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Bagatti Valsecchi Museum

1974 establishments in ItalyArt museums and galleries in MilanCultural infrastructure completed in 1880Decorative arts museums in ItalyHistoric house museums in Italy
International Council of MuseumsMuseums established in 1974Neoclassical architecture in MilanPalaces in MilanTourist attractions in Milan
20161101 Palazzo Bagatti Valsecchi, Facciata via Santo Spirito
20161101 Palazzo Bagatti Valsecchi, Facciata via Santo Spirito

The Bagatti Valsecchi Museum is a historic house museum in the Montenapoleone district [1] of downtown Milan, northern Italy. The Bagatti Valsecchi Museum's permanent collections principally contain Italian Renaissance decorative arts (such as maiolica, furniture, tapestry, metalwork, leather, glassware and precious table-top coffers made of ivory, or “stucco and pastiglia”), some sculptures (including a Madonna and Child lunette by a follower of Donatello), and many paintings. European Renaissance weapons, armor, clocks and a few textiles and scientific and musical instruments complete the collection assembled by the Barons Bagatti Valsecchi, and displayed in their home, as per their wishes.

Excerpt from the Wikipedia article Bagatti Valsecchi Museum (License: CC BY-SA 3.0, Authors, Images).

Bagatti Valsecchi Museum
Piazzale Francesco Baracca, Milan Municipio 1

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Wikipedia: Bagatti Valsecchi MuseumContinue reading on Wikipedia

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N 45.4666 ° E 9.1666 °
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Casa Laugier

Piazzale Francesco Baracca
20123 Milan, Municipio 1
Lombardy, Italy
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20161101 Palazzo Bagatti Valsecchi, Facciata via Santo Spirito
20161101 Palazzo Bagatti Valsecchi, Facciata via Santo Spirito
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The Last Supper (Leonardo)
The Last Supper (Leonardo)

The Last Supper (Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498. The painting represents the scene of the Last Supper of Jesus with the Twelve Apostles, as it is told in the Gospel of John – specifically the moment after Jesus announces that one of his apostles will betray him. Its handling of space, mastery of perspective, treatment of motion and complex display of human emotion has made it one of the Western world's most recognizable paintings and among Leonardo's most celebrated works. Some commentators consider it pivotal in inaugurating the transition into what is now termed the High Renaissance.The work was commissioned as part of a plan of renovations to the church and its convent buildings by Leonardo's patron Ludovico Sforza, Duke of Milan. In order to permit his inconsistent painting schedule and frequent revisions, it is painted with materials that allowed for regular alterations: tempera on gesso, pitch, and mastic. Due to the methods used, a variety of environmental factors, and intentional damage, little of the original painting remains today despite numerous restoration attempts, the last being completed in 1999. Housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy, The Last Supper is his largest work, aside from the Sala delle Asse.