Belgian School at Athens

Akropoli (Greek: Ακρόπολη) is a station on Athens Metro Line 2. The station opened on 15 November 2000, as part of the extension from Syntagma to Dafni, and is the nearest station to the Acropolis Museum and the eastern entrance to the Acropolis of Athens. The station has a ticket office and three automatic ticket machines. The station is decorated by huge posters of Melina Merkouri and reproductions of the Elgin Marbles of Parthenon.

The Museum of the Center for the Acropolis Studies (Greek: Κέντρο Μελετών Ακροπόλεως) is a museum in Athens, Greece, a part of the new Acropolis Museum and its research workshops. It is housed in the Weiler Building, named after the Bavarian engineer who designed it in 1834 and constructed it in 1836. It was created under the direction of the archaeologist Evi Touloupa while she was director of the Athens Ephorate of Prehistoric and Classical Antiquities. After serving as a military hospital and a gendarmes barracks, Weiler Building was remodelled from 1985 to 1987 and was converted to a museum. Its collections include casts of the Parthenon sculptures, plaster models of the Acropolis illustrating the architectural development of the monuments from the neolithic to present times, and a permanent exhibition on the works of conservation and restoration and exhibits concerning the Erechtheion and other Acropolis monuments.

The Arch of Hadrian (Greek: Αψίδα του Αδριανού, romanized: Apsida tou Adrianou), most commonly known in Greek as Hadrian's Gate (Greek: Πύλη του Αδριανού, romanized: Pyli tou Adrianou), is a monumental gateway resembling—in some respects—a Roman triumphal arch. It spanned an ancient road from the center of Athens, Greece, to the complex of structures on the eastern side of the city that included the Temple of Olympian Zeus. It has been proposed that the arch was built to celebrate the adventus (arrival) of the Roman emperor Hadrian and to honor him for his many benefactions to the city, on the occasion of the dedication of the nearby temple complex in 131 or 132 AD. Since Hadrian had become an Athenian citizen nearly two decades before the monument was built, Kouremenos has argued that the inscriptions on the arch honor him as an Athenian rather than as the Roman emperor. It is not certain who commissioned the arch, although it is probable that it was the citizens of Athens. There were two inscriptions on the arch, facing in opposite directions, naming both Theseus and Hadrian as founders of Athens. While it is clear that the inscriptions honor Hadrian, it is uncertain whether they refer to the city as a whole or to the city in two parts: one old and one new. The early idea, however, that the arch marked the line of the ancient city wall, and thus the division between the old and the new regions of the city, has been shown to be false by further excavation. The arch is located 325 metres (1,066 ft) southeast of the Acropolis.

The Choragic Monument of Lysicrates near the Acropolis of Athens was erected by the choregos Lysicrates, a wealthy patron of musical performances in the Theater of Dionysus, to commemorate the prize in the dithyramb contest of the City Dionysia in 335/334 BCE, of which performance he was liturgist. The monument is known as the first use of the Corinthian order on the exterior of a building. It has been reproduced widely in modern monuments and building elements.

The Danish Institute at Athens (Danish: Det Danske Institut I Athen; Greek: Ινστιτούτο της Δανίας στην Αθήνα) is one of the 19 foreign archaeological institutes operating in Athens, Greece. Founded in 1992, the Danish Institute focuses on archaeological research in Greece, but also operates as a cultural institute, with a programme of exhibitions and concerts. It is a contributor (with its Finnish, Norwegian and Swedish counterparts) to the Nordic Library at Athens. It is involved in archaeological fieldwork at Calydon and Kato Vassiliki (Aetolia), as well as Zea Harbour (Piraeus, Athens).

The Acropolis Museum (Greek: Μουσείο Ακρόπολης, Mouseio Akropolis) is an archaeological museum focused on the findings of the archaeological site of the Acropolis of Athens. The museum was built to house every artifact found on the rock and on the surrounding slopes, from the Greek Bronze Age to Roman and Byzantine Greece. It also lies over the ruins of part of Roman and early Byzantine Athens. The museum was founded in 2003 while the Organization of the Museum was established in 2008. It opened to the public on 20 June 2009. More than 4,250 objects are exhibited over an area of 14,000 square metres. The Organization for the Construction of the new museum is chaired by Aristotle University of Thessaloniki Professor Emeritus of Archaeology, Dimitrios Pandermalis.

The Temple of Olympian Zeus (Greek: Ναός του Ολυμπίου Διός, Naós tou Olympíou Diós), also known as the Olympieion or Columns of the Olympian Zeus, is a former colossal temple at the center of the Greek capital Athens. It was dedicated to "Olympian" Zeus, a name originating from his position as head of the Olympian gods. Construction began in the 6th century BC during the rule of the Athenian tyrants, who envisaged building the greatest temple in the ancient world, but it was not completed until the reign of the Roman Emperor Hadrian in the 2nd century AD, some 638 years after the project had begun. During the Roman period the temple, which included 104 colossal columns, was renowned as the largest temple in Greece and housed one of the largest cult statues in the ancient world. The temple's glory was short-lived, as it fell into disuse after being pillaged during a barbarian invasion in 267 AD, just about a century after its completion. It was probably never repaired and was reduced to ruins thereafter. In the centuries after the fall of the Roman Empire, it was extensively quarried for building materials to supply building projects elsewhere in the city. Despite that, a substantial part of the temple remains today, notably sixteen of the original gigantic columns, and it continues to be part of a very important archaeological site of Greece.

