but is administered by the Landmark Trust, who also look after the apartment above the one where John Keats died in Rome. When not being used by Eton boys, the property is available for holiday lets booked through the Landmark Trust.Casa Guidi is open to the public for 3:00–6:00 p.m. on Mondays, Wednesdays and Fridays from April to November. There is no admission fee, but donations are welcome.

The Palazzo Magnani Feroni is a Renaissance Palace in Florence, central Italy, dating back to the 15th century. It is built in the purest Florentine style and is decorated and adorned with statues, paintings and frescoes dating from the 16th century. The entrance-way dates back to the 17th century and leads to the iron gate decorated with the coat-of-arms of the Feroni family: an armour-clad arm, holding a sword and a golden lily.

The Boboli Gardens (Italian: Giardino di Boboli) is a historical park of the city of Florence that was opened to the public in 1766. Originally designed for the Medici, it represents one of the first and most important examples of the Italian garden, which later served as inspiration for many European courts. The large green area is a real open-air museum with statues of various styles and periods, ancient and Renaissance that are distributed throughout the garden. It also has large fountains and caves, among them the splendid Buontalenti grotto built by the artist, architect, and sculptor Bernardo Buontalenti between 1536 and 1608.

Piazza Tasso is a city square in Oltrarno, Florence, Italy.

The Basilica di Santo Spirito ("Basilica of the Holy Spirit") is a church in Florence, Italy. Usually referred to simply as Santo Spirito, it is located in the Oltrarno quarter, facing the square with the same name. The interior of the building – internal length 97 meters – is one of the preeminent examples of Renaissance architecture.

The Porta Romana, once known as the Porta San Pier Gattolino was the southernmost gate in the 13th-century walls of the Oltrarno section of Florence, region of Tuscany, Italy. It stands at the confluence of a number of roads: accessed from north by Via Romana, Via de' Serragli, and Viale Francesco Petrarca. In addition, a central road along the Boboli Gardens begins near the gate, and allowed the inhabitants of the Pitti Palace to exit and enter Florence with minimal travel on city streets. Beyond the gates are the Via del Poggio Imperiale and Via Senese. The latter led to Siena and points south such as Rome, hence the name. When the majority of the defensive walls of Florence were razed in the 19th century, only a few, and sometimes partial gate structures were left standing including San Gallo Gate, Tower of San Niccolò, and this gate with a snippet of merlonated wall. The 13th century walls and gates of the city were erected with the designs of various builders; among the main contributors were Arnolfo di Cambio, with contributions by Orcagna, Giotto and others. A plaque on the external wall claims the gate was erected in 1327. Originally and as demonstrated on the 1584 Map by Stefano Buonsignori the gate had a lower outer wall with a small courtyard dominated by the larger gate we see today; in this, the gate resembled the Porta Romana of Siena. The gate had a large central entrance for horse-drawn carriages, and smaller lateral doors for pedestrian entry. The door retains its original massive, iron-clad doors. The outer arch has a weather-worn 13th-century fresco, depicting the enthroned Virgin and saints. The interior portion of the gate has two marble plaques: one commemorates the 1515 entrance into Florence of the Medici Pope Leo X, and the other the 1535 entry of Charles V, Holy Roman Emperor.When Cosimo I augmented the walls around Florence, at this site, he destroyed the church of San Pier Gattolino that had stood at the site since at least 1068. A subsequent church was rebuilt, which was restored in 1808, when frescoes of Giuseppe Castagnoli and Domenico Del Podestà were added. The church was decorated by Giusto Mariani and Romanelli. It is said the term Gattolino is a corruption of Gattuario, others say it was a corruption of Catelina. Others attribute it to the Italian word "gattice", designating a type of white poplar. The church is also called the parish church of Serumido, derived from the name of Ser Umido di Domenico Grazzini, who helped to fund its rebuilding.Just outside the wall was the 14th-century church and convent of San Giusto della Calza of the Knights of Jerusalem.A controversial modern marble statue of two women, named "Dietro-Front" ("Turnabout"), was erected in the circle before the wall by the artist Michelangelo Pistoletto.