Santa Maria del Carmine, Florence

The Brancacci Chapel (in Italian, "Cappella dei Brancacci") is a chapel in the Church of Santa Maria del Carmine in Florence, central Italy. It is sometimes called the "Sistine Chapel of the early Renaissance" for its painting cycle, among the most famous and influential of the period. Construction of the chapel was commissioned by Felice Brancacci and begun in 1422. The paintings were executed over the years 1425 to 1427. Public access is currently gained via the neighbouring convent, designed by Brunelleschi. The church and the chapel are treated as separate places to visit and as such have different opening times and it is quite difficult to see the rest of the church from the chapel. The patron of the pictorial decoration was Felice Brancacci, descendant of Pietro, who had served as the Florentine ambassador to Cairo until 1423. Upon his return to Florence, he hired Masolino da Panicale to paint his chapel. Masolino's associate, 21-year-old Masaccio, 18 years younger than Masolino, assisted, but during painting Masolino left to Hungary, where he was painter to the king, and the commission was given to Masaccio. By the time Masolino returned he was learning from his talented former student. However, Masaccio was called to Rome before he could finish the chapel, and died in Rome at the age of 27. Portions of the chapel were completed later by Filippino Lippi. Unfortunately during the Baroque period some of the paintings were seen as unfashionable and a tomb was placed in front of them.

San Frediano in Cestello is a Baroque-style, Roman Catholic church in the Oltrarno section of Florence, region of Tuscany, Italy. The name cestello derives from the Cistercians who occupied the church in 1628. Previously the site had a 1450s church attached to the cloistered Carmelite convent of Santa Maria degli Angeli.

The Palazzo Magnani Feroni is a Renaissance Palace in Florence, central Italy, dating back to the 15th century. It is built in the purest Florentine style and is decorated and adorned with statues, paintings and frescoes dating from the 16th century. The entrance-way dates back to the 17th century and leads to the iron gate decorated with the coat-of-arms of the Feroni family: an armour-clad arm, holding a sword and a golden lily.

Santa Elisabetta delle Convertite is a formerly Roman Catholic church on Via de' Serragli in the Oltrarno neighborhood of Florence region of Tuscany, Italy. Since 2015, the church has functioned as a Georgian Orthodox church. The former adjacent convent has multiple uses, including in 2016 as the Istituti Pio X Artigianelli.

The Palazzo Rinuccini is a palace located on Via Santo Spirito #39 in central Florence, region of Tuscany Italy.

The Teatro Goldoni of Florence was first opened in 1817 at the site of the former Annalena monastery in Oltrarno, region of Tuscany, Italy. The theater, dedicated to the playwright Carlo Goldoni, has a main facade on the narrow Via Santa Maria #15, it is near the corner with Via de Caldaie.

Piazza Tasso is a city square in Oltrarno, Florence, Italy.

San Salvatore a Camaldoli is a Renaissance-style, former Roman Catholic church and convent located in front of Piazza Tasso, in the quartiere of Oltrarno, Florence, region of Tuscany, Italy.

The Charles H. Cecil Studios is a private atelier in Florence, Italy. It is run by American painter and art historian Charles H. Cecil, who was trained by R. H. Ives Gammell. It offers training in classical techniques of drawing and oil painting. Charles H. Cecil Studios occupies the most historic Florentine atelier still in active use. The curriculum stems directly from the leading ateliers of nineteenth-century Paris. Fundamental to the teaching is the practice of drawing and painting from life. Another important practice is the sight-size technique whereby subject and image are depicted to scale as seen from a given distance. The studio accepts only a limited number of pupils each year. Cecil personally supervises the progress of their work and is assisted by advanced students and colleagues who return at regular intervals.

Palazzo Manetti is a 15th Century Italian palazzo, located at Via Santo Spirito 23 in Florence.

The Ponte alla Carraia is a five-arched bridge spanning the River Arno and linking the district of Oltrarno to the rest of the city of Florence, Italy. To the west is a weir, the Pescaia di Santa Rosa, and the Ponte Amerigo Vespucci, and to the east is the Ponte Santa Trinita. The piazzas on either bank are the Piazza Nazario Sauro (south) and the Piazza Carlo Goldoni (north). At the northernmost column of the bridge a family of coypus live in a dam.

Ponte Amerigo Vespucci is a bridge over the Arno River in Florence, Italy and named after Florence-born explorer Amerigo Vespucci. It joins the Lungarno Amerigo Vespucci to the Lungarno Soderini. To the east is the Ponte alla Carraia. This bridge, like most of the other bridges over the Arno, is a reconstruction. Plans were made in 1908 to bridge this section of the Arno to service quartiere di San Frediano, but the plans were never realized. In 1949, a bridge, ponte di via Melegnano, was constructed from the recycled remains of other bridges that had been destroyed by the Nazi army as they withdrew before the advancing Allied forces during World War II. Between 1952 and 1954, a competition for the construction of a new bridge was held, and the plan of the architects George Giuseppe Gori, Enzo Gori and Ernesto Nelli and of engineer Riccardo Morandi was chosen. The plan called for three spans in a thin, flat arch over two piers which supports the roadway. The final effect gives the impression of a single, slightly curved span. Construction on the bridge was completed in 1957. It was designed to be reflective of the nearby historical structures but also to be an obviously modern structure.