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San Benedetto, Bergamo

16th-century Roman Catholic church buildings in ItalyChurches in BergamoRenaissance architecture in Lombardy
Paolo Monti Servizio fotografico BEIC 6355802
Paolo Monti Servizio fotografico BEIC 6355802

San Benedetto is a Renaissance-style, Roman Catholic church located in Via Sant'Alessandro #51 in Bergamo, region of Lombardy, Italy. The church was designed in 1500s by Pietro Isabello. The church was refurbished in 1756 - 1757. It acquired at this time a silver altarpiece for the main altar; this was melted down by the Napoleonic authorities during the Cisalpine Republic. The two main altarpieces depicting the Assumption of the Virgin by Giovanni Battista Moroni and San Stefano by Calisto Piazza were transferred to the Pinacoteca Brera in Milan. The monks still remained in the monastery, restoring the convent to life in 1827. In 1841 a new marble altar was completed by Giacomo Bianconi. The walls still retain the Renaissance-style frescoes. Further reconstructions occurred in the 20th and 21st centuries. The adjacent cloistered convent of the Benedictines, still active, has been recently restored.

Excerpt from the Wikipedia article San Benedetto, Bergamo (License: CC BY-SA 3.0, Authors, Images).

San Benedetto, Bergamo
Via Sant'Alessandro, Bergamo Finazzi

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Geographical coordinates (GPS)

Latitude Longitude
N 45.6969 ° E 9.664 °
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Address

Via Sant'Alessandro 98
24122 Bergamo, Finazzi
Lombardy, Italy
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Paolo Monti Servizio fotografico BEIC 6355802
Paolo Monti Servizio fotografico BEIC 6355802
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Museo Matris Domini
Museo Matris Domini

The Museo Matris Domini is housed in the oldest section of the Dominican convent of the same name, situated in the city centre of Bergamo, Italy. It is administered by the nuns of the foundation. The museum preserves a series of 13th and 14th Century frescoes which were uncovered in a 1973 restoration of what was thought to have been the old refectory and a small church within the monastery. The reappearance of these paintings was highly significant as they are amongst the earliest surviving examples of wall painting in the province of Bergamo and indeed in Lombardy as a whole. Outstanding for their pictorial and emotion qualities are fragments from what must have been a depiction of the Last Judgment: the Just, the Blessed, two Angels with trumpets (which are of particular beauty), Saint Peter Enthroned, and Hell, all attributed to the Master of the Tree of Life. There is another series of frescoes of great emotive and narrative quality, representing Jesus among the Doctors, the Baptism, the Virgin and Child Enthroned, Saint Catherine of Alexandria upon the Wheel, Saint Martin and the Pauper, Jesus entering Jerusalem, and the Miracle of the reanimation of Napoleone Orsini by Saint Dominic, showing the young man falling from his horse. These works, together with the Visitation, have been attributed to the so-called First Master of Abbey of Chiaravalle, an anonymous artist active in Lombardy circa 1320-30, and known only through these works, as well as frescoes in San Marco, Milan and in the eponymous Abbey of Chiaravalle. The Visitation is a particularly striking image because of its freshness and for the expressiveness of the faces of the Virgin and Saint Elizabeth, painted by the Master with great intelligence and sensitivity. A 16th-century fresco depicting Saint Dominic (the patron of the monastery) with other saints is also featured in the museum.