Malecón 2000

Luis Adolfo Noboa Naranjo Museum (Spanish: Museo Luis Adolfo Noboa Naranjo) is a museum in Guayaquil, Ecuador. It was established on January 25, 2006, by Alvaro Noboa. It displays the private collection of paintings of the late Ecuadorian entrepreneur, Luis Noboa Naranjo, representing a sample of the most important contemporary Ecuadorian painters, with whom he had cultivated friendship. The museum consists of 10 halls with 97 pieces of art, with a particular focus on avant-garde, including three murals of Manuel Rendon, and the paintings of Oswaldo Guayasamín, Eduardo Kingman, Humberto Moré, Carlos Catasse, Ricardo Montesinos, Segundo Espinel, Luis Miranda, Oswaldo Viteri and others. The museum offers guided programs for schools and colleges through city tours, permanent public displays, temporary exhibitions, and painting competitions.

Biblioteca Municipal de Guayaquil (Guayaquil Municipal Library) is a public library in Guayaquil, Ecuador and is operated by the municipal government.

The Roman Catholic Metropolitan Archdiocese of Guayaquil (Latin: Archidioecesis Guayaquilensis) is an archdiocese located in the city of Guayaquil in Ecuador.

The Metropolitan Cathedral of Guayaquil (officially the Cathedral of Saint Peter) is a cathedral in the center of Guayaquil, Ecuador. The current cathedral is the successor of the cathedral that was Guayaquil's main cathedral at the time of the city's founding. The original cathedral was made of wood and located on Santa Ana Hill. This cathedral was destroyed in a fire in 1892.The current building was constructed in a neo-Gothic style between 1924 and 1937. It is located on Calle Chimborazo between Avenida 10 de Agosto and Avenida Clemente Ballén.

Guayaquil Municipal Museum (Spanish: Museo Municipal de Guayaquil) is a museum in Guayaquil, Ecuador. It contains artifacts, objects and historical items relating to the history of Guayaquil. It is considered the most important of the city and one of the best in the country. It is located in the center of the city of Guayaquil, in the same building as the Municipal Library. Admission is free, but passports are required.The museum has its origins in 1863 when an industrial museum was started by the politician and writer Pedro Carbo Noboa, making it the oldest in Ecuador, but it was not until 1908 that the museum was officially founded. The first director was Camilo Destruge Illingworth. The museum has gone through a variety of moves and renovations, acquiring its own building for the first time in 1916.The museum's website outlines the following rooms: Pre-Hispanic Room: ceramic, metal, and stone objects and handicrafts from the Valdivia, Machalilla and Chorrera cultures Colonial Room: includes Spanish firearms, a diorama from the old church of Santo Domingo, the layouts of Guayaquil traced between 1170 and 1772 by Francisco Requena and Ramon Garcia de Leon y Pizarro, and a scale model of the city made by architect Parsival Castro according to a sketch made in 1858 by Manuel Villavicencio" Religious Art Room: "an exhibition of mystic scenes comprised by religious paintings from the churches of Guayaquil; icons and archetypes of sacred art, and sculptures crafted by colonial artists like Diego Robles" Numismatic Room: coins, particularly the barter systemThe museum also has a collection of tsantsas, or shrunken heads.

Guayaquil (Spanish pronunciation: [ɡwaʝaˈkil] (listen); Quechua: Wayakil), officially Santiago de Guayaquil, is the second largest city in Ecuador and also the nation's economic capital and main port. The city is the capital of Guayas Province and the seat of Guayaquil Canton. The city is located on the west bank of the Guayas River, which flows into the Pacific Ocean at the Gulf of Guayaquil.