The Rampin Rider or Rampin Horseman (c. 550 BC) is an equestrian statue from the Archaic Period of Ancient Greece. The statue was masterfully made of marble and has traces of red and black paint. The head of the rider was found on the Acropolis of Athens in 1877 and donated to the Louvre. Parts of the body of the rider and horse were found ten years earlier in a Perserschutt ditch filled with statues broken during the 480 BC Persian sack of Athens. The head was not associated with the rest of the statue until 1936. The statue is displayed with a plaster cast of the head at the Acropolis Museum, while the head remains at the Louvre where it is displayed with a cast of the rest of the statue. The rider has many of the features typical of an Archaic kouros, but has several asymmetrical features that break with the period's conventions.

The Odeon of Athens or Odeon of Pericles in Athens was a 4,000 m2 (43,000 sq ft) odeon, built at the southeastern foot of the Acropolis in Athens, next to the entrance to the Theatre of Dionysus.

Makrygianni or Makriyanni (Greek: Μακρυγιάννη, pronounced [makɾiˈʝani]) is a neighborhood of Athens, Greece. Also known as Acropolis, it is located in the south side of Acropolis and bounded between the avenues Dionysiou Areopagitou and Syngrou. The district is named after Ioannis Makrygiannis, Greek general of the Greek War of Independence, who used to own a house and fields in the area. Opposite the house of Ioannis Makrygiannis a military hospital was built – known as Weiler Building after the architect who designed it. This building was later used as gendarmerie headquarters and a violent battle took place there during the Dekemvriana, in 1944. In the Makrygianni neighbourhood is located the new Acropolis Museum that was inaugurated in 2009.

The Bema of Phaidros is the marble platform created in the third century CE that served as stage front to the Theatre of Dionysos in Athens. It is decorated with a Neo-Attic Roman sculpture of the Hadrianic or Antonine period, this sculpture was dismantled sometime in antiquity, moved from an unknown location, and rebuilt into the bema of the Theatre by Phaidros, archon of Athens. Four stone reliefs decorate the stage front illustrating scenes from the life of Dionysos they are: 1) The birth of Dionysos, 2) the entrance of Dionysos into Attica, 3) the sacred marriage of Dionysos and the Basilinna and 4) the enthronement of Dionysos. These scenes are framed by crouching Silenoi. The sculpture, reading the viewer's from right to left, begins with a scene that can be taken to be the birth of Dionysos. It consists of four figures beginning with a semi-draped seated figure who is likely Zeus facing him is a youth holding a small child, presumed to be Hermes and the infant Dionysos at the moment of his second birth from the thing of Zeus. Framing the scene are two nude male figures each holding a shield, these have been conjectured to be either korybantes or kouretes. The next slab represents the bestowing of the gift of wine, the introduction of the worship of Dionysos to Attica and alludes to the beginnings of tragedy. Again there are four figures; reading right to left they are, a young male figure in a chlamys and lion skin gesturing to his right. Immediately next is a figure identified by his attributes of grapevine, leopard skin and cothurni as Dionysos. Between him and the adjacent figure to his right is a small altar, this latter figure may be Ikarios accompanied by his dog Maera and a tethered goat. To the viewer's left is a draped female, possibly a maenad, sometimes identified as Erigone On the third slab are three figures with a fourth figure lost over time, they are conjectured to be, from left to right, Tyche Dionysos and Basilinna. The final slab on the viewer's far left consists perhaps of, from left to right, Tyche, Theseus, Basilianna, and Dionysos enthroned.It is evident from the way in which the sculptures have been cut down in size to fit their present placement, and for chronological reasons, that they are reused, secondary material. No conclusive solution has been put forward for the original date or location of the sculptures, though it has been suggested that they may have been meant for the scaenae frons of the high pulpitum built during the first half of the second century.

The Theatre of Dionysus (or Theatre of Dionysos, Greek: Θέατρο του Διονύσου) is an ancient Greek theatre in Athens. It is built on the south slope of the Acropolis hill, originally part of the sanctuary of Dionysus Eleuthereus (Dionysus the Liberator). The first orchestra terrace was constructed on the site around the mid- to late-sixth century BC, where it hosted the City Dionysia. The theatre reached its fullest extent in the fourth century BC under the epistates of Lycurgus when it would have had a capacity of up to 17,000, and was in continuous use down to the Roman period. The theatre then fell into decay in the Byzantine era and was not identified, excavated and restored to its current condition until the nineteenth century.