Palazzo Falconieri

Santa Maria dell'Orazione e Morte (Saint Mary of the Prayer and Death) is a church in central Rome, Italy. It lies on Via Giulia between the Tiber and the Palazzo Farnese. First built in 1575, the church was completely rebuilt by Ferdinando Fuga in 1733 using an elliptical plan. Inside may be seen frescoes of St. Anthony Abbot and St. Paul of Thebes by Giovanni Lanfranco; these were removed and transferred to this church from a now-lost structure built by Odoardo Farnese. In the first chapel at the right is a Mystical marriage of Saint Catherine; in the main chapel is a Crucifixion altarpiece (1680) by Ciro Ferri. In the second chapel to the left is St Giuliana Falconieri Receives the Habit From St. Filippo Benizi (1740) by Pier Leone Ghezzi. In the first chapel to the left features an altarpiece of the Rest on the Flight to Egypt painted by Lorenzo Masucci. Additionally, the church houses a chamber decorated with human bones; a large number of skulls, candelabras constructed of bones, and a large cross adorned with skulls are among the room's adornments. This chamber is located through a door to the left of the main altar and is rarely open to visitors. Santa Maria was built by a confraternity that assumed responsibility for interring abandoned corpses in Rome. It is remarkable for the depictions of laureled skulls over the façade entrance and other death imagery. In this it has some of the morbid encrustations also seen in the Roman church of the Capuchins. Its charity was, and still is, supported by the Arciconfraternita di Santa Maria dell'Orazione e Morte, a purgatorial society dating to the 1560s. Burials were performed in their cemetery, once sited on the banks of the Tiber adjacent to the church. Architect Fuga and San Carlo Borromeo were members of the fraternity.

Lungotevere dei Tebaldi is the stretch of lungotevere which links piazza San Vincenzo Pallotti to ponte Giuseppe Mazzini, in Roma, in rione Regola.This lungotevere takes its name from the Roman family of the Tebaldi, extinct in 1745; it was instituted with law of 20 July 1887.

Santa Caterina da Siena is a church in Rome dedicated to Catherine of Siena. It is sited on via Giulia in the Regola district.

The Via Giulia is a street of historical and architectural importance in Rome, Italy, which runs along the left (east) bank of the Tiber from Piazza San Vincenzo Pallotti, near Ponte Sisto, to Piazza dell'Oro. It is about 1 kilometre long and connects the Regola and Ponte Rioni.The road's design was commissioned in 1508 to Donato Bramante by Pope Julius II (r. 1503–1513), of the powerful della Rovere family, and was one of the first important urban planning projects in papal Rome during the Renaissance. The road, named after its patron, had been also called Via Magistralis (lit. "master road") because of its importance, and Via Recta (lit. "straight road") because of its layout.The project had three aims: the creation of a major roadway inserted in a new system of streets superimposed on the maze of alleys of medieval Rome; the construction of a large avenue surrounded by sumptuous buildings to testify to the renewed grandeur of the Catholic Church; and finally, the foundation of a new administrative and banking centre near the Vatican, the seat of the popes, and far from the traditional city centre on the Capitoline Hill, dominated by the Roman baronial families opposed to the pontiffs. Despite the interruption of the project due to the pax romana of 1511 and the death of the pope two years later, the new road immediately became one of the main centres of the Renaissance in Rome. Many palaces and churches were built by the most important architects of the time, such as Raffaello Sanzio and Antonio da Sangallo the Younger, who often chose to move into the street. Several noble families joined them, while European nations and Italian city-states chose to build their churches in the street or in the immediate vicinity. In the Baroque period the building activity, directed by the most important architects of the time such as Francesco Borromini, Carlo Maderno and Giacomo della Porta, continued unabated, while the street, favorite location of the Roman nobles, became the theatre of tournaments, parties and carnival parades. During this period the popes and private patrons continued to take care of the road by founding charitable institutions and providing the area with drinking water. From the middle of the 18th century, the shift of the city centre towards the Campo Marzio plain caused the cessation of building activity and the abandonment of the road by the nobles. An artisan population with its workshops replaced these, and Via Giulia took on the solitary and solemn aspect that would have characterized it for two centuries. During the Fascist period some construction projects broke the unity of the road in its central section, and the damage has not yet been repaired. Despite this, Via Giulia remains one of Rome's richest roads in art and history, and after a two-century decline, from the 1950s onwards the road's fame was renewed to be one of the city's most prestigious locations.

San Girolamo della Carità is a church in Rome, Italy, located near the Palazzo Farnese and Campo de' Fiori. The church belonged originally to the Franciscan Observants. In 1524 it was taken over by the Archconfraternita della Carità ("Archconfraternity of Charity"), founded by Giulio de' Medici (later Pope Clement VII) in 1519; a society of noblemen from outside Rome. The upper nave balconies served as a first meeting place for St. Philip Neri's Oratorians founded in 1561 before they were established as a Congregation in 1575 and, in the same year, given the church of Santa Maria in Vallicella. Domenico Castello rebuilt the church in the mid 17th century.

The Venerable English College (Italian: Venerabile Collegio Inglese), commonly referred to as the English College, is a Catholic seminary in Rome, Italy, for the training of priests for England and Wales. It was founded in 1579 by William Allen on the model of the English College, Douai. The current Rector is Rev. Stephen Wang from the Diocese of Westminster.

