Gênes

The Port of Genoa it is one of the most important seaports in Italy, in competition with the ports of Marseille and Barcelona in the Mediterranean Sea. With a trade volume of 51.6 million tonnes, it is the busiest port of Italy after the port of Trieste by cargo tonnage.Notably the port was used for dismantling the Costa Concordia following the Costa Concordia disaster.

Langer Heinrich, or in English Long Henry, is a floating crane commissioned in 1915 for the Wilhelmshaven Imperial Shipyard in Wilhelmshaven, Germany and has been located in Genoa, Italy since 1997. At the time of completion she was the largest floating crane in the world, passing up the Ajax crane barge completed in 1914.

The Oratorio di San Giacomo della Marina (translated as Oratory of St. James of the Marina) is a small chapel or prayer-house at the dockside in Genoa, northern Italy. Erected in 1453, the oratory was rebuilt and decorated in the 17th century. Twelve large canvasses illustrating the saint and patron of the battle against the Moors, Saint James, were completed by major Genoese Baroque artists including: Giovanni Benedetto Castiglione (il Grechetto) - St. James defeats the Moors Giovanni Battista Carlone - St. James Opens the Gates of Coimbra to King Ferdinand and Martyrdom of St. James Valerio Castello - Saint Peter Baptizes St. James Giovanni Domenico Cappellino - St. James Preaching Domenico Piola Martyrdom of the Saint Giovanni Lorenzo Bertolotto - The Invention of the Spoglia Aurelio Lomi - Sons of Zebedee with JesusThe exterior of the oratory is unadorned. The confraternity was active in religious processions during past centuries.

The Palazzo Cattaneo Della Volta', also called Palazzo Cattaneo di San Torpete or Palazzo di Nicolò Cattaneo, is a building located in Piazza Cattaneo at number 26 in the historical centre of Genoa. The building was included in the list of palaces inscribed in the Rolli di Genova.

Santa Maria di Castello is a church and religious complex in Genoa, Italy. Administrated for a long time by the Dominicans, it is located in the Castello hill of the city, where in the Middle Ages a bishop's fortified castle existed. The church is flanked by the large Tower of the Embriaci. The church, in Romanesque style, was erected before 900 AD. It houses many artworks commissioned by the main noble families of Genoa, by artists such as Francesco Maria Schiaffino, Lorenzo Fasolo, Alessandro Gherardini, Giuseppe Palmieri, Francesco Boccaccino, Pier Francesco Sacchi, Bernardo Castello, Aurelio Lomi and Tommaso Orsolino. Notable are the frescoes with Stories of David and the painted majolicas from the 16th century Genoese school. The high altar is decorated by a marble group of the "Assumption" by Domenico Parodi (late 17th century), while the chapel to the left of the presbytery has a Santa Rosa da Lima by Domenico Piola and a marble cover by Taddeo Carlone. The fourth chapel in the left aisle has a Madonna del Rosario by the workshop of Anton Maria Maragliano, while the first chapel has a painting attributed to Giovanni Battista Paggi (early 17th century). The baptistery has a polyptych from Lombard masters of the 15th century. The main portal is in Tuscan style (mid-15th century), and is surmounted by a Gothic lunette of the 14th century with a "Crucifixion". The loggia facing the second cloister has frescoes of Saints, a Madonna and, on the first floor, an Annunciation by Giusto d'Alemagna (1451). In the upper floor has a statue of "St. Catherina of Alexandria" and a marble tabernacle attributed to Domenico Gagini (15th century).

