Charles H. Cecil Studios

The Porta San Frediano was the westernmost gate in the 13th-century walls of the Oltrarno section of Florence, region of Tuscany, Italy. It is located where Borgo San Frediano becomes Via Pisana. This was the access gate to the road to Pisa.

Ponte Amerigo Vespucci is a bridge over the Arno River in Florence, Italy and named after Florence-born explorer Amerigo Vespucci. It joins the Lungarno Amerigo Vespucci to the Lungarno Soderini. To the east is the Ponte alla Carraia. This bridge, like most of the other bridges over the Arno, is a reconstruction. Plans were made in 1908 to bridge this section of the Arno to service quartiere di San Frediano, but the plans were never realized. In 1949, a bridge, ponte di via Melegnano, was constructed from the recycled remains of other bridges that had been destroyed by the Nazi army as they withdrew before the advancing Allied forces during World War II. Between 1952 and 1954, a competition for the construction of a new bridge was held, and the plan of the architects George Giuseppe Gori, Enzo Gori and Ernesto Nelli and of engineer Riccardo Morandi was chosen. The plan called for three spans in a thin, flat arch over two piers which supports the roadway. The final effect gives the impression of a single, slightly curved span. Construction on the bridge was completed in 1957. It was designed to be reflective of the nearby historical structures but also to be an obviously modern structure.

The Jewish monumental cemetery in Florence (Cimitero monumentale ebraico) is a monumental cemetery on the current Ariosto avenue, just outside the ancient Renaissance walls, as it was not allowed to bury Jews in the city. It is open once a month, only on last Sundays, with two guided tours in the morning.

San Salvatore a Camaldoli is a Renaissance-style, former Roman Catholic church and convent located in front of Piazza Tasso, in the quartiere of Oltrarno, Florence, region of Tuscany, Italy.

San Frediano in Cestello is a Baroque-style, Roman Catholic church in the Oltrarno section of Florence, region of Tuscany, Italy. The name cestello derives from the Cistercians who occupied the church in 1628. Previously the site had a 1450s church attached to the cloistered Carmelite convent of Santa Maria degli Angeli.

Piazza Tasso is a city square in Oltrarno, Florence, Italy.

The Brancacci Chapel (in Italian, "Cappella dei Brancacci") is a chapel in the Church of Santa Maria del Carmine in Florence, central Italy. It is sometimes called the "Sistine Chapel of the early Renaissance" for its painting cycle, among the most famous and influential of the period. Construction of the chapel was commissioned by Felice Brancacci and begun in 1422. The paintings were executed over the years 1425 to 1427. Public access is currently gained via the neighbouring convent, designed by Brunelleschi. The church and the chapel are treated as separate places to visit and as such have different opening times and it is quite difficult to see the rest of the church from the chapel. The patron of the pictorial decoration was Felice Brancacci, descendant of Pietro, who had served as the Florentine ambassador to Cairo until 1423. Upon his return to Florence, he hired Masolino da Panicale to paint his chapel. Masolino's associate, 21-year-old Masaccio, 18 years younger than Masolino, assisted, but during painting Masolino left to Hungary, where he was painter to the king, and the commission was given to Masaccio. By the time Masolino returned he was learning from his talented former student. However, Masaccio was called to Rome before he could finish the chapel, and died in Rome at the age of 27. Portions of the chapel were completed later by Filippino Lippi. Unfortunately during the Baroque period some of the paintings were seen as unfashionable and a tomb was placed in front of them.

Santa Maria del Carmine is a church of the Carmelite Order, in the Oltrarno district of Florence, in Tuscany, Italy. It is famous as the location of the Brancacci Chapel housing outstanding Renaissance frescoes by Masaccio and Masolino da Panicale, later finished by Filippino Lippi.

The Institut français de Florence or French Institute in Florence is an Institut français in Florence, Italy. It is a French public institution attached to the French Foreign Ministry. The promotion of French culture and language overseas is its main mission. Founded in 1907 by Julien Luchaire, it is the oldest French cultural institute in the world.

The statue of Hercules Strangling the Nemean Lion is a bronze statue located in the Piazza Ognissanti, overlooking the Arno river in Florence, region of Tuscany, Italy.

The Teatro Comunale di Firenze is an opera house in Florence, Italy. It was originally built as the open-air amphitheatre, the Politeama Fiorentino Vittorio Emanuele, which was inaugurated on 17 May 1862 with a production of Donizetti's Lucia di Lammermoor and which seated 6,000 people. It became the focus on cultural life in the city. After closure caused by fire, it reopened in April 1864 and acquired a roof in 1882. By 1911 it had both electricity and heating. In 1930 the building was taken over by the city authorities who renamed it the Teatro Comunale. Bombing during the Second World War damaged the building once again, and other problems closed it for three years in 1958. Finally, in May 1961, the then-modernized theatre reopened with Verdi's Don Carlo. It had become a 2,000 seat elliptically shaped auditorium consisting of a large orchestra section, one tier of boxes, and two wide semicircular galleries, which betray the building's amphitheatre origins. As the theatre became more closely associated with Italy's first and most important music festival, the annual Maggio Musicale Fiorentino which had begun in 1931 as a triennial festival and, except for the war years, became an annual one after 1937, so its name was changed once again for the festivals to the Teatro del Maggio Musicale Fiorentino.

The Last Supper (1480) is a fresco depicting the Last Supper of Jesus by the Italian Renaissance artist Domenico Ghirlandaio; it is located in the refectory of the Convent of the Ognissanti on Borgo Ognissanti #42 in central Florence, region of Tuscany, Italy. It is one of three Last Supper frescoes painted by Ghirlandaio in Florence, the others being for the Badia di Passignano (1476) and for the Cenacolo di San Marco (1486).