Statue of Niccolò Tommaseo

The Chiesa di Santo Stefano (Church of St. Stephen) is a large Roman Catholic church at the northern end of the Campo Santo Stefano in the sestiere of San Marco, Venice, Italy.

Campo Santo Stefano is a city square near the Ponte dell'Accademia, in the sestiere of San Marco, Venice, Italy.

The Palazzo Morosini Gatterburg, also referred to as the Palazzo Morosini at Santo Stefano, is a 17th-century palace facing the Campo Santo Stefano in the sestiere of San Marco, Venice, Italy. The palace, bought by the Morosini family in 1628, was originally refurbished by Francesco Morosini, known as Peloponnesiaco for his victories against the Ottomans in Morea (as the Peloponnese peninsula in Greece was referred to at the time), and doge from 1688-1694. The Palace was still held in the 19th century by a descendant, Lauredana Morosini Gatterburg, but in 1884, many of the possessions were sold, and others came into the possession of the Museo Correr. The paneling and furniture of one of the rooms is now on display in the Gardner Museum of Boston. The palace still contains some of the original stucco decoration and frescoes of a mythologic theme in what was once a hall displaying some of the loot from Morea. Also there are frescoes completed for the 1688 wedding of Francesco Morosini and Paulina Mocenigo. The palace is now owned by Assicurazioni Generali, a bank, and serves for display of their collections. Bull-fights took place in the campo in front of the palace as late as 1802 At one time, the palace also had portraits of eight Doges of the Morosini family, as well as of Tomasina Morosini, queen of Hungary, and Costanza Morosini, queen of Croatia.

Photographic archive Gerola is preserved by the Istituto Veneto di Scienze, Lettere ed Arti at Palazzo Loredan in Venice.

The Istituto Veneto di Scienze, Lettere ed Arti (IVSLA) is an academy of sciences in Venice.

The Conservatorio di Musica Benedetto Marcello di Venezia, also known as the Venice Conservatory, is a conservatory in Venice, Italy, named after composer Benedetto Marcello and established in 1876.

The Scuola di Santa Maria degli Albanesi (School of Holy Mary of the Albanians in English; Shkolla e Shën Mërisë së Arbërorëvet in Albanian) was a confraternity, a Scuola Piccola, for Albanian Christians Catholics (Greek-Byzantine and Roman-Latin), in Venice, northern Italy. Its building subsists.

San Maurizio is a Neoclassical-style, deconsecrated church located in the campo San Maurizio in the sestiere of San Marco of the city of Venice, Italy. It now is a Museum focusing on the music of Baroque Venice. A church was present at the site before the first reconstruction in the 16th century. A further reconstruction took place in 1806 by the La Fenice's architect Giannantonio Selva. It once housed a studio of a young Antonio Canova. Near the church was built the scuola degli Albanesi. The present structure is mainly a design of the Neoclassic architect Giovanni Antonio Selva. The church now houses the Museo della Musica, museum of baroque instruments, composers, and music of Venice. It features period instruments, and documents, including exhibits on Antonio Vivaldi, but also documents on Amati, Giovanni Battista Guadagnini, and Francesco and Matteo Goffriller. Entrance, as of 2020, is free.

San Vidal (San Vitale) is a former church, and now an event and concert hall located at one end of the Campo Santo Stefano in the Sestiere of San Marco, where it leads into the campiello San Vidal, and from there to the Ponte dell'Accademia that spans the Grand Canal and connects to the Sestiere of Dorsoduro, Venice, Italy.

Teatro San Samuele was an opera house and theatre located at the Rio del Duca, between Campo San Samuele and Campo Santo Stefano, in Venice. One of several important theatres built in that city by the Grimani family, the theatre opened in 1656 and operated continuously until a fire destroyed the theatre in 1747. A new structure was built and opened in 1748, but financial difficulties forced the theatre to close and be sold in 1770. The theatre remained active until 1807 when it was shut down by Napoleonic decree. It reopened in 1815 and was later acquired by impresario Giuseppe Camploy in 1819. In 1853 the theatre was renamed the Teatro Camploy. Upon Camploy's death in 1889, the theatre was bequeathed to the City of Verona. The Venice City Council in turn bought the theatre and demolished it in 1894.

The Palazzi Barbaro—also known as Palazzo Barbaro, Ca' Barbaro, and Palazzo Barbaro-Curtis—are a pair of adjoining palaces, in the San Marco district of Venice, northern Italy. They were formerly one of the homes of the patrician Barbaro family. The Palazzi are located on the Grand Canal of Venice, next to the Palazzo Cavalli-Franchetti and not far from the Ponte dell'Accademia. The buildings are also known as the Palazzo Barbaro-Curtis. It is one of the least altered of the Gothic palaces of Venice.

San Michele Arcangelo (Saint Michael the Archangel), known as Sant'Angelo or, in the Venetian dialect, Sant’Anzolo, was a church in Venice. Located in the sestiere of San Marco, in the square named for it, Campo Sant'Angelo, it was demolished in 1837.