Roman Catholic Diocese of Vicenza

Vicenza ( vih-CHENT-sə, Italian: [viˈtʃɛntsa] ; Venetian: Vicensa [viˈtʃeŋ(t)sa]) is a city in northeastern Italy. It is in the Veneto region, at the northern base of the Monte Berico, where it straddles the River Bacchiglione. Vicenza is approximately 60 kilometres (37 mi) west of Venice and 200 kilometres (120 mi) east of Milan. Vicenza is a thriving and cosmopolitan city, with a rich history and culture, and many museums, art galleries, piazzas, villas, churches and elegant Renaissance palazzi. With the Palladian villas of the Veneto in the surrounding area, and his renowned Teatro Olimpico ("Olympic Theater"), the "city of Palladio" has been listed as a UNESCO World Heritage Site since 1994.In December 2008, Vicenza had an estimated population of 115,927 and a metropolitan area of 270,000. Vicenza is the third-largest Italian industrial centre as measured by the value of its exports, and is one of the country's wealthiest cities, in large part due to its textile and steel industries, which employ tens of thousands. Additionally, about one fifth of the country's gold and jewelry is made in Vicenza, greatly contributing to the city's economy. Another important sector is the engineering/computer components industry (Federico Faggin, the microprocessor's co-inventor, was born in Vicenza).

The Palladian villas of the Veneto are villas designed by Renaissance architect Andrea Palladio, all of whose buildings were erected in the Veneto, the mainland region of north-eastern Italy then under the political control of the Venetian Republic. Most villas are listed by UNESCO as part of a World Heritage Site named City of Vicenza and the Palladian Villas of the Veneto. The term villa was used to describe a country house. Often rich families in the Veneto also had a house in town called palazzo. In most cases the owners named their palazzi and ville with the family surname, hence there is both a Palazzo Chiericati in Vicenza and a Villa Chiericati in the countryside, similarly there is a Ca' Foscari in Venice and a Villa Foscari in the countryside. Somewhat confusingly, there are multiple Villa Pisani, including two by Palladio. UNESCO inscribed the site on the World Heritage List in 1994. At first the site was called "Vicenza, City of Palladio" and only buildings in the immediate area of Vicenza were included. Various types of buildings were represented in the original site, which included the Teatro Olimpico, some palazzi and a few villas. Because most of Palladio's surviving villas lay outside the site, in 1996 the site was expanded, hence the newer name "City of Vicenza and the Palladian Villas of the Veneto". This name reflects the fact that it includes villas designed by Palladio throughout the Veneto.

The province of Vicenza (Venetian: provincia de Vicensa; Italian: provincia di Vicenza) is a province in the Veneto region of Italy. Its capital city is Vicenza. The province has an area of 2,722.53 km2, and a total population of 865,082 (as of 2017). There are 199 comuni (municipalities) in the province. Towns in the province include Bassano del Grappa, Schio, Arzignano, Montecchio Maggiore, Thiene, Torri di Quartesolo, Noventa Vicentina, Marostica, Lonigo and Valdagno. Population is unevenly spread throughout the province. More than 60% of the populace resides in densely industrialised areas in the eastern, western, and northern (known as Alto Vicentino) conurbations, as well as the area surrounding Bassano del Grappa. The remaining 40% reside in predominantly rural areas in the southern part of the province (the Colli Berici and Basso Vicentino) or the Asiago plateau. Economic development in some areas is hindered by industrial and agricultural depression. Towns in the western section such as Valdagno and Montecchio Maggiore suffer from high unemployment, following a decline in steel and textile industries. The Colli Berici and Basso Vicentino remain overwhelmingly agricultural and present high levels of unemployment. The heavily industrial Alto Vicentino area alone accounts for half of the province's GDP. Federico Faggin, an Italian physicist/electrical engineer principally responsible for the design of the first microprocessor, was born in Vicenza.

The Dedalo Minosse International Prize for commissioning a building is promoted by ALA-Assoarchitetti, Italian association for professional architects. The prize was created in 1997 to emphasize the client's role as a fundamental partner of both the architect and the builder in generating high-quality work. The name Dedalo Minosse derives from Daedalus and Minos. Daedalus is considered the first architect of Greek mythology, while Minos was the first client. The Prize is awarded biennially by a jury that includes internationally renowned architects, writers, art historians, journalists, industry executives, and planning officials. Additional prizes are awarded by ALA-Assoarchitetti and by Dedalo-Minosse patrons. The presentation ceremony takes place in Teatro Olimpico in Vicenza, northern Italy, the city of architect Andrea Palladio. Eligibility is open to architects, engineers and clients from around the world, with separate recognition for established architects and those under 40 years of age.

The Teatro Olimpico ("Olympic Theatre") is a theatre in Vicenza, northern Italy, constructed in 1580–1585. It was the final design by the Italian Renaissance architect Andrea Palladio and was not completed until after his death. The trompe-l'œil onstage scenery, designed by Vincenzo Scamozzi to give the appearance of long streets receding to a distant horizon, was installed in 1585 for the first performance held in the theatre, and is the oldest surviving stage set still in existence. The full Roman-style scaenae frons back screen across the stage is made from wood and stucco imitating marble. It was the home of the Accademia Olimpica, which was founded there in 1555. The Teatro Olimpico is, along with the Teatro all'antica in Sabbioneta and the Teatro Farnese in Parma, one of only three Renaissance theatres remaining in existence. Both these theatres were based, in large measure, on the Teatro Olimpico. It is still used several times a year. Since 1994 the Teatro Olimpico, together with other Palladian buildings in and around Vicenza, has been part of the UNESCO World Heritage Site "City of Vicenza and the Palladian Villas of the Veneto".