Bust of Monsignor Pedro de Foix Montoya is a sculpted portrait by the Italian artist Gianlorenzo Bernini. Executed in 1621 and 1622, it sits within a larger tomb created for Montoya, a Spanish lawyer working in Rome. The tomb was originally in the Spanish national church in Rome, San Giacomo degli Spagnuoli, but was moved in the nineteenth century when the church fell out of Spanish possession. The monument now sits in the refectory attached to the Roman church of Santa Maria di Monserrato. The architecture for the tomb was undertaken by Orazio Turriani.

The Spanish National Church of Santiago and Montserrat, known as Church of Holy Mary in Monserrat of the Spaniards (Italian: Santa Maria in Monserrato degli Spagnoli, Spanish: Santa María de Montserrat de los Españoles, Latin: S. Mariae Hispanorum in Monte Serrato) is a Roman Catholic titulus church and National Church in Rome of Spain, dedicated to the Virgin of Montserrat. It is located in the Rione Regola, at the intersection of alleway of Via della Barchetta and the narrow Via di Monserrato, with the facade on the latter street, about three blocks northwest of the Palazzo Farnese. The last Cardinal Priest of the Titulus S. Mariae Hispanorum in Monte Serrato was Carlos Amigo Vallejo.

The Pons Agrippae (Bridge of Agrippa) was an ancient bridge across the River Tiber in Rome. It was located 160 metres above the Ponte Sisto, and is known from an inscribed cippus set up by the curatores riparum during the Principate of the Emperor Claudius, suggesting it was built during or before the reign of Claudius. It was restored in 147 AD. The bridge is named after Marcus Vipsanius Agrippa, a close friend of the Emperor Augustus. Agrippa married Julia, the daughter of Augustus, and the couple lived in a villa on the opposite bank of the River Tiber. To connect his villa to the Field of Mars, where Agrippa had built several important monuments, it has been suggested that Agrippa constructed the Pons Agrippae.The remains of four piers from the bridge were discovered in 1887; these are still somewhat visible on the right bank, but are mostly under water. These piers are misaligned with the modern current. The Pons Agrippae survived into the Middle Ages, connecting the area of the Palazzo Farnese with the Villa Farnesina, supposedly built on the site of Agrippa's villa. One arch of a bridge that connected the Palazzo Farnese to the Pons Agrippae is still intact. The Pons Agrippae was demolished when Pope Sixtus IV ordered a new bridge to be constructed, the Ponte Sisto.

Santi Giovanni e Petronio dei Bolognesi is a Roman Catholic church in central Rome, Italy. It is named after the Saints John the Evangelist and Petronius, who are patrons of the city of Bologna. This church was made the "national church" of the Bolognese in Rome in 1581, by order of Pope Gregory XIII. It is located in the Rione of Regola, on Via del Mascherone, across the street and just south of the Gardens behind the Palazzo Farnese. It is today the "regional church" of Emilia-Romagna. Mention of a parish church on the site was mentioned by 1186, and it was attached to the church of San Lorenzo in Damaso. At the Time it had a name of Sanctae Thomae de Yspanis (of Spain), and later San Tommaso dei Muratori, or della Catena, or dei Frati. The church was in disrepair, when Pope Gregory XIII Boncompagni, commissioned the Bolognese architect Ottaviano Mascherino to rebuild it as the national church of his countrymen. An adjacent oratory was built in 1601, but later razed. The facade was rebuilt in the late 17th century. The church property was once expropriated but returned to the church in 1940. Most of the artists originally decorating the church were Bolognese, but many of the paintings were removed and some are lost. The painting to the right of the altar about the Transit of St Joseph was painted by Francesco Gessi, while the painting of Santa Caterina da Bologna (now lost) was painted by Giovanni Giuseppe dal Sole. The main altarpiece with a Virgin, Baby Jesus, and Saints John the Evangelist and Petronio was painted by Domenichino; it is now in the Galleria Nazionale d'Arte Antica in Palazzo Barberini of Rome. The missing altarpieces are replaced by works from unattributed artists. The tomb of Alessandro Algardi was destroyed. The virtues frescoed on the pennants were by Pompeo Aldrovandini. It is a titular church. Its Cardinal-Priests have been: Giacomo Biffi (1985–2015) Baltazar Enrique Porras Cardozo (2016–present)

The Fontane della Piazza Farnese are two identical decorative fountains located in the Piazza Farnese, in front of the Palazzo Farnese in Rome, Italy. They were placed in the Piazza in the 16th century. The granite stone basins of the fountains are believed to come from the ancient Roman Baths of Caracalla. The emblems on the upper part of the fountain are those of the Farnese family, and the builder of the Palazzo, Cardinal Alessandro Farnese, later Pope Paul III.

Palazzo Farnese ([paˈlattso farˈneːse]) or Farnese Palace is one of the most important High Renaissance palaces in Rome. Owned by the Italian Republic, it was given to the French government in 1936 for a period of 99 years, and currently serves as the French embassy in Italy. First designed in 1517 for the Farnese family, the building expanded in size and conception when Alessandro Farnese became Pope Paul III in 1534, to designs by Antonio da Sangallo the Younger. Its building history involved some of the most prominent Italian architects of the 16th century, including Michelangelo, Jacopo Barozzi da Vignola and Giacomo della Porta. At the end of the 16th century, the important fresco cycle of The Loves of the Gods in the Farnese Gallery was carried out by the Bolognese painter Annibale Carracci, marking the beginning of two divergent trends in painting during the 17th century, the Roman High Baroque and Classicism. The famous Farnese sculpture collection, now in the National Archeological Museum of Naples, as well as other Farnese collections, now mostly in Capodimonte Museum in Naples, were accommodated in the palace.