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Palladian villas of the Veneto

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World Heritage Sites in Italy
08 Villa Rotonda Palladio
08 Villa Rotonda Palladio

The Palladian villas of the Veneto are villas designed by Renaissance architect Andrea Palladio, all of whose buildings were erected in the Veneto, the mainland region of north-eastern Italy then under the political control of the Venetian Republic. Most villas are listed by UNESCO as part of a World Heritage Site named City of Vicenza and the Palladian Villas of the Veneto. The term villa was used to describe a country house. Often rich families in the Veneto also had a house in town called palazzo. In most cases the owners named their palazzi and ville with the family surname, hence there is both a Palazzo Chiericati in Vicenza and a Villa Chiericati in the countryside, similarly there is a Ca' Foscari in Venice and a Villa Foscari in the countryside. Somewhat confusingly, there are multiple Villa Pisani, including two by Palladio. UNESCO inscribed the site on the World Heritage List in 1994. At first the site was called "Vicenza, City of Palladio" and only buildings in the immediate area of Vicenza were included. Various types of buildings were represented in the original site, which included the Teatro Olimpico, some palazzi and a few villas. Because most of Palladio's surviving villas lay outside the site, in 1996 the site was expanded, hence the newer name "City of Vicenza and the Palladian Villas of the Veneto". This name reflects the fact that it includes villas designed by Palladio throughout the Veneto.

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Palladian villas of the Veneto
Leva' degli Angeli, Vicenza Santa Caterina

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N 45.55 ° E 11.55 °
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Leva' degli Angeli 13
36100 Vicenza, Santa Caterina
Veneto, Italy
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08 Villa Rotonda Palladio
08 Villa Rotonda Palladio
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Province of Vicenza
Province of Vicenza

The province of Vicenza (Venetian: provincia de Vicensa; Italian: provincia di Vicenza) is a province in the Veneto region of Italy. Its capital city is Vicenza. The province has an area of 2,722.53 km2, and a total population of 865,082 (as of 2017). There are 199 comuni (municipalities) in the province. Towns in the province include Bassano del Grappa, Schio, Arzignano, Montecchio Maggiore, Thiene, Torri di Quartesolo, Noventa Vicentina, Marostica, Lonigo and Valdagno. Population is unevenly spread throughout the province. More than 60% of the populace resides in densely industrialised areas in the eastern, western, and northern (known as Alto Vicentino) conurbations, as well as the area surrounding Bassano del Grappa. The remaining 40% reside in predominantly rural areas in the southern part of the province (the Colli Berici and Basso Vicentino) or the Asiago plateau. Economic development in some areas is hindered by industrial and agricultural depression. Towns in the western section such as Valdagno and Montecchio Maggiore suffer from high unemployment, following a decline in steel and textile industries. The Colli Berici and Basso Vicentino remain overwhelmingly agricultural and present high levels of unemployment. The heavily industrial Alto Vicentino area alone accounts for half of the province's GDP. Federico Faggin, an Italian physicist/electrical engineer principally responsible for the design of the first microprocessor, was born in Vicenza.

Casa Cogollo
Casa Cogollo

Casa Cogollo is a small palazzo in Vicenza built in 1559 and attributed to architect Andrea Palladio. Since 1994 it has formed part of the UNESCO World Heritage Site "City of Vicenza and the Palladian Villas of the Veneto". Though known as the “House of Palladio”, in reality this building has no connection with the residence of the Vicentine master. Rather it is its dimensions—quite contained in comparison to the monumental emphasis of other Palladian palazzi—which has led astray those seeking a trace of the architect’s residence in the city. In fact, the Maggior Consiglio (town council) forced the notary Pietro Cogollo to remodel the façade of his 15th century (Quattrocento) house as a contribution to the “decorum of the city”, making this provision (and a monetary investment in the work of not less than 250 ducats) a condition of their positive response to his request for Vicentine citizenship. In the absence of documents and autograph designs, the attribution to Palladio of this most elegant façade still divides scholars. Yet, because of the intelligence of the architectural solution proposed, as well as the design of all the details, it is difficult to refer the project to any other designer. The constraints posed by a narrow space and the impossibility of opening windows at the centre of the piano nobile (because of an existing fireplace and its flue) induced Palladio to emphasise the façade’s central axis, by realising a structure with a ground floor arch flanked by engaged columns, and on the upper storey a tabernacle frame for a fresco by Giovanni Antonio Fasolo. The ground level arch is flanked by two rectangular spaces which illuminate and provide access to the portico. Altogether they form a type of serliana, as already done at the Basilica Palladiana. The result is a composition of great monumental and expressive force, despite the simplicity of the means available.

Santa Maria in Araceli, Vicenza
Santa Maria in Araceli, Vicenza

The church of Santa Maria in Araceli is a late-Baroque style church built in the late 17th century in Vicenza according to designs attributed to Guarino Guarini. Documents first take note of a church at the site, dating from 1241. They refer to a church of Santa Maria in the area that stood near a convent. This convent, which in 1277 belonged to the Clarisse Nuns, was called Santa Maria ad Cellam, (referring to the nun's rooms). The suffix was then modified to alla cella, then Arcella and finally to Araceli. This church in Vicenza should not be confused with the church Santa Maria in Aracoeli (or St Mary of the Altar of Heaven) in central Rome. Construction of the present church was begun during 1672-1680, a period during which the famous architect Guarino Guarini resided in Vicenza under the patronage of the Theatines. In 1965, designs for the church were found in the Vatican Library. Construction seems to have been guided by Carlo Borella. It was about 60 years after the start of construction, on November 17, 1743, that the church was consecrated. In 1810, during the Napoleonic occupation, the convent was expropriated, and the church became a parish church. The church was replaced by a new parish church, Cristo Re, in 1960. This church ceased being used until restoration in finished in 1990. The main baroque altar (1696), was carved in marble by Tommaso Bezzi . It contains an altarpiece representing the Tiburtine Sybil who portends the coming Virgin and Child to the Roman Emperor Augustus attributed to Pietro Liberi . The altar on the right has a 13th-century painted crucifix, originally from church of San Vito.