place

Via Giulia

1508 establishments in the Papal StatesBaroque architecture in RomeHarv and Sfn no-target errorsRenaissance architecture in RomeStreets in Rome R. VII Regola
Streets in Rome R. V Ponte
948RomaViaGiulia
948RomaViaGiulia

The Via Giulia is a street of historical and architectural importance in Rome, Italy, which runs along the left (east) bank of the Tiber from Piazza San Vincenzo Pallotti, near Ponte Sisto, to Piazza dell'Oro. It is about 1 kilometre long and connects the Regola and Ponte Rioni.The road's design was commissioned in 1508 to Donato Bramante by Pope Julius II (r. 1503–1513), of the powerful della Rovere family, and was one of the first important urban planning projects in papal Rome during the Renaissance. The road, named after its patron, had been also called Via Magistralis (lit. "master road") because of its importance, and Via Recta (lit. "straight road") because of its layout.The project had three aims: the creation of a major roadway inserted in a new system of streets superimposed on the maze of alleys of medieval Rome; the construction of a large avenue surrounded by sumptuous buildings to testify to the renewed grandeur of the Catholic Church; and finally, the foundation of a new administrative and banking centre near the Vatican, the seat of the popes, and far from the traditional city centre on the Capitoline Hill, dominated by the Roman baronial families opposed to the pontiffs. Despite the interruption of the project due to the pax romana of 1511 and the death of the pope two years later, the new road immediately became one of the main centres of the Renaissance in Rome. Many palaces and churches were built by the most important architects of the time, such as Raffaello Sanzio and Antonio da Sangallo the Younger, who often chose to move into the street. Several noble families joined them, while European nations and Italian city-states chose to build their churches in the street or in the immediate vicinity. In the Baroque period the building activity, directed by the most important architects of the time such as Francesco Borromini, Carlo Maderno and Giacomo della Porta, continued unabated, while the street, favorite location of the Roman nobles, became the theatre of tournaments, parties and carnival parades. During this period the popes and private patrons continued to take care of the road by founding charitable institutions and providing the area with drinking water. From the middle of the 18th century, the shift of the city centre towards the Campo Marzio plain caused the cessation of building activity and the abandonment of the road by the nobles. An artisan population with its workshops replaced these, and Via Giulia took on the solitary and solemn aspect that would have characterized it for two centuries. During the Fascist period some construction projects broke the unity of the road in its central section, and the damage has not yet been repaired. Despite this, Via Giulia remains one of Rome's richest roads in art and history, and after a two-century decline, from the 1950s onwards the road's fame was renewed to be one of the city's most prestigious locations.

Excerpt from the Wikipedia article Via Giulia (License: CC BY-SA 3.0, Authors, Images).

Via Giulia
Via Giulia, Rome Municipio Roma I

Geographical coordinates (GPS) Address Nearby Places
placeShow on map

Wikipedia: Via GiuliaContinue reading on Wikipedia

Geographical coordinates (GPS)

