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St. Andrew's Episcopal Church (New York City)

19th-century Episcopal church buildingsChurches completed in 1872Churches in HarlemEpiscopal church buildings in New York CityFifth Avenue
Gothic Revival church buildings in New York CityHarlemManhattan Registered Historic Place stubsManhattan church stubsProperties of religious function on the National Register of Historic Places in ManhattanUnited States Anglican church stubs
St andrews episcopal church 2067 fifth ave
St andrews episcopal church 2067 fifth ave

St. Andrew's Episcopal Church is a historic Episcopal church located at 2067 Fifth Avenue at 127th Street in the neighborhood of Harlem in Manhattan, New York City. Built in 1872, it was designed by noted New York City architect Henry M. Congdon (1834–1922) in the Gothic Revival style. It features a 125 foot tall clock tower surmounted by a slate covered spire surrounded by four towerlets.On March 18, 1980, it was added to the National Register of Historic Places. The church was designated as a city landmark by the New York City Landmarks Preservation Commission in 1967. It is still an active parish in the Episcopal Diocese of New York.In 2020, it reported 138 members, average attendance of 32, and $192,540 in plate and pledge income.

Excerpt from the Wikipedia article St. Andrew's Episcopal Church (New York City) (License: CC BY-SA 3.0, Authors, Images).

St. Andrew's Episcopal Church (New York City)
West 126th Street, New York Manhattan

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N 40.807777777778 ° E -73.9425 °
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Pilgrim Cathedral

West 126th Street 15
10027 New York, Manhattan
New York, United States
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St andrews episcopal church 2067 fifth ave
St andrews episcopal church 2067 fifth ave
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A Great Day in Harlem (photograph)

A Great Day in Harlem or Harlem 1958 is a black-and-white photograph of 57 jazz musicians in Harlem, New York, taken by freelance photographer Art Kane for Esquire magazine on August 12, 1958. The idea for the photo came from Esquire's art director, Robert Benton, rather than Kane. However, after being given the commission, it seems the latter was responsible for choosing the location for the shoot. The subjects are shown at 17 East 126th Street, between Fifth and Madison Avenue, where police had temporarily blocked off traffic. Published as the centrefold of the January 1959 ("Golden Age of Jazz") issue of Esquire, the image was captured with a Hasselblad camera, and earned Kane his first Art Directors Club of New York gold medal for photography. It has been called "the most iconic photograph in jazz history".The scene portrayed is something of an anachronism, as by 1957 Harlem was no longer the "hotbed" of jazz it had been in the 1940s, and had "forfeited its place in sun" to 52nd Street in Midtown Manhattan. Many musicians who were formerly resident in the area had already moved to middle class parts of New York, or did so shortly thereafter. Kane himself was not that certain who would turn up on the day, as Esquire staff had merely isssued a general invitation through the local musicians' union, recording studios, music writers, and nightclub owners.In 2018, a book was published to mark the 60th anniversary of the event, with forewards by Quincy Jones and Benny Golson, and an introduction by Kane's son, Jonathan.

Sylvia's Restaurant of Harlem
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