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Real Club Náutico de Barcelona

1876 establishments in SpainBuildings and structures in BarcelonaCulture in BarcelonaOrganisations based in Spain with royal patronageSports clubs in Barcelona
Yacht clubs in Spain
Burgee of RCN Barcelona
Burgee of RCN Barcelona

The Royal Barcelona Yacht Club (Spanish: Real Club Náutico de Barcelona, Catalan: Reial Club Nàutic de Barcelona (RCNB)) is a member-only yacht club based in Barcelona. It was established in 1876 and is one of the oldest yacht clubs in Spain. This club is located at one end of Barcelona harbor. It is a well-equipped yacht club, with its own delimited area very close to the competing Royal Barcelona Maritime Club (Reial Club Marítim de Barcelona). The RCNB's area is an "administrative concession" from the Barcelona Port Authority and it houses the club's premises, as well as a restaurant overlooking the moored yachts that is open to the public. The club has 175 moorings, of which 20 are available for hire. The remaining moorings are private property. The Reial Club Nàutic de Barcelona has participated in many sailing competitions during its long existence. It has won a great number of awards. The club organizes together with the fashion and perfumes company Puig the "Puig Vela Clásica" race that is run every year during the month of July, in Barcelona waters. The main feature of this race is that it is reserved for traditional and classical boats only. This regatta is one of the main classical sailboats races of all those celebrated worldwide.

Excerpt from the Wikipedia article Real Club Náutico de Barcelona (License: CC BY-SA 3.0, Authors, Images).

Real Club Náutico de Barcelona
Moll d'Espanya, Barcelona

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N 41.376826 ° E 2.182949 °
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Port Vell

Moll d'Espanya
08001 Barcelona (Ciutat Vella)
Catalonia, Spain
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Pompeu Fabra University
Pompeu Fabra University

Pompeu Fabra University (Catalan: Universitat Pompeu Fabra, UPF, pronounced [uniβəɾsiˈtat pumˈpɛw ˈfaβɾə]; Spanish: Universidad Pompeu Fabra) is a public university located in the city of Barcelona, Catalonia in Spain. The university was created by the Autonomous Government of Catalonia in 1990, and was named after Pompeu Fabra, a Catalan engineer, grammarian and the main author of the normative reform of contemporary Catalan language. In 2021, UPF was ranked the best university in Spain and 10th best young university in the world by the Times Higher Education World University Rankings.Pompeu Fabra University is considered one of the most prestigious universities in Spain. It has occupied first place in the national ranking of scientific productivity since 2009. Academically, the university is known for its selective student admission as more than half of the degrees offered by it have among the highest university entrance grades (selectividad) in the Catalan university system. The university excels in national and international rankings especially in the studies of economics, political science, and law. The studies in the field of Economics at UPF have been ranked among the top 50 worldwide, occupying the 20th place in Economics and Econometrics in the QS World University Rankings by subject in 2016 and 40th place in Economics & Business in the Times Higher Education Rankings. The university's Faculty of Economics and Business Sciences is the first and only faculty in Spain (public or private and for any discipline) to be awarded the Certificate for Quality in Internationalization granted by a consortium of 14 European accreditation agencies. UPF was designated as an "International Excellence Campus" by the Spanish Ministry of Education in 2010.

El Cap de Barcelona
El Cap de Barcelona

El Cap de Barcelona (1991–1992) is a surrealist sculpture created by American Pop artist Roy Lichtenstein for the 1992 Summer Olympics in Barcelona, Catalonia, Spain. Its English title is The Head of Barcelona.The sculpture was Lichtenstein's first outdoor work using ceramic tile. It is said to acknowledge Antoni Gaudí and Barcelona's affinity for mosaics.The sculpture stands tall on the waterfront in the heart of the city. Made out of concrete and ceramic, it is an abstract rendition of a woman's head and appears exactly how one would expect a Lichtenstein sculpture to be. Lichtenstein did not start experimenting with three-dimensional art until the late 1970s, and prior to this his main focus was on pop art. He mainly painted on large canvases and his paintings resembled comic-strip art; his signature use of bold primary colors, thick dark lines, thought bubbles containing context and sound effects, and dots used as a method of shading, can be seen in most of his works from 1961 and later, starting with his painting Look Mickey. Although it is very abstract, it is clear that the sculpture was made to resemble the head and face of a woman. It is made up of thick pieces of concrete completely covered in red, yellow, blue, black and white mosaic tiles, and from far away it looks like it could be a painting. The woman's eyes look like thick blue and black brush strokes; same with her nose, and her lips look like Lichtenstein could have used a quick stroke of bright red paint. The left third of her face, the side with the blue nose and eye, is covered with white tiles, while the right two thirds of her face is covered in a grid of red dots, typical of Lichtenstein's pop-art style. Lichtenstein added other artistic elements to this sculpture as well. Below her head, what would probably be considered the woman's neck, is a tall, flat stroke of blue and white that extends all the way up through her face and ends a few inches above her head. Perpendicular to the blue and white stroke is a stroke of yellow and black, beginning at the bottom and then reappearing at the top of her head. Similar to his sculptures from the early eighties, specifically his Brushstrokes pieces, the entire sculpture looks like it could have been painted with a few quick strokes of paint. The difference between these earlier pieces and The Head of Barcelona is that his Brushstrokes pieces are created with painted aluminum while The Head is his only piece made out of concrete and covered in mosaic tiles. The reason for this difference in his sculptures is because The Head of Barcelona was built to resemble the style of Antoni Gaudi, a Catalan architect who is famous for employing organic lines and mosaic tiles throughout his architecture, and for which Barcelona is known.