Teatro San Samuele

San Vidal (San Vitale) is a former church, and now an event and concert hall located at one end of the Campo Santo Stefano in the Sestiere of San Marco, where it leads into the campiello San Vidal, and from there to the Ponte dell'Accademia that spans the Grand Canal and connects to the Sestiere of Dorsoduro, Venice, Italy.

The Palazzo Giustinian Lolin is a Baroque style palace located on the Grand Canal of Venice, Italy. The present facade was designed circa 1630 by Baldassare Longhena. It is used as an exhibition venue for the Venice Biennale.

Photographic archive Gerola is preserved by the Istituto Veneto di Scienze, Lettere ed Arti at Palazzo Loredan in Venice.

The Istituto Veneto di Scienze, Lettere ed Arti (IVSLA) is an academy of sciences in Venice.

San Samuele is a church in Venice, northern Italy. It is located in the eponymous campo near Palazzo Grassi and Palazzo Malipiero. The facade is set back on the campo, but faces and is visible from the Grand Canal. It is named after the Biblical Samuel, because in the interior are housed relics traditionally attributed to him. The church was built around 1000 by the families Boldù and Soranzo. In the early 12th centuries it was destroyed by two fires and then reconstructed. In 1685 it was again almost entirely rebuilt. The portico on the façade, now closed, is surmounted by a loggia added in 1952. The interior, over the high altar, houses a 14th-century crucifix attributed to Paolo Veneziano. San Samuele bears the distinction of being one of only a handful of Roman Catholic churches dedicated to an Old Testament figure. It is also unique in that its late-Gothic apse has remained intact despite the restructuring of its nave and façade in 1685. The walls and vaults of this apse have been restored starting in 1999, and are one of the few surviving fresco cycles of the early Venetian Renaissance. The cycle depicts eight Sibyls, Greek and Roman female seers who were believed to have predicted events in the life of Christ such as the Annunciation, the Crucifixion and the Resurrection. The ceiling's quadripartite vault features Saints Jerome, Augustine, Ambrose and Gregory, the four fathers of the Western church, set in roundels and surrounded by inscriptions, decorative foliage, and putti bearing the instruments of the Passion. Above the high altar, the frescoes occupying the spaces between the ribs of the cupola feature Christ and the four Evangelists Matthew, Mark, Luke and John. The cycle has traditionally been attributed to the Paduan or Bolognese school.

The Ponte dell'Accademia is one of only four bridges to span the Grand Canal in Venice, Italy. It crosses near the southern end of the canal, and is named for the Accademia di Belle Arti di Venezia, which from 1807 to 2004 was housed in the Scuola della Carità together with the Gallerie dell'Accademia, which is still there. The bridge links the sestieri of Dorsoduro and San Marco.A bridge on the site was first suggested as early as 1488. The provveditore Luca Trum proposed in the council to build two bridges across the Grand Canal, one here and the other at Santa Sofia. The members of the council, however, laughed at him, and the motion was not even put to the vote. The original steel structure, designed by Alfred Neville, opened on 20 November 1854, but was demolished and replaced by a wooden bridge designed by Eugenio Miozzi and opened in 1933, despite widespread hopes for a stone bridge.Lovers have attempted to attach padlocks ("love locks") to the metal hand rails of the bridge, but Venetian authorities have successfully cracked down on this.

The Chiesa di Santo Stefano (Church of St. Stephen) is a large Roman Catholic church at the northern end of the Campo Santo Stefano in the sestiere of San Marco, Venice, Italy.

Campo Santo Stefano is a city square near the Ponte dell'Accademia, in the sestiere of San Marco, Venice, Italy.

Palazzo Grassi (also known as the Palazzo Grassi-Stucky) is a building in the Venetian Classical style located on the Grand Canal of Venice (Italy), between the Palazzo Moro Lin and the campo San Samuele.

The Palazzo Moro Lin, also called the palace of 13 windows is a baroque-style palace on the Grand Canal, located between the Palazzo Grassi and the Palazzo da Lezze, in the sestiere of San Marco, in Venice, Italy. The palace was built in 1670 by design of Sebastiano Mazzoni, and made for the painter Pietro Liberi. The palace interior has frescoes by Antonio Bellucci, Antonio Molinari, and Gregorio Lazzarini. The palace was soon bought by the Lin family. At the death of Michele Anzolo Lin in 1788, the palace was inherited by his niece Elisabetta, the wife of Gasparo Moro of San Trovaso, who afterwards called themselves Moro-Lin. In 1942 it was purchased by the Milanese industrialist Enrico Ghezzi.

Palazzo Cavalli-Franchetti is a palace in Venice, Italy, not far from the Ponte dell'Accademia and next to the Palazzo Barbaro on the Grand Canal of Venice. Since 1999 it has been the seat of the Istituto Veneto di Scienze, Lettere ed Arti and frequently houses cultural events.

The Palazzo Morosini Gatterburg, also referred to as the Palazzo Morosini at Santo Stefano, is a 17th-century palace facing the Campo Santo Stefano in the sestiere of San Marco, Venice, Italy. The palace, bought by the Morosini family in 1628, was originally refurbished by Francesco Morosini, known as Peloponnesiaco for his victories against the Ottomans in Morea (as the Peloponnese peninsula in Greece was referred to at the time), and doge from 1688-1694. The Palace was still held in the 19th century by a descendant, Lauredana Morosini Gatterburg, but in 1884, many of the possessions were sold, and others came into the possession of the Museo Correr. The paneling and furniture of one of the rooms is now on display in the Gardner Museum of Boston. The palace still contains some of the original stucco decoration and frescoes of a mythologic theme in what was once a hall displaying some of the loot from Morea. Also there are frescoes completed for the 1688 wedding of Francesco Morosini and Paulina Mocenigo. The palace is now owned by Assicurazioni Generali, a bank, and serves for display of their collections. Bull-fights took place in the campo in front of the palace as late as 1802 At one time, the palace also had portraits of eight Doges of the Morosini family, as well as of Tomasina Morosini, queen of Hungary, and Costanza Morosini, queen of Croatia.