San Giovanni Elemosinario

The Ponte del Paradiso is a bridge located in Venice, Italy. Crossing the Rio del Mondo Novo, the bridge is almost entirely constructed out of Istrian stone bricks while the steps are paved with Trachyte. It is located within Castello, the largest of the Venetian sestieres. The bridge is known for the unique arch on its southern side serving as an entrance to the Calle del Paradiso, an alley famous for its wooden overhanging eaves.

The Rialto is a central area of Venice, Italy, in the sestiere of San Polo. It is, and has been for many centuries, the financial and commercial heart of the city. Rialto is known for its prominent markets as well as for the monumental Rialto Bridge across the Grand Canal.

Il Gobbo di Rialto (the Hunchback of the Rialto) is a marble statue of a hunchback found opposite the Church of San Giacomo di Rialto at the end of the Rialto in Venice. Sculpted by Pietro da Salò in the 16th century, the statue takes the form of a crouching, naked hunchback supporting a small flight of steps.

San Polo (Venetian: San Poło) is the smallest and most central of the six sestieri of Venice, northern Italy, covering 86 acres (35 hectares) along the Grand Canal. It is one of the oldest parts of the city, having been settled before the ninth century, when it and San Marco formed part of the Realtine Islands. The sestiere is named for the Church of San Polo. The district has been the site of Venice's main market since 1097, and connected to the eastern bank of the Grande Canal by the Rialto bridge since the thirteenth century. The western part of the quarter is now known for its churches, while the eastern part, sometimes just called the Rialto, is known for its palaces and smaller houses. Attractions in San Polo include the Rialto Bridge, the Church of San Giacomo di Rialto (according to legend the oldest in the city), the Campo San Polo with the Church of San Polo, the House of Goldoni, the Church of Santa Maria Gloriosa dei Frari, the Church of San Rocco and the Scuola Grande di San Rocco.

San Silvestro is a church building in the sestiere of San Polo of Venice, northern Italy. The church is located in the business district of Rialto. Originally, in the 12th century, it was under the jurisdiction of the Patriarch of Grado. After rebuilding, it was reconsecrated in 1422, and in 1485 it merged with the Oratory of Santa Maria dei Patriarchi e di Ognissanti. After a partial collapse in 1820, the church was entirely rebuilt from 1837, being reconsecrated in 1850, to designs by Giovanni Meduna. The facade is modern, and was completed in 1909 by Giuseppe Sicher. The Baroque ceiling has paintings by Ludovico Dorigny. The altars were designed in the 19th century by Santi and decorated by the sculptor Giovanni Antonio Dorigo. The interior has four Renaissance panels, and a Baptism of Christ by Tintoretto. The Adoration of the Magi by Paolo Veronese is a large oil painting on canvas painted for the church in 1573 which has been in the National Gallery, London since the church sold it in 1855, presumably to finance the rebuilding. The painting was commissioned by the confraternity of Saint Joseph, the Scuola di San Giuseppe, and placed beside their altar on the left hand wall of the nave. They were not one of the very wealthy Scuole Grandi of Venice, nor trade-based like others with altars in the church, but essentially devotional, and they included female members.The church had a number of significant paintings, and the Veronese was next to the altar of St Joseph on the left side wall, which in the next century was given an altarpiece by Johann Carl Loth of the unusual subject of Joseph presenting the newborn Jesus to God the Father, which remains in the church. The Veronese had some fame, being singled out for mention in early guide books such as Giovanni Stringa's 1604 revision of Francesco Sansovino's Venetia. In 1670 agents of the new Cosimo III de' Medici, Grand Duke of Tuscany, who had failed to persuade the convent of Saint Catherine to sell Veronese's Mystical Marriage of St Catherine of 1575 (now Gallerie dell'Accademia), turned to San Silvestro and attempted to bribe every member of the confraternity to sell the work, but failed after two years.

San Giacomo di Rialto is a church in the sestiere of San Polo, Venice, northern Italy. The addition of Rialto to the name distinguishes this church from its namesake San Giacomo dell'Orio found in the sestiere of Santa Croce, on the same side of the Grand Canal. It has a large 15th-century clock above the entrance, a useful item in the Venetian business district but regarded as a standing joke for its inaccuracy. The Gothic portico is one of the few surviving examples in Venice. It has a Latin cross plan with a central dome. Inside, the Veneto-Byzantine capitals on the six columns of ancient Greek marble date from the 11th century.

Palazzo dei Dieci Savi is a palace on the Canal Grande, Venice, northern Italy. It is included in the sestiere (quarter) of San Polo, and is not far from the Rialto Bridge, on the opposite side from the Palazzo dei Camerlenghi. It was built in the first half of the 16th century, under design of Antonio Abbondi. It was the seat of the Dieci Savi alle Decime, the magistrates in charge of the finances of the Republic of Venice, maintaining this function until the end of the latter in 1797. Until 2014 it housed the city's water officers (Magistrato alle Acque).

The Galleria Giorgio Franchetti alla Ca' d'Oro is an art museum located in the Ca' d'Oro on the Grand Canal in Venice, Italy.

The Ca' d'Oro or Palazzo Santa Sofia is a palace on the Grand Canal in Venice, northern Italy. One of the older palaces in the city, its name means "golden house" due to the gilt and polychrome external decorations which once adorned its walls. Since 1927, it has been used as a museum, as the Galleria Giorgio Franchetti. It has long been regarded as the best surviving palazzo in Venetian Gothic architecture, retaining all the most characteristic features, despite some losses. On the facade, the loggia-like window group of closely spaced small columns, with heavy tracery with quatrefoil openings above, uses the formula from the Doge's Palace that had become iconic. There are also the byzantine-inspired decoration along the roofline, and patterning in fancy coloured stone to the flat wall surfaces. The smaller windows show a variety of forms with an ogee arch, capped with a relief ornament, and the edges and zone boundaries are marked with ropework reliefs. The third act of Amilcare Ponchielli's opera La gioconda is set in the palace.

Palazzo dei Camerlenghi is a Renaissance palazzo in Venice, northern Italy, located in the sestiere (quarter) of San Polo. It faces the Canal Grande, adjacent to the Rialto Bridge.

The Palazzo Michiel Dalle Colonne is a Baroque style palace located on the northern bank of the Grand Canal in the sestiere of Cannaregio in Venice, Italy. It is one building south of the junction of Rio del Santissimi Apostoli with Grand Canal, next to the Palazzo Michiel del Brusà and across the Canal from the Rialto Mercato and the Campo della Pescaria. The palace is also referred to as Palazzo Michiel Dalle Colonne a Santa Sofia.

The Ca' Sagredo is a 14th-century Byzantine-Gothic style palace located on the corner of the Strada Nuova and Campo Santa Sofia, in the sestiere of Cannaregio in central Venice, Italy. It now faces the Grand Canal (Venice), and across the campo from the Ca' Foscari. On the left side there is the Palazzo Giustinian Pesaro.