Museo Antropologico y de Arte Contemporaneo (English: "Anthropology and Contemporary Art Museum"), or MAAC is a state-of-the-art museum in Guayaquil, Ecuador celebrating Ecuadorian, Latin American and Pre-Columbian art and culture. MAAC is a welcome addition to Malecón 2000, the renovated riverwalk in Guayaquil. Inaugurated on 30 July 2003, MAAC aims to constitute itself in a catalyst for the development of the local, regional and national artistic culture. MAAC's mission is to harness the institutional cultural patrimony, by showcasing a valuable collection of 50,000 native Ecuadorian archaeological pieces and over 3,000 modern works of art. The MAAC offers many integrated programs that include exhibitions, conferences, round tables, factories, projections of cinema, scenic arts, through which it aims to fulfill the challenges of putting the cultural patrimony to the service of the development of the Country and to help in cultural education of the community, on the base of a permanent interchange, stimulating the critical conscience of a diverse community.

The Battle of Guayaquil was the final and pivotal armed confrontation in a struggle for political control of Ecuador. The battle was fought on the outskirts of the city of Guayaquil, Ecuador on September 22–24, 1860, among several factions claiming control of the country in the wake of the abdication of president Francisco Robles, amidst continuous Peruvian military pressure due to the ongoing Ecuadorian–Peruvian territorial dispute. The battle brought an end to a series of skirmishes between the forces of Gabriel García Moreno's Provisional Government, backed by General Juan José Flores, and the government of General Guillermo Franco in Guayas, which was recognized by Peruvian president Ramón Castilla. After a series of internal problems and diplomatic issues with Peru, Ecuadorian president Francisco Robles resigned from his post on May 1, 1859, leaving control of the country split among a number of Jefaturas Supremas (Supreme Commands). Ecuadorian statesman Gabriel García Moreno created a provisional government seated in Quito, while General Franco declared himself Supreme Chief of Guayas. Peruvian President Castilla, intending to take advantage of the leadership crisis to broker a favorable territorial deal, commanded a Naval force that blockaded the Gulf of Guayaquil. Failing to reach an agreement with García Moreno, Castilla met with Franco and signed the Treaty of Mapasingue, recognizing all disputed territories as belonging to Peru. The expeditionary troops returned to Callao on February 19, 1860, after supplying Franco's army with boots, uniforms, and 3,000 rifles.Accusing Franco of treason for signing the treaty with the Peruvians, Gabriel García Moreno, allied with former enemy General Juan José Flores, attacked Franco's forces, setting off a civil war. After several battles, García Moreno's forces were able to force Franco's troops to retreat back to Guayaquil, the site of the final battle. García Moreno won the encounter, bringing an end to the factional war. The battle was the culmination of a period of instability, known as the terrible year of Ecuadorian history. With his side prevailing, García Moreno restored peace to the country, and ushered in what would later be looked on as the era of Conservatism, the establishment of authoritarian, if not frankly dictatorial, regime that outlived him by twenty years, until 1895.The Treaty of Mapasingue was annulled by the Ecuadorian Congress in 1861, and by the Peruvian Congress in 1863, during the presidency of Miguel de San Román.

Samborondón Canton is a canton of Ecuador, located in the Guayas Province. Its capital is the town of Samborondón. Its population at the 2001 census was 45,476.

Samborondón is a canton in Ecuador’s Guayas province. It has 105 localities and two urban parishes (La Puntilla) and Samborondón Town (Cabecera cantonal) and one rural parish (Tarifa). La Puntilla's parish is one of the most exclusive residential and entertainment districts in Ecuador. It has many Gated Communities (urbanizaciones cerradas), and several retail developments are located in the suburb. Its close proximity to the country's second-largest city, Guayaquil (merely crossing a bridge), allows many of its residents to work there. Most of the upper-class families in Guayaquil live at La Puntilla's Parish in Samborondón.

Santa Ana Hill is a tourist attraction in Guayaquil, Ecuador.

The Presley Norton Museum (Museo Presley Norton) is a museum in Guayaquil, Ecuador which houses a collection of archaeological artifacts, including pottery and figurines made by the original settlers of Ecuador. It occasionally hosts film screenings and live music. The museum has approximately 8,000 artifacts, some dating as far back as 3000 B.C.The museum is in the Villa Rosa Herlinda mansion, once owned by Ismael Pérez Pazmiño, the founder of El Universo newspaper. The museum is named in honor of the Ecuadorian archaeologist Presley Norton Yoder (1932-1993).