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Porta Magenta

Districts of Milan
ATM 1736
ATM 1736

Porta Magenta, formerly known as Porta Vercellina, was one of the city gates of Milan, Italy. The gate was established in the 9th century, with the Roman walls of the city; it was moved with the medieval and Spanish walls, and was finally demolished in the 19th century. The phrase "Porta Magenta" is now used to refer to the district ("quartiere") where the gate used to be; the district is part of the Zone 7 administrative division of Milan, west of the city centre. Both names "Porta Magenta" and "Porta Vercellina" refer to cities located west of Milan (respectively Magenta and Vercelli). The former name was after Vercelli as the gate controlled the road connecting Milan to this city; the latter name was chosen to celebrate the Battle of Magenta, a decisive victory in the Second Italian War of Independence.

Excerpt from the Wikipedia article Porta Magenta (License: CC BY-SA 3.0, Authors, Images).

Porta Magenta
Piazzale Francesco Baracca, Milan Municipio 1

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Geographical coordinates (GPS)

Latitude Longitude
N 45.466111111111 ° E 9.1658333333333 °
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Address

Piazzale Francesco Baracca

Piazzale Francesco Baracca
20145 Milan, Municipio 1
Lombardy, Italy
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ATM 1736
ATM 1736
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The Last Supper (Leonardo)
The Last Supper (Leonardo)

The Last Supper (Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498. The painting represents the scene of the Last Supper of Jesus with the Twelve Apostles, as it is told in the Gospel of John – specifically the moment after Jesus announces that one of his apostles will betray him. Its handling of space, mastery of perspective, treatment of motion and complex display of human emotion has made it one of the Western world's most recognizable paintings and among Leonardo's most celebrated works. Some commentators consider it pivotal in inaugurating the transition into what is now termed the High Renaissance.The work was commissioned as part of a plan of renovations to the church and its convent buildings by Leonardo's patron Ludovico Sforza, Duke of Milan. In order to permit his inconsistent painting schedule and frequent revisions, it is painted with materials that allowed for regular alterations: tempera on gesso, pitch, and mastic. Due to the methods used, a variety of environmental factors, and intentional damage, little of the original painting remains today despite numerous restoration attempts, the last being completed in 1999. Housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy, The Last Supper is his largest work, aside from the Sala delle Asse.