The historic center of Genoa is the core of the old town organized in the maze of alleys (caruggi) of medieval origin that runs - from east to west - from the hill of Carignano (Genoa) to the Genova Piazza Principe railway station, close to what was once the Palazzo del Principe, residence of Admiral Andrea Doria. Urbanistically, the area is part of Municipio I Centro-Est. However, the current municipal area was created by the merger, which took place on several occasions starting in the second half of the 19th century, of historic Genoa with adjacent municipalities and towns (now neighborhoods), some of which have more or less ancient historic centers of their own and have been urbanistically revolutionized over the years. The major urban planning operations carried out from the first half of the 19th century to beyond the middle of the 20th (which are difficult to replicate today, given the increased interest in the protection of historic neighborhoods by the public administration), combined with the damage that occurred during World War II (many of the old buildings were destroyed during the Allied bombing raids), partly disrupted the original fabric of the historic center. Slightly less than a quarter of the buildings (23.5 percent) date from the postwar period or later.

The church of Santi Cosma e Damiano is located in central Genoa, ItalyLocated at the site of an ancient oratory, it is dedicated to the martyrs St. Cosma and Damian. The skull and tibia of the latter are presumably among the relics in the church. They were the patron saints of barbers and doctors. The first documents about the church date to 1049. In 1684, the church roof was damaged by the naval bombardment of the city. It was also damaged during the bombing of Genoa in World War II. It contains a painting of Esther and Assuerus by Bernardo Castello and a Madonna and child with St Cosma and Damian by Gioacchino Assereto.

The Torre Embriaci, also called Torre degli Embriaci, located in the oldest area of Genoa, where the Castello o Castrum stood. It is the only one of the numerous towers that were located in the current historic center of Genoa to have been spared by the edict of 1196 which wanted to cut all the city towers to 80 palms.

L'Esposizione Internazionale Specializzata Genova '92 - Colombo '92 (in English International Exhibition Genoa '92 - Colombo '92) or more informally Expo 1992, was held in Genoa, Italy from 15 May to 15 August 1992. The theme was "Christopher Columbus, The Ship and the Sea", and the Expo was timed to celebrate the 500 years since the discovery of America by the Genoese sailor Christopher Columbus. Because of the theme, the expo was also known as Colombiadi. It was a specialized Exhibition with 54 countries represented. Total visitors were 694,800. The exposition ran at the same time as the larger and longer duration Seville Expo '92, a Universal Exposition, held in the city from whose port (on the Guadalquivir) Columbus had sailed in 1492. The expo's logo was a "500" number with Genoa's flag; the mascot was a cat dressed like Christopher Columbus called "Gatto Cristoforo"

The Aquarium of Genoa (Italian: Acquario di Genova) is the largest aquarium in Italy. Located in the Old Harbour area of Genoa, Italy, the 33,000-square-foot (3,100 m2) aquarium is a member organization of the European Association of Zoos and Aquaria (EAZA), and welcomes more than 1.2 million visitors each year.

San Torpete is a church in central Genoa, northern Italy, dedicated to Saint Torpes. It was founded in the 11th century by local merchants. It was rebuilt in 1730 under designs conceived by Giovanni Antonio Ricca. The interior ceiling is decorated with paintings and stucco by Giovanni Bernardo Carlone depicting scenes of the Life of San Torpete. An altarpiece of Madonna with St Thomas Becket of Canterbury, St Lucia and John the Baptist is attributed to the studio of Luca Cambiaso or Andrea Semini. The small statue of the Virgin of Providence at the main altar was completed by Giovanni Battista Drago. The altar of San Filippo Neri has a painting depicting The Saint in ecstasy attributed to the studio of Giovanni Battista Paggi.

Basilica of Our Lady of the Assumption (Italian: Basilica di Nostra Signora Assunta is a Roman Catholic church in the town of Genoa, in the Province of Genoa and the region of Liguria, Italy. This church was constructed during 1610–1624. The Baroque-style facade was added in 1932, design of the architect Piero de Barbieri; the sculptor Luigi Venzano contributed the facade statues of St. John the Baptist and St. Joseph, while the central relief depicts the Madonna. The interior was decorated across the centuries and includes works by Giulio Benso, Domenico Piola, Nicolò Barabino, and Gian Stefano Rossi. It should not be confused with the distinct Santa Maria Assunta also called Santa Maria di Carignano.