City of Vicenza and the Palladian Villas of the Veneto is a World Heritage Site in Italy, which protects buildings by the architect Andrea Palladio. UNESCO inscribed the site on the World Heritage List in 1994. At first the site was called "Vicenza, City of Palladio" and only buildings in the immediate area of Vicenza were included. Various types of buildings were represented in the original site, which included the Basilica Palladiana, Teatro Olimpico and palazzi in the city itself, along with a few villas in the vicinity. However, most of Palladio's surviving villas lay outside the site. In 1996 the site was expanded. Its present name reflects the fact that it includes all the Palladian Villas of the Veneto. City of Vicenza and the Palladian Villas of the Veneto also has some examples of ecclesiastical architecture, including the relatively small church at Maser. In total there are 47 Palladian buildings registered in the UNESCO list in the Veneto region.There is another important group of urban buildings by Palladio in Venice, a city which also has World Heritage Site status. Venice has notable examples of ecclesiastical architecture by Palladio, including the San Giorgio Maggiore (church), Venice.

The Palazzo Chiericati is a Renaissance palace in Vicenza (northern Italy), designed by Andrea Palladio.

Casa Cogollo is a small palazzo in Vicenza built in 1559 and attributed to architect Andrea Palladio. Since 1994 it has formed part of the UNESCO World Heritage Site "City of Vicenza and the Palladian Villas of the Veneto". Though known as the “House of Palladio”, in reality this building has no connection with the residence of the Vicentine master. Rather it is its dimensions—quite contained in comparison to the monumental emphasis of other Palladian palazzi—which has led astray those seeking a trace of the architect’s residence in the city. In fact, the Maggior Consiglio (town council) forced the notary Pietro Cogollo to remodel the façade of his 15th century (Quattrocento) house as a contribution to the “decorum of the city”, making this provision (and a monetary investment in the work of not less than 250 ducats) a condition of their positive response to his request for Vicentine citizenship. In the absence of documents and autograph designs, the attribution to Palladio of this most elegant façade still divides scholars. Yet, because of the intelligence of the architectural solution proposed, as well as the design of all the details, it is difficult to refer the project to any other designer. The constraints posed by a narrow space and the impossibility of opening windows at the centre of the piano nobile (because of an existing fireplace and its flue) induced Palladio to emphasise the façade’s central axis, by realising a structure with a ground floor arch flanked by engaged columns, and on the upper storey a tabernacle frame for a fresco by Giovanni Antonio Fasolo. The ground level arch is flanked by two rectangular spaces which illuminate and provide access to the portico. Altogether they form a type of serliana, as already done at the Basilica Palladiana. The result is a composition of great monumental and expressive force, despite the simplicity of the means available.

Santa Corona is a Gothic-style, Roman Catholic church located in Vicenza, region of Veneto, Italy. The church contains the Valmarana chapel (circa 1576), whose design is attributed to the Renaissance architect Andrea Palladio. Palladio himself was initially buried in this church.

The Palazzo Leoni Montanari is a late Baroque palace located in Contra’ San Corona number 25 in central Vicenza in the Veneto region of Italy. It now houses exhibition rooms, meeting places, and art collections owned by the bank Intesa Sanpaolo.

The church of Santa Maria in Araceli is a late-Baroque style church built in the late 17th century in Vicenza according to designs attributed to Guarino Guarini. Documents first take note of a church at the site, dating from 1241. They refer to a church of Santa Maria in the area that stood near a convent. This convent, which in 1277 belonged to the Clarisse Nuns, was called Santa Maria ad Cellam, (referring to the nun's rooms). The suffix was then modified to alla cella, then Arcella and finally to Araceli. This church in Vicenza should not be confused with the church Santa Maria in Aracoeli (or St Mary of the Altar of Heaven) in central Rome. Construction of the present church was begun during 1672-1680, a period during which the famous architect Guarino Guarini resided in Vicenza under the patronage of the Theatines. In 1965, designs for the church were found in the Vatican Library. Construction seems to have been guided by Carlo Borella. It was about 60 years after the start of construction, on November 17, 1743, that the church was consecrated. In 1810, during the Napoleonic occupation, the convent was expropriated, and the church became a parish church. The church was replaced by a new parish church, Cristo Re, in 1960. This church ceased being used until restoration in finished in 1990. The main baroque altar (1696), was carved in marble by Tommaso Bezzi . It contains an altarpiece representing the Tiburtine Sybil who portends the coming Virgin and Child to the Roman Emperor Augustus attributed to Pietro Liberi . The altar on the right has a 13th-century painted crucifix, originally from church of San Vito.

Torre Bissara is a tower in Piazza dei Signori, Vicenza, Italy.