Latitude Longitude
N 41.8942 ° E 12.4701 °
placeShow on map

Address

Fontana del Mascherone

Via Giulia
00186 Rome, Municipio Roma I
Lazio, Italy
mapOpen on Google Maps

948RomaViaGiulia
948RomaViaGiulia
Share experience

Nearby Places

Santi Giovanni Evangelista e Petronio
Santi Giovanni Evangelista e Petronio

Santi Giovanni e Petronio dei Bolognesi is a Roman Catholic church in central Rome, Italy. It is named after the Saints John the Evangelist and Petronius, who are patrons of the city of Bologna. This church was made the "national church" of the Bolognese in Rome in 1581, by order of Pope Gregory XIII. It is located in the Rione of Regola, on Via del Mascherone, across the street and just south of the Gardens behind the Palazzo Farnese. It is today the "regional church" of Emilia-Romagna. Mention of a parish church on the site was mentioned by 1186, and it was attached to the church of San Lorenzo in Damaso. At the Time it had a name of Sanctae Thomae de Yspanis (of Spain), and later San Tommaso dei Muratori, or della Catena, or dei Frati. The church was in disrepair, when Pope Gregory XIII Boncompagni, commissioned the Bolognese architect Ottaviano Mascherino to rebuild it as the national church of his countrymen. An adjacent oratory was built in 1601, but later razed. The facade was rebuilt in the late 17th century. The church property was once expropriated but returned to the church in 1940. Most of the artists originally decorating the church were Bolognese, but many of the paintings were removed and some are lost. The painting to the right of the altar about the Transit of St Joseph was painted by Francesco Gessi, while the painting of Santa Caterina da Bologna (now lost) was painted by Giovanni Giuseppe dal Sole. The main altarpiece with a Virgin, Baby Jesus, and Saints John the Evangelist and Petronio was painted by Domenichino; it is now in the Galleria Nazionale d'Arte Antica in Palazzo Barberini of Rome. The missing altarpieces are replaced by works from unattributed artists. The tomb of Alessandro Algardi was destroyed. The virtues frescoed on the pennants were by Pompeo Aldrovandini. It is a titular church. Its Cardinal-Priests have been: Giacomo Biffi (1985–2015) Baltazar Enrique Porras Cardozo (2016–present)

Santa Maria dell'Orazione e Morte
Santa Maria dell'Orazione e Morte

Santa Maria dell'Orazione e Morte (Saint Mary of the Prayer and Death) is a church in central Rome, Italy. It lies on Via Giulia between the Tiber and the Palazzo Farnese. First built in 1575, the church was completely rebuilt by Ferdinando Fuga in 1733 using an elliptical plan. Inside may be seen frescoes of St. Anthony Abbot and St. Paul of Thebes by Giovanni Lanfranco; these were removed and transferred to this church from a now-lost structure built by Odoardo Farnese. In the first chapel at the right is a Mystical marriage of Saint Catherine; in the main chapel is a Crucifixion altarpiece (1680) by Ciro Ferri. In the second chapel to the left is St Giuliana Falconieri Receives the Habit From St. Filippo Benizi (1740) by Pier Leone Ghezzi. In the first chapel to the left features an altarpiece of the Rest on the Flight to Egypt painted by Lorenzo Masucci. Additionally, the church houses a chamber decorated with human bones; a large number of skulls, candelabras constructed of bones, and a large cross adorned with skulls are among the room's adornments. This chamber is located through a door to the left of the main altar and is rarely open to visitors. Santa Maria was built by a confraternity that assumed responsibility for interring abandoned corpses in Rome. It is remarkable for the depictions of laureled skulls over the façade entrance and other death imagery. In this it has some of the morbid encrustations also seen in the Roman church of the Capuchins. Its charity was, and still is, supported by the Arciconfraternita di Santa Maria dell'Orazione e Morte, a purgatorial society dating to the 1560s. Burials were performed in their cemetery, once sited on the banks of the Tiber adjacent to the church. Architect Fuga and San Carlo Borromeo were members of the fraternity.

Palazzo Falconieri
Palazzo Falconieri

The Palazzo Falconieri is a palace in Rome, Italy formed in the seventeenth century as a result of remodelling by the Baroque architect Francesco Borromini. It is the home of the Hungarian Academy Rome (which is the Rome office of the Balassi Institute), since its foundation in 1927. It is located between Via Giulia and Lungotevere, with entrances to both; it is near Palazzo Farnese and a few houses down and across Via Giulia from the church of Santa Caterina della Rota in the Rione of Regola. From 1814, it was occupied by cardinal Joseph Fesch, Napoleon's uncle. In 1638, Orazio Falconieri purchased a palace on the Via Giulia which had a small courtyard facing the River Tiber. He bought an adjacent property in 1645 and in 1646 and appointed the architect Francesco Borromini to remodel and refurbish the two. Some of Borromini’s work was lost in the nineteenth century development of Lungotevere, the embankment and road between the Tiber and the buildings which overlook it, but parts remain. The surviving parts of Borromini’s work include the façade to the Via Giulia, the Belvedere overlooking the Tiber and the decorative work in several rooms. On the façade, the number of bays was increased from seven to eleven and at either end, tall inverted fluted pilasters were placed terminating in falcons heads, a reference to the family name, that each look back at the façade. Overlooking the Tiber, Borromini added a Belvedere, a three bay loggia with Serliana openings, that stands above the surrounding buildings. On the interior, some of the rooms are ornamented with stucco work designed by Borromini, with the frequent use of heraldic devices and symbolic motifs